Showing posts with label National Comics Publications. Show all posts
Showing posts with label National Comics Publications. Show all posts

Monday, November 6, 2017

Comics: Selma Meyers Gleit, Forgotten Artist


Selma Meyers was born April 15, 1928, in Brooklyn, New York. The birth date is based on information at Tributes.com and Dignity Memorial.

In the 1930 U.S Federal Census, Selma was the second and youngest child of Louis, a baker, and Cecilia, who were Polish emigrants. Selma’s older brother was “Abie” [Abraham]. The family resided in Brooklyn at 1456 44th Street

The 1940 census recorded the Meyers’ new address in Brooklyn, 114 Manjer Street, and two additional children, Harriet and Melvin.



Selma graduated from New York City’s School of Industrial Art in 1945. On page 14 of the yearbook was Meyers’ name, specialty and achievements: “Silk Screen. Valedictorian; General Excellence Award; Designed commencement program cover.” The Class of 1945 included Rocco Mastroserio, Joe Orlando, Peter Pandolfi, Gaspar Saladino, and August Scotto

Selma may the person mentioned in Todd’s Blog post, DC Comics’ 1945 Christmas Party. 

The Northport Journal, (New York), June 23, 1949, covered Selma’s marriage.

Gleit–Meyers
The wedding of Miss Selma Meyers and Bernard Gleit took place last Sunday evening, June 12, in the Temple Auditorium in Brooklyn. Immediately following the ceremony, a reception was held in the Auditorium for friends and family of the bride and groom, the guests numbering two hundred. Mr. and Mrs. Gleit left later for their honeymoon trip to Schroon Lake, a resort in the Adirondacks, where they stayed until their return on Sunday, June 19.

Mrs. Gleit a popular Huntington Station resident is a graduate of the Industrial School of Arts Class of 1945, of New York City, and also attended Pratt Institute in that city. She is presently an artist for the National Comics Publications in New York. Mr. Gleit is connected with the Brown and Williamson Tobacco Company.

The young couple are making their home on Jacobson Avenue in Huntington Station, where they are already well known and well liked Mrs. Gleit is the daughter of Mr. and Mrs. Louis Meyers of that community, and Bernard is the son of Mr. and Mrs. Herman Gleit of Broadway in Greenlawn.
In the 1950 census, Selma and her husband were residents of Huntington, New York. She was a freelance artist. Selma is not listed in Who’s Who of American Comic Books, 1928–1999. It’s not clear what her role was at National and which titles she worked on.

The Northport Journal, August 9, 1961, reported the birth of a son.

Mr. and Mrs. Bernard Gleit are the proud parents of a boy born in the Huntington Hospital last Thursday. Mr. B. Gleit is the son of Herman Gleit of the Broadway stationery store.
There were two sons, David and Stephen.

Selma’s husband passed away July 25, 1995 in West Palm Beach, Florida. Selma’s passing was on April 4, 2012 in West Palm Beach.

The Selma Gleit Memorial Scholarship for Women in STEM was established by a granddaughter, Naomi Gleit, in 2015.


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(Updated July 28, 2022; next post on Monday: Searching for Sid Check)

Monday, September 18, 2017

Comics: Joe and Sam Rosen, Letterers


Joseph Walter “Joe” Rosen was born in New York City on December 25, 1920. The birth date is from the Social Security Death Index, and the birthplace and full name were determined from census records. 


Marvel Tales Annual #1, 1964


















Samuel “Sam” H. Rosen was born in New York City on April 4, 1922. The birth date is from the Social Security Death Index and the birthplace was determined from census records. When Sam enlisted in the army he had a middle initial, H. Who’s Who of American Comic Books 1928–1999 said Sam had a pen name, Sam Harold. Presumably, Sam’s middle name was Harold.


In the 1920 census, which was enumerated in January, Joe and Sam’s parents resided in the Bronx at 586 Prospect Avenue. It’s possible Joe and Sam were born in the Bronx. At some point the family moved to Brooklyn.


1930 U.S. Federal Census

Home: 2861 West 33rd Street, Coney Island, Brooklyn, New York
Name / Age / Occupation
David Rosen, 45, proprietor/produce
Esther Rosen, 40, none
Morton Rosen, 13, student
Walter Rosen, 9, student [Was Walter the first name or middle name for Joe?]
Samuel Rosen, 8, student
Theodore Rosen, 6, student
Emanuel Rosen, 2, none
Son[?] Zinkowetsky, 80, (David’s mother-in-law), none
Harry Rosen, 50 (David’s brother), proprietor/produce

1940 U.S. Federal Census
Home: 3625 Mermaid Avenue, Coney Island, Brooklyn, New York
Name / Age / Occupation
David Rosen, 57, blank
Esther Rosen, 52, housewife
Morton Rosen, 23 (cripple), blank
Joseph Rosen, 19 (one year of college), blank
Samuel Rosen, 18 (two years of college), student
Jacob Rosen, 16, student
Emanuel Rosen, 12, student
(enumerator’s note: “This family on Relief, $90 a month; $15 N.Y.A.”)
Harry Rosen, 63 (David’s brother), pillow factory

The 1940 census was enumerated in April.

In Comics Interview #7, January 1984, David Anthony Kraft interviewed Joe who explained how he and Sam got into comics.

My father had a fruit store in Coney Island. In 1940, one of the customers he was well acquainted with mentioned that her son was an artist for Timely—the company that’s now Marvel Comics. The son, George Mandel, is now a novelist. This was during the Depression. My father asked her if her son could maybe do something for Sam. So Mandel introduced Sam to the big letterer of the time, Howard Ferguson, who was working for both Timely and Fox. Fox was Ferguson’s lesser account, and soon he gave it to Sam. Sam got me my first lettering job, at Fox, doing The Blue Beetle.
Alter Ego #81, October 2008 published Jim Amash’s interview with artist Everett Raymond Kinstler.
page 32: Jim Amash: You say that when you got the job at Cinema Comics, there was another artist working there….

Kinstler: His name was Sam Rosen, and he was a letterer. I don’t think he liked me. I was just a young kid coming along, and I’d met people like this all too often, who couldn’t quite make in their fields. It was just a 15-year-old kid’s instinct, but I just don’t think he cared for me very much. It had no consequence to me. …

JA: What were the offices like?

Kinstler: 45th Street between 5th and 6th Avenue in Manhattan was choice commercial property, and still is. The office was modest; it didn’t really have any personality. There was a big reception room where you entered, and there might have been somebody at a switchboard. Hughes’ office was right behind it, and I think there was another private office back there, possibly for an accountant who could come in and out. There was a bullpen that was maybe 10’ by 20’, which contained a couple of drawing tables. Rosen had a drawing board in there. They had drawing boards for people who came in with their strips—like Maurice Gutwirth—to make corrections. They’d come in, sit down, and ink a couple of panels while they were there, or correct something. I don’t think there were more than four of five full-time people there. …
According to the Department of Veterans Affairs BIRLS (Beneficiary Identification Records Locator Subsystem) Death File, Joe enlisted August 21, 1942 and was discharged August 28, 1945. He served in the Army Air Corps.
Sam enlisted February 20, 1943 in New York City. Before Sam left, there was a party for him.


The Talented Miss Highsmith: The Secret Life and Serious Art of Patricia Highsmith
Joan Schenkar
Macmillan, 2009
page 214: 
Elizabeth Hardwick wasn’t the only prominent writer to work for a publishing company which also produce comic books. When Sam Rosen, a letterer for many comics companies, went into the army, his fellow artist Pierce Rice says, “there was a little going away luncheon for him…The participants were: Miss Highsmith, then a comics writer, one of the [comics] editors, the guest of honor, and myself.”

The editor at that going-away luncheon was Stanley Kaufman, later a theater critic for The New York Times and then, for twenty-five years, the film and theater critic for The New Republic magazine….
In the interview Joe explained what he did after the war.
Yeah, I was away in the service for three years, then I came back after the war and went to National—I don’t recall if it was called National or Detective Comics back then. I’d done some work for them before the war. I did one comic for them called The Shining Knight….I worked up at National when Julie Schwartz was an assistant editor. Let’s see…I worked with Mort Weisinger, Jack Schiff….I went to Harvey in 1950 and worked there until the 1970s, when I went to Marvel.
After military service, Sam worked for Will Eisner.

Will Eisner: Conversations
Will Eisner, M. Thomas Inge
University Press of Mississippi, 2011
page 145: Alex Kotsky
“…I was there with Chuck Cuidera, Tex Blaisdell, Sam Rosen was the letterer, Bob Powell did Mr. Mystic, and Nick Viscardi did Lady Luck.”
page 167: Jules Feiffer
“The odd arrangement was that Will sat where the receptionist ordinarily would, in the outer office where he had his drawing table, a rather dark, windowless room, and inside, a larger room than where Will lived, were his staff: letterer Sam Rosen, John Spranger who did some penciling and some inking (he had a wonderful pencil technique, drawing large, clunky, blocky characters….Dave Berg, and I forget who else was around at the time. Later on he hired Jerry Grandenetti.”
In Joe’s interview he talked about lettering at a smaller size.
…Harvey used the big pages from the old times. The first I ever heard of the change to smaller pages for original art was when my brother Sam was complaining about these new, smaller pages they were instituting up at Marvel. He didn’t like it, ’cause he had to letter smaller and it was a strain on his eyes. But I didn’t find that they made that much of a difference.

…Sam was working for Marvel. He had too much work and I didn’t have enough, so I did a story for him. It was Sgt. Fury. And I thought: There’s only one way I’m going to get all this copy in—by making it as small as it was possible to letter it and still make it clear. I actually was not too sure it would be all right. I’m still not sure. But I’ve never had any complaints about it.
Marvelmania Monthly Magazine
#1, April 1970
page 5: Letters to the Editor

Dear Fans,
The pens I use are either B-6 or A-5 speedballs, bit are modified by guiding down and shaping on carborundum stone. Guide-lines are about 3/16 of an inch apart, separated about 1/16 from from another. For heavy lettering, I use A-6 of B-5, once again ground down until it feels right to me. As for the ink, I generally use Higgins black.
––Sam Rosen

















Public records at Ancestry.com have these addresses for Joe.

25 Henry Avenue, West Gilgo Beach, New York, 11702
179 Brendan Avenue Massapequa Park, New York, 11762
3219 Neptune Avenue, Brooklyn, New York, 11224
1530 West 27th Street, Brooklyn, New York, 11224

Sam passed away April 8, 1992. The Social Security Death Index said his last residence was Brentwood, New York. An obituary has not been found.

Joe passed away October 10, 2009. A death notice appeared in the Washington Post, October 12.

On Saturday, October 10, 2009 of Chevy Chase, MD. Son of the late David and Esther Rosen; brother of Emanuel Rosen. Shiva at the late residence for the full week. Memorial contributions may be made to Ezras Israel Congregation, 803 Montrose Rd., Rockville, MD. Arrangements entrusted to Torchinsky Hebrew Funeral Home, 202-541-1001. Call for graveside service time at Garden of Remembrance Memorial Park, Clarksburg, MD.

Further Reading
The Comics Reporter

Grand Comics Database
Sam Rosen
Joe Rosen

Todd’s Blog

Who’s Who of American Comic Books 1928–1999
Sam Rosen
Joe Rosen

Wikipedia
Sam Rosen
Joe Rosen

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(Updated June 12, 2019; Next post on Monday: Variety)