Showing posts with label Batman. Show all posts
Showing posts with label Batman. Show all posts

Monday, January 1, 2024

Comics: A Few Details About Jerry Robinson, Letterer, Inker and Artist (Plus Ernie Kovacs, Teenage “Pirate”)


Jerry Robinson was born on January 1, 1922 in Trenton, New Jersey according to an interview in Alter Ego #39, August 2004. His first name, Sherrill, was recorded on his birth certificate which was partially transcribed at Ancestry.com. The middle name, David, was on his World War II draft card. Robinson’s parents were Benjamin (1881–1970) and Mae (1884–1968) and siblings, Harold (1907–1963), Avner (about 1909–1983), Maury (1911–1974) and Edith (1914–2008). 

In the 1920 United States Census, Robinson’s parents and siblings (lines 41–46) lived at 38 Atterbury Avenue in Trenton. His father was a theater manager. 


The Robinson family has not yet been found in the 1930 United States Census. 

The Trenton Evening Times, March 21, 1936, said
Har Sinai Plans Special Service
Dr. Pitt Will Be Speaker; Confirmation Day Arranged

The guest speaker during the regular Sabbath Eve service at Har Sinai Temple tomorrow night will be Dr. Lawrence J. Pitt, pastor of the methodist Episcopal Church of Princeton, N.J. Dr. Pitt formerly was at Greenwood Avenue Church, Trenton. ...

... Confirmation services at Har Sinai Temple will be held on Wednesday at 9:30 A.M. The following children of Har Sinai Temple will be confirmed: ... Jerry D. Robinson ...
In the interview conducted by Jim Amash, Robinson did not identify his Trenton high school. He said “I drew posters for my high school’s plays, like The Pirates of Penzance.” One of his schoolmates was comedian Ernie Kovacs. The Trenton Evening Times, March 17, 1937, said Kovacs “will have the role of Pirate King in ‘Pirates of Penzance’.”


Kovacs was a student at Trenton Central High School and a senior in the 1936 Bobashela yearbook. Kovacs, a 1937 graduate, was held back a year because of poor grades in several subjects.

Kovacs in 1936 yearbook

In 1939 Robinson graduated from Trenton Central High School. (The 1939 Bobashela yearbook was not available at Ancestry.com.)

In the History of Comics (1970), Jim Steranko said 
... [Bob] Kane recruited the services of his assistant, Jerry Robinson. ... Kane was impressed by the art work and told him about the Batman strip, suggesting he might be interested in assisting with the book. Robinson began in September 1939. He was 17.

Robinson, intending to pursue the profession of journalism at Columbia [University], was soon caught up in his enthusiasm and the popularity of Batman. He worked with Kane, first lettering, then pencilling backgrounds and finally inking. ...
Regarding the creation of Robin, Amash asked if the name and costume were essentially his ideas?
Well, I wouldn’t say entirely. ... It was a collaborative creation, but the genesis of Robin’s name and look came from Robin Hood. 

The last touch was the “R” on Robin’s chest. If you look at the early Batman stories I lettered—the beginning of each caption—the first letter I enclosed in a circle and dropped out the line. I thought that would be a counterpoint to the Bat emblem on Batman’s chest. 
In Comic Book Marketplace #70, August 1999, Will Murray interviewed Robinson and also asked about the creation of Robin.
... I knew N.C. Wyeth drawings of Robin Hood, so I sketched the traditional costume of Robin ... and put the little “R” on it.

I had been doing all the lettering and had been using the gimmick of putting the first letter of each caption in a circle, but dropping out the line. I thought the “R” on Robin’s vest would be analogous to Batman’s insignia. If you look at the rest of the costume, the little vest, ‘chain-mail’ pants, and the boots were a la Robin Hood. [see Todd Klein’s blog post on Robinson] 
Robinson said he rented an apartment within walking distance from Kane who lived with his parents in the Bronx. According to the 1940 census Kane’s address was 2255 Grand Concourse. Robinson was counted twice in the census. Robinson’s parents included him (line 33) in Trenton at 643 West State Street. Robinson (line 32) resided in the Bronx at 2298 Creston Avenue. His occupation was artist. 




Around 1941 Robinson moved. Steranko said
... Robinson shared an apartment on 33rd Street with another DC artist, Bernie Kline [sic]. They had installed two drawing boards, one of which was so big that two people could work on it at the same time. The flat became a hangout for comic men. Frequently a half dozen artists and writers like Charles Biro, Bob Wood, Mort Meskin and Whit Ellsworth would congregate there to finish a few pages and discuss storytelling techniques.
I believe the address was 207 East 33rd Street which was recorded on Robinson’s World War II draft card, signed on June 30, 1942. Robinson’s description was five feet seven-and-a-half inches, 125 pounds, with brown eyes and hair. 


In many Fall 1946 magazines and newspapers were advertisements for Pond’s Cold Cream endorsed by Ruth Conrad. The first paragraph said
Miss Ruth Conrad, daughter of Mr. and Mrs. Claude L. Conrad, prominent in the musical and artistic circles of Rochester, N.Y., is engaged to Mr. Jerry D. Robinson of New York City. Another Pond’s engaged girl ...


The Jackson Citizen Patriot (Michigan), October 6, 1946, said 
... Miss Ruth Conrad, Rochester, N.Y., formerly of Hillsdale college student, appears in a cosmetic advertisement in the latest issue of Life magazine. Miss Conrad, formerly of Quincy, is the daughter of Mr. and Mrs. Claude L. Conrad. Her engagement to Jerry D. Robinson, New York, has just been announced.

In the fall of 1946, they married in New Jersey. In the interview, Robinson did not mention his first marriage. 

Robinson was misspelled Robenson.

In 1949 their divorce was granted in Florida according to a record at Ancestry.com. 

The 1950 census said Robinson (misspelled Robison) was divorced. He was a self-employed cartoonist living in Manhattan at 67 Riverside Drive. He had completed two years of college (line 11). 


Robinson was one of many cartoonists who visited U.S. military bases around the world. The following June 3, 1956 passenger list included Robinson, Marjorie Johnson, Michael Berry, Tony DePrita and Vernon Greene. 


The New York, New York Marriage License Index, at Ancestry.com, said Robinson and Gro Bagn obtained, in 1957, Manhattan marriage license number 29653. 


Further Reading
The New York Times, December 9, 2011
Timely-Atlas-Comics, Jerry Robinson (1922–2011)—The Timely Years
Columbia University Rare Book & Manuscript Library, Formation of a comic book artist
Syracuse University Libraries, Special Collections Research Center
Barry’s Pearls of Comic Book Wisdom, Jerry Robinson interview, 1988
Amazing World of DC Comics #4, January–February 1975


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Monday, October 29, 2012

Lettering: The New Superadventure Colorforms Set


When I was at Continuity Associates, Neal Adams had the Colorforms account. In the early 1980s, he gave “The New Superadventure Colorforms Set” lettering and production work to me. The lettering, four figures of Superman, Wonder Woman, Robin and Batman, and the background were drawn separately; a photostat of each was made. The photostats of lettering and art were moved around to make the final composition, which was photostatted and delivered to Colorforms. Below is the final production art for the toy box; the border measures 10.25 by 13.25 inches / 26 by 33.7 centimeters.



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(Next post on Monday: The Little Box of Horse Laughs)

Monday, August 6, 2012

Under Cover: Tales of the Dark Knight


Mark Cotta Vaz proposed to DC Comics a book celebrating Batman’s fiftieth anniversary. This book was handled by Joe Orlando, who was DC Comics’ Editor for Special Projects. Ballantine Books was chosen to publish the book.

MONDAY, JUNE 27, 1988

10:00 AM meeting at Ballantine Books, 201 East 50th Street, with Risa Kessler, editor, Stephen McNabb, copy editor, Fred Dodnick, production manager, and Alex Klapwald, production assistant.

At the meeting I was given a copy Vaz’s proposal plus a number of Batman books and posters for reference. Risa Kessler wanted the cover to incorporate Batman into the city architecture/skyline as Frank Miller had done in one of his Dark Knight Returns illustrations. She also hoped to get Miller to do the cover for this book. A date was set for me to present cover concepts.


SUNDAY, JULY 24, 1988

I began working on cover concepts. I incorporated Batman into the skyline with a bat reflected in the river. The title was off to the side like the Dark Knight Returns book.


One of the reference books from DC was Batman: Son of the Demon which showed Batman atop a building. I thought of trying something similar to what Will Eisner had done on the splash pages of The Spirit in which the letters S-P-I-R-I-T are part of the scene. 


What I came up with wasn’t clever like The Spirit but more like the biblical movie posters for Ben-Hur and King of Kings; the titles were in perspective and built of stone with characters from the movie placed in and around the letters.


I always preferred the Chrysler Building over the Empire State Building. The title became part of the architecture. Like the Son of the Demon cover, I had Batman looking down at the street.


FRIDAY, AUGUST 5, 1988

11:45 AM meeting at Ballantine Books to present my cover concepts.

Risa liked the concept of Batman in the skyline but Stephen, Fred and Alex preferred Batman on the
Chrysler Building (my favorite, too). The concept of Batman on the Chrysler Building plus photos of the Chrysler Building, for reference, were sent to DC Comics.

A few weeks later, the finished illustration was delivered to Ballantine Books. Sigmond Pifko, the illustrator, did the airbrush art on 30 x 40 inch illustration board. I was given an 8-by-10-inch color transparency of the illustration so I could do the cover mechanical. Using a scanner drum to make color separations of the art was the norm in the publishing industry. The transparency I had could have been scanned but Fred decided to make a conventional camera separation from the original illustration. As you may know, a transparency has a slight blueish tint. The typeface for the subtitle and author’s name was supplied by Photo-Lettering who photographically manipulated the type to match the perspective of the title. The book was published shortly after the release of Tim Burton’s Batman movie.

Cover proof; originally, the book measured
9 by 12 inches / 22.9 by 30.5 centimeters.

The book measured 8.375 by 10.875 inches
/ 21.3 by 27.6 centimeters.

Although Frank Miller did not do the cover, I think Pifko, a Canadian, did a terrific job. Sometime after the book was published in 1989, I called him. He told me that he had my concept drawing and a pencil drawing from Orlando, who had refined my design and changed the attitude of Batman from looking down to turning and looking at you. A similar approach was used on The Amazing Spider-Man Annual 37, July 2010.


A “parody” of the cover was published as the cover of VAR Business, November 1991, which was included in the Print Regional Design Annual 1990. I mentioned it to Robbin Brosterman, a designer at at DC Comics, who informed Lillian Laserson, DC’s in-house counsel. A series letters between DC, VAR and CMP Publications resulted in a clarification.


(Next post on Monday: Herb Lubalin, part 1 of 7)