Monday, October 2, 2023

Comics: Ray Burley, Sign Painter, Illustrator, Comic Book Artist and Letterer, and Oil Painter

Raymond Albert “Ray” Burley was born on February 23, 1890, in Ainsworth, Nebraska, according to this World War I and II draft cards. His parents were Albert William Burley of Canada, and Mary Cornish of Indiana. They married in Midvaile, Nebraska on December 12, 1897.

In the 1900 United States Census, Burley (line 54) was the oldest of three brothers. The family included their maternal grandmother. They resided in Blaine, Washington on B Street. Burley’s father was a day laborer.

The 1910 census counted the Burleys in Everett, Washington at 3425 Rucker Avenue. Burley was a sign painter (line 86). The 1911 Everett city directory said Burley’s employer was the Westbrook Sign Company. 

At some point, Burley moved to New York City. 

On June 5, 1917, Burley signed his World War I draft card. His address was 60 West 66th Street in Manhattan, New York City. He was an unemployed artist. His description was five feet nine inches, medium build, with blue eyes and blonde hair. 

Burley’s New York service card said he was inducted on May 27, 1918. He was in Company C of the 51st Pioneer Infantry and served overseas from July 26, 1918 to July 3, 1919. He was honorably discharged on July 10, 1919. A record of his service was in Snohomish County in the War: The Part Played in the Great War by the Soldiers, Sailors, Marines and Patriotic Civilians of Snohomish County, Washington, U.S.A. 

At the Field Guide to Wild American Pulp Artists, David Saunders said Burley studied at the Art Students League from 1919 to 1923. 

Burley contributed illustrations to several pulp magazines. 

Saucy Movie Tales, November 1927
Courtesy of Heritage Auctions

Burley has not yet been found in the 1920 census and 1925 New York state census. 

According to the 1930 census, Burley (line 34) lived in Manhattan at 217 West 14th Street. He was a self-employed artist. His roommate worked in advertising.

The Springfield Republican (Massachusetts), January 18, 1934, said
New York, Jan. 17—The Phelps Publishing company of Springfield, with a claim of $4813, is one of three petitioning creditors who today filed an involuntary petition in bankruptcy in federal court here against the Criterion Magazine Publishing company, inc., publisher of magazines entitled Screen Humor, Radio Play and Twice-a-Month Love Book. The bankrupt has principal offices here at 51 East forty-second street. The other petitioning creditors and their claims are: Weiner Bindery, 207 West Twenty-fifth street, New York, $1500, and Raymond A. Burley, 217 West Fourteenth street, $500.
Aboard the steamship Pennsylvania, Burley departed New York on February 23, 1935. He arrived in San Diego, California (his future home) on March 8, 1935. The passenger list had his address as 3211 Rucker Avenue in Everett, Washington.

Who’s Who of American Comic Books 1928–1999 said Burley’s comic book career began in the late 1930s. The Grand Comics Database has many of Burley’s comics credits. Some of Burley’s early comic book works are at the Digital Comic Museum. He signed the following stories. 

Keen Detective Funnies, #8, July 1938 

War Comics #2, May 1940

Funny Pages #38, June 1940

War Comics #3, July 1940

Amazing Mystery Funnies #24, September 1940

In most of the previous pages, the dialogue was in italics and captions in roman. Burley would adopt this format on his lettering assignments for the Dell Publishing Company.

Burley’s address in the 1940 census was 200 West 16 Street. The artist had his own studio (line 20). His highest level of education was the eighth grade.

Burley’s World War II draft card, signed on April 27, 1942, had the same address. He was self-employed. His description was five feet nine inches, 152 pounds, with blue eyes, gray hair and mustache. 

In the mid-1940s and early 1950s, Burley was lettering for Dell Publishing Company. He worked on many stories by Walt Kelly. In The Best of Pogo: Collected from The Okefenokee Star (1982), George Ward recalled Burley. 
… All those beautiful comic pages were lettered by an old-timer named Ray Burley who lived in the West Village about six blocks from my apartment. Burley was an interesting character. He always had a pipe in his mouth. He did a beautiful lettering job and Walt was very pleased with his work. However, we did laugh that every time we got the lettered pages back from Burley, we had to clean the pipe ashes off. ...
Burley’s lettering appeared in the following Animal Comics from 1944 to 1948. 

#8, April-May 1944: Albert the Alligator

#12, December 1944–January 1945: Ol’ Albert the Alligator; Blackie; Raggedy Animals

#14, April–May 1945: Albert and the Noah Count Ark, see third tier for upside-down word

#15, June–July 1945: Cilly Goose; Raggedy Animals

#18, December 1945–January 1946: Albert and Pogo; Sparky the Fire Dog; Cubs’ll Be Cubs

#20, April–May 1946: Albert and Pogo; Pino and Paint

#22, August–September 1946: Albert and Pogo; Sitara

#23, October–November 1946: Albert and Pogo; Goozy

#24, December 1946–January 1947: Albert and Pogo

#25, February–March 1947: Albert and Pogo

#26, April–May 1947: Albert and Pogo, see bottom tier below; Whaling

#27, June–July 1947: Albert and Pogo

#28, August–September 1947: Albert and Pogo; Nibble and Nubble

#29, October–November 1947: Albert and Pogo

#30, December 1947–January 1948: Albert and Pogo; Nibble

In Funnybooks: The Improbable Glories of the Best American Comic Books (2015), Michael Barrier said 
… The lettering of Kelly’s Pogo Possum stories was farmed out, as so often had been the case with his earlier stories. Anne DeStefano wrote to Kelly in 1952 to tell him that Raymond Burley, a veteran illustrator for pulp magazines and early comic books, had lettered forty-six pages for no. 11, January-March 1953.[25] As before, the results, compared with lettering done by Kelly himself or under his direct supervision, were limp (the lettering is mostly italic) and all too uniform. George Ward said that Kelly was “very pleased” with Burley’s work, even though it seems clear that the expressive possibilities had been suppressed. …
The following pages are from Pogo Possum, #11, January-March 1953. This page from “The Worm’s Turn” has all the letters of the alphabet except X and Z.

This page from the same story has the letter Z.

The letter X is on this page from “Old Mudder Cupboard”. 

Three pages of original art with Burley lettering, from Pogo Possum #1, October–December 1949, show the blue line sketches, lettering and guide lines: “The End of the Rainbow” page 37 and page 48; “The Great Two Gun Fiasco” page 9.

Heritage Auctions has original art pages, with Burley lettering, from the following Pogo Possum issues: #3, August–October 1950: “School for Mice” page 28 and page 29; “Feelin’ Mighty Hale, and Farewell” page 39 and page 40#7, October–December 1951: “New Jag on the Old Bean Stalk” page 29 and page 31.

Advertising Age, July 4, 1949, said 
New officers of the New York Advertising Men’s Post No. 209 of the American Legion, elected on June 20, were: Hugh Norman of Park & Tilford, commander, and Charles R. Bell of American Legion public relations department; Raymond A. Burley, De Bellis, Buoni & Cappo; C. Armond Johnson, Paper Sales Corp.; Glen Lemons, Advertising Novelties, and Warren Rohlfs, F. A. Russo, Inc., vice-commanders.
The 1950 census said Burley (line 2) continued to live at 200 West 16th Street. He was a commercial artist in advertising. Burley earned $4,450 the previous year. 

Art Director & Studio News, August 1954, said
The Advertising Men’s Post 209, American Legion presented the Gray-Russo Annual Award for outstanding service to Raymond A. Burley, artist, 200 W. 16 Street, New York. Mr. Burley has served as artist, layout man, copywriter and editor of the Post’s monthly news-bulletin, Ad Poster.

The award was founded four years ago in commemoration of James H. Gray, James Gray Inc., and Francis A. Russo, F. A. Russo, photographers.
A number of city directories are available at The 1960 Manhattan telephone directory listed Burley at 200 West 16th Street. In the mid-1960s he moved to San Diego. The 1965 San Diego directory listed Burley at 3730 Park Boulevard. The 1968 directory had two listings: “Raymond Burley”, vice-president, Southwestern Artists Association, 5981 Lauder Street; “Raymond A Burley”, retired, 3730 Park Boulevard. 

Burley’s oil paintings were exhibited at the Southwestern Gallery in Balboa Park.

San Diego Union, August 14, 1966

San Diego Union, May 26, 1968

San Diego Union, February 9, 1969

San Diego Union, June 27, 1971

Burley passed away on October 4, 1971, in San Diego, California. He was laid to rest at Cypress View Mausoleum and Crematory

(Next post on Monday: Original Designing Company)

Monday, September 25, 2023

Creators: A Few Details About Alvin Lustig and Elaine Lustig Cohen

Alvin George Lustig was born on February 8, 1915, in Denver, Colorado, according to his World War II draft card. 

In 1920 United States Census, Lustig was the only child of Harry and Jeanette. They were Los Angeles, California residents at 1637 Winona Boulevard. Lustig’s father was a district manager in the motion pictures industry. 

Billboard, September 28, 1929:
L. A. S. M. Picnic a “Wow”
Los Angeles, Sept 21.—The annual picnic and “prestidigitato” of the Los Angeles Society of Magicians was held recently at the Recreation Lodge grounds in Elysian Park here. This year’s affair was given in the form of a basket picnic, thus enabling the committees to elaborate more on the outdoor entertainment. ...

... One of the many surprises of the evening was the clever performance of Alvin Lustig, age 14, who stepped out like an oldtimer and presented a magical performance with all the finish and assurance of a seasoned performer. ...
Billboard, December 21, 1929:
Yendis, of puppet fame; Frank Pewins, Dr. Porter, Jean Speranza, Frank Greatrex, Roger Johnstone, Alvin Lustig, A J. Cantu, Ed Luts, Joe White, Charles Miller, Arthur Valli, Gerald Kosky, E. L. Enochs, Jack McMillen, Paul Green and Frank Allen furnished the entertainment at the recent monthly meeting of the Los Angeles Society of Magicians at the Hotel Rosalyn, Los Angeles.
The 1930 census recorded Lustig, his parents and sister, Sarabelle, in Los Angeles at 1608 Wellington Road. 

In the Summer of 1932, Lustig graduated from Los Angeles High School. Below are pages from the Blue and White yearbook.

According to the 1940 census, Lustig lived at 3967 Cumberland in Los Angeles. He was a self-employed designer who had two years of college. 

On October 16, 1940, Lustig signed his World War II draft card. His address was 11618 Barrington Court, Los Angels, California. He was described as five feet nine inches, 115 pounds, with brown eyes and hair. 

The 1942 California Voter Registration, at, said Lustig was a designer and Democrat whose address was 6931 Paseo Del Serra Street in Los Angeles, California. In six years his life would change.

Elaine Lustig Cohen was born Elaine Althea Firstenberg on March 6, 1927, in Jersey City, New Jersey. Her full name published in the 1945 Jambalaya yearbook. 

In the 1930 census, Elaine was the only child of Herman and Elizabeth. They were Jersey City residents at 217 Fowler Avenue. Her father was a plumber. 

The 1940 census said Elaine, her parents and sister, Marcia, lived in Jersey City at 169 Clinton Avenue. 

In 1945 and 1946, Elaine was a student at Tulane University in New Orleans, Louisiana.

1945 Jambalaya

1946 Jambalaya

Elaine transferred to the University of Southern California where she graduated in 1948. 

1948 El Rodeo

Her engagement was published in the Los Angeles Times, September 19, 1948.
Elaine Firstenberg, daughter of Mr. and Mrs. Herman Firstenberg of Beverly Hills, to Alvin Lustig, son of Mrs. Jeanette Lustig and the late Harry Lustig. The bride-elect was graduated from SC.
The California County Marriage Record (at said they married on December 22, 1948. 

In 1952, Elaine was a registered Democrat who lived at 9126 Sunset Boulevard in Los Angeles. 

The 1953 Manhattan city directory listed Lustig at 132 East 58th Street. In the 1953 New Haven, Connecticut city directory, he was listed as a visiting critic at Yale University. 

Lustig passed away on December 4, 1955 in New York City. Obituaries appeared in The New York Times, December 5, 1955, and The Canadian Jewish Review, January 20, 1956.

The New York, New York Marriage License Index (at said Elaine married Arthur Cohen in Manhattan in 1956.

Elaine passed away on October 4, 2016, in New York City. Three days later, The New York Times published an obituary. 

Further Reading
Who’s Who in America Volume 28 (1954)
Knoll, Economy, Form, Structure
Interiors, September 1946, Alvin Lustig, Designer
Interiors, June 1953, The Lustig Portfolio ’53

Federal Bureau of InvestigationElaine Lustig Cohen
AIGA Eye on Design, As A Famed Designer Goes Blind, His Wife Steps Out From Under His Shadow
Print, March-April 1959
House & Garden, July 1983
Interiors, September 1963, Elaine Lustig Cohen’s Five Storeys
2011 AIGA Medalist: Elaine Lustig Cohen
Art in America, Number 4, 1959, Book Design
Rochester Institute of Technology, Alvin LustigElaine Lustig Cohen

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