Monday, May 18, 2026

Comics: A Few Details About Alex Schomburg, Artist

 

Alex Schomburg was born Alejandro Schomburg on May 10, 1905 in Aguadilla, Puerto Rico according to the Civil Registration at Ancestry.com. His death certificate had the name Alexander Anthony Schomburg. Schomburg’s parents were Guillermo Schomburg and Francisca Rosa.

The 1910 United States Census counted Schomburg (line 30) as the youngest of seven siblings who were Arturo, Guillermo, Carlos, Augusto, Oma and Federico. His father was a widower. The family and three housekeepers lived in San Cristobal, Puerto Rico.


On November 28, 1917, Schomburg (line 3) and his brother, Federico, were aboard the ship Coamo when it departed San Juan, Puerto Rico. They arrived in New York City on December 4, 1917. The passenger list recorded Schomburg’s birth date as April 24, 1906.


In the 1920 census the Schomburg brothers adopted new names. Carlos was Fred, an export salesman (he was Charles Frederick on his World War I draft card); Augusto was August, an artist; Federico was William, an export clerk; and fourteen-year-old Alejandro was Alex (line 94), a student. They lived in Manhattan at 630 West 124th Street.


The 1925 New York state census said Schomburg (line 43) and his brothers, Charles (aka Fred) and August, were commercial artists. They resided at 65 West 46th Street.
 
 
Schomburg married Helen Scott on November 7, 1928 in Manhattan. At the time, Schomburg lived at 587 Riverside Drive.


The 1930 census recorded Schomburg (line 24) and his wife in the Bronx at 1240 Walton Avenue. He was an artist in the film industry.


Schomburg’s brother, Charles, passed away on February 2, 1933. He was laid to rest at the Fresh Pond Crematory and Columbarium.

One of Schomburg’s clients was Thrilling Wonder Stories. The June 1939 issue profiled its contributors including Schomburg.
Born in N.Y.C. [sic] in 1905. Studied art under private teacher.

Started own studio about 15 years ago. Built window displays, illustrated song slides for theatre organists. Later sold business to slide manufacturer and worked for them. Four years later joined large film company as a staff artist.

First did magazine illustrations more as a hobby than anything else. Mostly Westerns and Detective stuff. One day the publisher asked me to do an illustration for Thrilling Wonder Stories. I had always been interested in science fiction and he liked the way I handled the art work.

I enjoy reading the story as much as doing the illustrations. In my opinion an illustration is very important. For instance, give the same story to two different persons ... then ask them to picture a certain scene. You can bet they’ll be entirely different.
According to the 1940 census, enumerated in April, Schomburg and his wife had a seven-year-old son, Richard. They were Bronx residents at 2165 Ryer Avenue. The artist earned $5,000 in 1939.


Schomburg signed his World War II draft card on October 16, 1940. His Bronx address was 2691 Reservoir Avenue. Schomburg was employed by the National Screen Service. His description was five feet four inches, 130 pounds, with brown eyes and hair.


A list of Schomburg’s comic book work is at Grand Comics Database. Who’s Who of American Comic Books 1928–1999 has an overview of his career.

Manhattan city directories, from 1942 to 1946, listed Schomburg’s office at 690 Eighth Avenue. The 1947 Darien, Connecticut city directory said Schomburg, a commercial artist in New York, lived at 21 Green Avenue in New Canaan. That address was added to his draft card.

The 1950 census said Schomburg had an eight-year-old daughter, Diana. He was a self-employed commercial artist who earned $7,900 in 1949.


The 1955 Darien directory said Schomburg and his son, Richard, had moved to Seattle, Washington. Apparently they lived there a while then moved to Spokane. 
 
 
The Spokesman-Review, October 11, 1957, said
Two “Sputnik” Watchers Say they Saw It
Two Spokane residents yesterday reported they believed they saw the Russian Sputnik at around 5:45 a.m.

One was Alex Schomburg, N921 Burns road, who said he saw what looked like “a very bright star” directly overhead. The object, which he watched through binoculars, moved south out of sight, after “10 or 11 minutes.” ...
Schomburg was in the 1958 Spokane city directory. His address was N921 Burns Road. In 1962 Schomburg moved to Newberg, Oregon.

Schomburg’s daughter, Diana, was an artist who was profiled in the Spokane Daily Chronicle, May 11, 1964.

In the early 1960s, Schomburg painted mural for Portland General Electric. The story of Schomburg’s work was told in the Sunday Oregonian, January 29, 2014. Restoration of the painting was told here and here.

On April 11, 1970, Schomburg filed a claim for Social Security benefits.

In 1977 Schomburg did commissions for Collectors Showcase which auctioned the paintings.



Schomburg was a convention guest at the 1976 Portland Alliance of Fans; 1977 All-American Comic Con in Portland; Palouse Empire Science Fiction Association’s 1979 Moscon 1 in Moscow, Idaho; Portland Science Fiction Society’s 1979 OryCon; and 1984 Westercon 37.

Schomburg was featured in the Oregon Journal, June 28, 1977, and Isaac Asimov’s Science Fiction, August 1979. Steve Duin, political columnist of The Oregonian, produced two illustrated profiles of Schomburg. A four-page article appeared in the Sunday Oregonian’s Northwest Magazine, March 24, 1991. Comic Book Marketplace, August 1995, published a seven-page feature. Material from those profiles appeared in his 1998 book, Comics, Between the Panels.

Schomburg’s brother, August, passed away in February 1973 in New Jersey. His wife, Helen, died on February 26, 1985 in Oregon. Three years later his daughter, Diana, died on October 4, 1988.

Schomburg passed away on April 7, 1998. An obituary appeared in The Oregonian, April 10, 1998.
A funeral will be at 2 p.m. Friday, April 10, 1998, in Attrell’s Funeral Chapel in Newberg for Alex Schomburg, who died April 7 at age 92.

Mr. Schomburg was born May 10, 1905, in Agiadilla, Puerto Rico. He moved to New York City as a youth and worked in his bothers’ commercial art business, whose clients included Great Northwestern Railway. He later illustrated comic books, pulp magazines and science fiction novels, for which he attained prominence. He lived in Spokane from 1954 until moving to the Newberg area in 1962. In 1928, he married Helen Scott; she died in 1985.

Survivors include his son, Richard of Hillsboro; and five grandchildren. A daughter, Diana Beaudry Thiessen, died in 1988.

Interment will be in Valley View Memorial Park in Newberg.
The Comics Journal, May 1998, published an obituary.

Schomburg’s son, Richard, died on February 17, 2015 according to a death notice in The Oregonian, March 15, 2015.

 
Further Reading and Viewing
(Next post on Monday: Art Direction 1962)


Monday, May 11, 2026

Street Scene: Jack Kirby Way

Today at noon, May 11, 2026, the street sign unveiling ceremony will be at the northwest corner of Essex and Delancey Streets. Nearby subway stations at 2nd Avenue, Delancey Street and East Broadway (F Line); Essex Street (J, M and Z Lines); Grand Street (B and D Lines). Guests included Paul Levitz, Jim Steranko and Mark Evanier.

Kirby (Kurtzburg) Manhattan Addresses
1910 United States Census: 136 Suffolk Street
1917 World War I Draft Card: 147 Essex Street
1920
United States Census: 131 Suffolk Street
1930
United States Census: 172 Delancey Street

Atlas of the Borough of Manhattan, City of New York
G.W. Bromley & Co., 1916
Plate 17




 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Looking East
 
Looking West

Looking West
 
Left to right: Jillian, Tracy and Jeremy Kirby, New York City
Council Member Christopher Marte, and Roy Schwartz
 




Buttton
 
Related Posts
 
 
(Updated 10:55 pm; next post on Monday: A Few Details About Alex Schomburg, Artist)



Monday, May 4, 2026

Comics: Charles Paris, an Artist, Inker and Letterer


Charles Spurgeon Paris Jr. was born on September 25, 1911 in Greensboro, North Carolina according to the North Carolina Birth Index (at Ancestry.com) and his World War II draft card.

The 1920 United States Census counted Paris (line 89), his parents, Charles and Ida, and brothers, Henry and James, in Greensboro at 103 South Cedar Street. Paris’s self-employed father was a paper hanger.


The Greensboro Daily Record, July 26, 1921, reported Paris’s fall from a tree. The injury required removal of his right kidney.

Paris’s poster for “H. M. S. Pinafore” was reproduced in the Greensboro Daily Record, May 14, 1929.


The Greensboro Daily Record, January 25, 1930, listed the mid-term high school graduates. Paris was one of 49 students. The 1930 census said the Paris family (lines 4 through 8) was at the same address. Paris’s occupation was listed as “commercial advertiser” in the theater industry.


The 2007 book, Batman: The Sunday Classics 1943–1946, said “Paris also worked for a theater chain for eight years, designing poster displays.” In Alter Ego #19, November 2002, Ike Wilson interviewed Paris who said
My first job was in a movie house here on South Elm Street called The Alamo. It’s long, long gone but it was a part of a chain that Paramount bought out. There were the Alamo, the Imperial, the National, and the Carolina Theatres, all of which were included in the same company and were of importance in that order. I worked for them for about seven or eight years and worked my way up to where I was working at the Carolina.
The 1933 Greensboro city directory listed Paris as a commercial artist.

The Greensboro Daily News, July 8, 1945, said Paris moved to New York City in 1934.

Paris and Phoebe Tuulikki Ketonen obtained marriage license number 15696, in Manhattan, on July 10, 1937. They married on September 25, 1937 in Brooklyn. Their marriage reported in the News and Record, October 3, 1937.
Charles Paris, and Miss Ketonen Wed in New York
The marriage of Miss Phoebe Ketonen, of Brooklyn, N. Y. and Charles S. Paris, of New York city, formerly of Greensboro, was solemnized Saturday afternoon, September 25, in a 3 o’clock ceremony at 44th Street Lutheran church in Brooklyn. Just the immediate family attended. Rev. Mr. Joka officiated.

After the service there was an informal reception at the home of the bride’s mother, Mrs. H. M. Illka, in Brooklyn. The young couple are now at home in New York city at 29 East 11th street.

The bridegroom is eldest son of Mr. and Mrs. Charles S. Paris, of 103 South Cedar street, Greensboro. After graduation from Greensboro high school he studied art in Washington and New York city and is now house artist for Wannamaker’s in New York. The bride’s parents were natives of Finland, her father, the late Rev, H. Jalmar Ketonen, having been sent from Finland as a missionary to the United States by the Finnish Methodist church. She is a graduate of Bayridge School for Girls and is a talented musician.
Batman: The Sunday Classics said Paris graduated from Pratt Institute’s School of Fine and Applied Arts in 1938. Paris was not in the 1938 Prattonia yearbook. He probably completed the courses in the evening school. The Greensboro Daily News, July 24, 1938, said
Now Charles Paris is studying at the Art Students league in New York, still at night, and working for Wannamaker’s [sic] in the day time. And he is not satisfied yet.
The 1940 census said Paris (line 69) and his wife were Manhattan residents at 29 East 11th Street. He was an artist at a department store and she a clerk at an aviation company.


Six months later Paris signed his draft card on October 16. His employer was the John Wanamaker Company. Paris was described as five feet, 125 pounds, with blue eyes and brown hair.


According to Batman: The Sunday Classics, Paris studied at Harvey Dunn’s Grand Central School of Art where he met DC artists Stan Kaye, Cliff Young and Gene McDonald. In Spring 1941, Paris met John/Jack Lehti at Dunn’s student get-together. In Alter Ego #19, Paris explained how he got into comics.
I was going to the Grand Central School of Art, studying under Harvey Dunn, who was a very famous illustrator. Some of the fellows in that class were working for DC at that time, so I knew them there. Every year in the spring, after school was out, Dunn would have a cookout for the students and past students. It was at one of those that [comic artist] Jack Lehti asked me if I’d like to be his inker. I had to ask him what an inker was, because I was in the department store display at that time. He told me and advised me to keep my job while he taught me how to ink. I inked for him for about two or three months, when he told me I could quit my job. From then on, I was into comics; I just fell in the back door.
Lehti helped Paris get hired in DC’s bullpen. The Grand Comics Database said Paris inked and lettered Lehti’s Crimson Avenger in World’s Best Comics #1, Spring 1941; Detective Comics #51, May 1941; Detective Comics #52, June 1941; Detective Comics #53, July 1941; Detective Comics #54, August 1941; Detective Comics #55, September 1941; Detective Comics #57, November 1941; Detective Comics #58, December 1941; Detective Comics #59, January 1942; Detective Comics #60, February 1942; Detective Comics #61, March 1942; Detective Comics #62, April 1942; World’s Finest Comics #5, Spring 1942; Detective Comics #64, June 1942; Detective Comics #65, July 1942; Detective Comics #66, August 1942; Detective Comics #67, September 1942; Detective Comics #68, October 1942; Detective Comics #69, November 1942; Detective Comics #70, December 1942; Detective Comics #71, January 1943; Detective Comics #72, February 1943; Detective Comics #73, March 1943; Detective Comics #74, April 1943; Detective Comics #75, May 1943; Detective Comics #76, June 1943; Detective Comics #77, July 1943; and Detective Comics #78, August 1943.

Detective Comics #59, January 1942
Complete story at Four-Color Shadows

In Comics: Between the Panels (1998), had this Paris anecdote about Lehti.
“Jack Lehti was a dogface,” Paris said. “He told me one time that he jumped into a foxhole in France and there was a copy of Detective Comics, with the Crimson Avenger. It gave him a funny damn feeling. Here he is lying out in the middle of nowhere, he might as well be on another planet with shells falling around and dead people and mud and dirt . . . and there’s a copy of a DC comic book. A whole other life flashed through his head.”
In 1943 Paris was called to serve and was classified 4F, not acceptable for service.

American Newspaper Comics (2012) said Paris was the inker on the Batman and Robin comic strip. He did the daily strip from October 25, 1943 to February 9, 1946, and March 25 to November 2, 1946; the Sunday strip from November 7, 1943 to April 21, 1946, and August 25 to October 27, 1946. In Alter Ego, Paris said
[Editor] Whit [Ellsworth] then offered me the dailies and Sundays to ink. The dailies were drawn by Kane and the Sundays by Jack Burnley. And if memory serves me correctly, I went to Jerry Robinson and asked him if it’d be all right with him if I took the job. He said, “Yes,” and I jumped at it because it immediately doubled my salary and got me out of the bullpen. I could work at home and work all night and sleep all day if I wanted to, as long as I made the deadlines. And that was one of the great advantages in freelancing for the comic books. … So I took this job and worked probably for three years or so before it was dropped. …
Freelance artist Paris (line 8) and Phoebe were at the same address in the 1950 census. At some point they divorced.

 
The Arizona Daily Star (Tucson, Arizona), November 30, 1956, said Paris and Isabel McQueen Morris were issued a marriage license. Batman: The Sunday Classics said Paris moved to Tucson in 1958. DC mailed pages to Paris who continued inking to 1968.

Paris and Isabel’s divorce notice appeared in the Tucson Daily Citizen, October 31, 1959. Paris’s third divorce, from Anne Gerry Paris, appeared in the Tucson Daily Citizen, September 9, 1967.

Paris, as Chuck Paris, copyrighted his song “Blue Norther” in March 1961.

On August 1, 1973, Paris filed a claim for Social Security benefits.

On February 17, 1989, a fire destroyed Paris’s home. On November 3, 1989, Paris was one of the featured guests at Acmecon in Greensboro.

Greensboro News & Record, November 3, 1989

A 1989 photograph of Paris appeared in Entertaining Tucson Across the Decades, Volume 2: 1986–1989.

Paris passed away on March 19, 1994 in Tucson.


Related Letterer Posts










 
(Next post on Monday: Jack Kirby Way)

 

Monday, April 27, 2026

Under Cover: Art Direction 1961

 
January: Arthur Eckstein and Bernard Stone
 

 
 

 
March: Norman Gollin
 

 
April: Bernard Owett
 

 
 May: Zoltan N. Kiss



June: Salvatore J. Taibbi


 
July: Bud Blake
 


 
August: George Samerjan
 


 
 September: Herb Lubalin
 


 
October: Ken Saco
 

 
November: George Guido
 

 
December (cover colors are black and blue): Chuck Ax