Monday, October 6, 2025

Interrobang, Part 1: Martin K. Speckter, Art Director


Martin K. Speckter was born Mordko Szprecher. At age six, he accompanied his parents, Moisze and Chaja, younger sister, Ejdla, and aunt, Frima, when they immigrated to the United States. At the time they were natives of the Republic of Poland. On June 30, 1921, the family was aboard the ship, Lapland, when it departed Antwerp, Belgium. The ship arrived at the Port of New York on July 10, 1921. The Szprechers’ final destination was Omaha, Nebraska.

Lines 17 to 21

The Szprechers adapted to their home with new names. Szprecher became Speckter; Moisze changed to Morris; Chaja to Ida; Mordko to Martin; and Ejdla to Adeline. The new names were recorded in the 1930 United States Census. Their home in Omaha was 2533 North 16th Street. Speckter’s father was a grocer. Who’s Who in the East (1971) said Speckter was naturalized in 1927.

Speckter graduated from Omaha Technical High School. He was a member of the Senate Debating Club. Speckter (below, first row, far right) was a winner in the annual Inter-Club debates.

The Torch 1932 yearbook

Speckter continued his education at Municipal University. The World-Herald, October 9, 1934, said Speckter was elected president of the German club. Who’s Who said he was a student at Omaha University from 1933 to 1935. Speckter was a writer at the World-Herald, 1933 to 1935, and managing editor of McCook Daily Gazette, 1936 to 1939.

According to the 1940 census, Speckter lived with his parents at the same address. He had completed two years of college. Speckter’s occupation was advertising. He earned $650 in 1939.

On October 16, 1940, Speckter signed his World War II draft card which had his full name, Martin Kiehra Speckter. (Who’s Who had the middle name Khiva.) His birth date, May 14, 1915, differed from Who’s Who and his Social Security application birth date, June 14, 1915. Speckter worked at the Omaha Fixture and Supply Company. His description was five feet five inches, 132 pounds, brown eyes and hair.


The World-Herald, July 28, 1943, said
Sgt. Martin Speckter, son of Mr. and Mrs. Morris Speckter, 2533 1/2 North Sixteenth street, received an honorable discharge from the army last week following several weeks of hospitalization resulting from an ailment which seriously affected his sight.

He was assigned to the army’s recruiting office at Richmond, Va., for more than a year following his preliminary training. Before entering the army, Speckter was employed as a newspaper reporter for The World-Herald and the McCook Gazette.

Speckter is expected here Thursday or Friday.
Who’s Who said Speckter was at the Office of War Information in 1944. The World-Herald, July 27, 1967, said
Endless are the tales they tell about Martin Speckter, …

One of the Speckter stories is told by Omaha ad man Jack Dow.

It happened in early 1944 when Jack, then an Army infantry man, had a chance to spend several hours in New York before going overseas. He looked up old colleague Martin Speckter, who was working in New York for the Office of War Information.

This was Jack’s first trip to New York. He had in mind seeing Times Square, the lights of Broad way and that kind of thing.

“Fine,” said Martin, “we’ll do everything you want to do. But first, you’ve got to try the borscht.”

“Thanks,” said Jack, “but to me, borscht is beet soup. I don’t like beet soup.”

“Please,” said Martin, “it’s borscht! Everybody likes borscht. They’ve got some fine Jewish restaurants here that serve wonderful borscht. You anti-Semitic, or something?”
The World-Herald, December 3, 1944, noted Speckter’s upcoming marriage.
Announcement is made by Henry Bank of the approaching marriage of his daughter, Miss Virginia Bank, to Martin K. Speckter, son of Mr. and Mrs. M.J. Speckter, on December 14. Miss Bank is associated with the Douglas County Chapter of the American Red Cross.
According to Who’s Who, Speckter was vice president and creative director at the advertising agency, Bozell & Jacobs, from 1944 to 1955. The World-Herald, November 1, 1946, reported his move to Miami.
Bozell & Jacobs, Omaha Advertising agency, has opened a branch office in Miami, Fla., it was announced Thursday.

Martin K. Speckter, former World-Herald staff member, will be manager of the office. He will be assisted by Edward N. Green, another Omahan. Both men were in Army public relations during the war.

Mr. Speckter will go to his new assignment from the agency’s Los Angeles office.
The 1946 Omaha city directory listed Speckter, an account executive, and his wife at 607 North 34th Street. They have not yet been found in the 1950 census.

The Television Age 1956 Yearbook listed Bozell & Jacobs’ New York office where Speckter was the vice president in charge of creative services. Speckter’s resignation was reported in Advertising Age, June 18, 1956.
Martin K. Speckter has resigned as vp in charge of creative services of Bozell & Jacobs to open his own agency, Martin K. Speckter & Associates. Among his new accounts is the Wall Street Journal. Mr. Speckter originally joined Bozell & Jacobs in 1935.
Martin K. Speckter Associates was located in downtown Manhattan at 32 Broadway. In 1969 Martin K. Speckter Associates merged with Clinton E. Frank Advertising.

Beginning in 1959, Speckter was editor of Type Talks. He wrote about creating the interrobang in the March–April 1962 issue. It was visualized by his agency’s art director, Jack Lipton (below).

 
Image from Shady Characters

The May–June 1962 Type Talks featured interrobang designs by Larry Ottino, Joe Carter and Frank Davies.


Speckter’s interrobang was reported in the World-Herald, May 27, 1962.


In 1967 American Type Founders’s type family, Americana, included an “interabang”. The alphabet was drawn by Richard Isbell
 
Art Direction, July 1967
 
Shortly after Americana’s release, the World-Herald, June 23, 1967, profiled Speckter.


A 1967 issue of Art Direction included interrobang designs by Larry Ottino, Joe Carter, Frank Davies, Raymond Landino and Clarence Noel Johnson.

 
Remington Rand’s 1968 Model 25 electric typewriter included an interrobang. Graphic designer Kenneth Wright, an employee, designed it.


The interrobang was reviewed in Life, November 15, 1968. A headline with an interabang was published in Time, May 31, 1971. The designer is not known.


Speckter retired in 1974. He filed a claim for Social Security benefits on July 10, 1974. Speckter passed away on February 14, 1988 and laid to rest at New Montefiore Cemetery. An obituary appeared in The New York Times, February 16, 1988.


Speckter’s wife, Myrtle Virginia “Penny” Speckter passed away on December 13, 2020. A photograph of Penny appeared in Editor & Publisher, March 3, 1962.


Further Reading
You Call that a Punctuation Mark?! The Interrobang Celebrates its 50th Birthday

 
Posts for October and November
Interrobang, Part 2: Jack Lipton, Designer and Art Director
Interrobang, Part 3: Larry Ottino, Lettering Artist, Designer and Art Director
Interrobang, Part 4: Joe Carter, Lettering Artist and Calligrapher
Interrobang, Part 5: Clarence Noel Johnson, Art Director
Interrobang, Part 6: Kenneth Wright, Graphic Designer
 
 
(Next post on Monday: Interrobang, Part 2, Jack Lipton)

Monday, September 29, 2025

Comics: Matthew Tweedy, Letterer

Matthew Tweedy was born Emanuel Tweedy on May 31, 1910 in the Bronx, New York according to the New York, New York Birth Index at Ancestry.com. The same birth date was on his Social Security application.

The 1915 New York state census counted Tweedy (line 30) as the youngest of three brothers who were Edward and Irving. Their parents were Harry, a milliner, and Katie, both Russian immigrants. The family lived at 30 Clinton Street in Manhattan.


They were at the same address in the 1920 United States Census (lines 33 to 37). (Tweedy was a short walk away from Jack Kirby who lived at 131 Suffolk Street.)



In the 1925 New York state census, Tweedy (line 36), his parents and a brother lived in Brooklyn at 74 Tompkins Avenue.


According to the 1930 census, Tweedy (line 47) lived with his parents in Brooklyn at 2153 Coney Island Avenue. He was a commercial letterer at a studio. Information about Tweedy’s art training has not been found.


The 1937 Directory of New York State Manufacturers listed Tweedy as the proprietor of the sign company, Lettercraft Studio, 60 West 45th Street in Manhattan.

Tweedy’s mother passed away on March 23, 1940. The next day she laid to rest at Mount Judah Cemetery.

Tweedy and Cecelia Stein obtained marriage license number 5345, in Brooklyn, on April 6, 1940. Three days later, the 1940 census counted Tweedy in the household of his in-laws, Harry and Lillian Stein. They were Brooklyn residents at 159 East 96th Street. Tweedy (line 28) was a commercial artist who completed one year of high school. He earned $200 in 1939. At some point Tweedy and his wife divorced.


On October 16, 1940, Tweedy signed his World War II draft card which had an incorrect birth day, May 24, 1910. His address was 357 West 55th Street in Manhattan. Tweedy was employed at the National Screen Service (see The Movie Business: American Film Industry Practice, page 234). His description was five feet seven inches, 145 pounds, with brown eyes and hair. (The Board of Elections in the City of New York, December 31, 1940, had the same address.) Tweedy named sister-in-law, Lillian, as next of kin. She was married to Edward.


The 1944 voter register said Tweedy was a Democrat who lived at 316 West 95th Street.

Tweedy’s father passed away on November 19, 1946.  He was laid to rest at Mount Judah Cemetery.

The date of Tweedy’s start in comics is not known. At the Grand Comics Database, there is a guess that either Ellen Cole or Tweedy lettered Blazing Comics #4, February 1945. However, the lettering does not match the style of either letterer.
 
Patches Comics #3, July 1946, had a house advertisement for Toytown, U.S. No. 1, Taffy Comics and Patches Comics. Some of the talent were credited including letterers Ellen Cole and Tweedy. (Tweedy is listed as “M. Tweed” at Who’s Who of American Comic Books 1928–1999 and the Grand Comics Database.) Cole lettered all the stories in this issue.


Tweedy’s lettering is in Patches Comics #4, September 1946; Toytown Comics #4, October 1946; Taffy Comics #5, November 1946; Patches Comics #5, November 1946; Toytown Comics #5, December 1946; Patches Comics #6, February 1947; Taffy Comics #6, February 1947; Toytown Comics #6, March 1947; Patches Comics #7, April 1947; Taffy Comics #7, April 1947; Toytown Comics #7, May 1947; Patches Comics #8, June 1947; Taffy Comics #8, June 1947; Patches Comics #9, August 1947; Taffy Comics #9, August 1947; Wanted Comics #9, September-October 1947; Patches Comics #10, October-November 1947; Taffy Comics #10, October-November 1947; Wanted Comics #10, November-December 1947; Patches Comics #11, December 1947; Taffy Comics #11, December 1947; Wanted Comics #11, January 1948; Taffy Comics #12, February 1948; Wanted Comics #12, March 1948; Wanted Comics #13, May 1948; Wanted Comics #14, July 1948. His credits are incomplete.

Selected pages from Toytown Comics #6, March 1947

 
Selected pages from Wanted Comics #11, January 1948

 
In the 1950 census, Tweedy (line 11) lived alone at 243 Riverside Drive in Manhattan. He was a self-employed letter artist who earned $5,000 in 1949.


Tweedy’s brother, Irving, passed away on October 2, 1971 in Buffalo, New York. He was a pharmacist fatally shot during an attempted robbery. The date of Edward’s death is not known. Edward’s wife, Lillian died in May 1972 in New York City. Tweedy passed away on July 29, 1972. He was laid to rest at Beth Moses Cemetery.
 
 
Related Posts










 
(Next post on Monday: Interrobang, Part 1, Martin K. Speckter, Art Director)

Monday, September 22, 2025

Under Cover: Nathan Machtey, Illustrator and Art Director

Nathan Machtey was born on March 14, 1907 in Yonkers, New York according to his World War II draft card. His parents were Solomon Machtey and Minnie Rabinowitz, both Russian immigrants.

The 1910 United States Census counted Machtey (line 27) as the fifth of six siblings. The family were Yonkers residents at 4 Jefferson Street. Machtey’s father was a minister.


Young Machtey entered the contests of the New York Evening World’s “Kiddie Club Korner” which was created by Eleanor Schorer. Twelve-year-old Machtey received an honorable mention in the September 4, 1919 newspaper.

The Machteys (lines 94 to 100) were at the same address in the 1920 census. The Yonkers Statesman, June 25, 1920, said Machtey graduated Public School Number Ten. Machtey attended Yonkers High School.  

 
Machtey’s cartoon appeared in the Yonkers Statesman, January 28, 1921.


In 1921 the Evening World had a children’s contest called Summer School of Drawing. Machtey won the ten-dollar award on August 10 (below) and was awarded the consolation prize of one dollar three times for his entries. His name appeared August 8, 10, 12, and 29.

 
Machtey was a member of the Sketch Club. The Yonkers Statesman, November 14, 1922, said
The problem of the Sketch Club of Yonkers High School, at present is the drawings for the first publication of the “Aegis.” All drawings must be in on Nov. 24. The preliminary drawings were submitted last Friday. Joseph Musial is the art editor: Dorothy Graves has charge of headings; Eileen Blackburn is the cover editor; Inger Veise has charge of illustrations of stories; Nathan Machtey has charge of the cartoons, and Dorothy Rellly has charge of outside advertising. Each of these people is responsible for his department. Those who are not selected to finish drawings for the “Aegis” will design Christmas cards. ...
In April 1924 Machtey was one of forty participants who challenged Alexander Alekhine, of Russia, in chess. There were no winning challengers and one draw.

The Yonkers Statesman, June 27, 1924, reported the class of 1924 graduation.
Yonkers High School Sketch Club Scholarships, presented by the Sketch Club from funds earned by the club together with donations from club friends: $100 in cash awarded to Nathan Machtey; $75 in cash awarded to Joseph Musial.
Blackboard yearbook
 
Machtey continued his studies at Pratt Institute in Brooklyn.

Machtey’s watercolor, “Reflections”, was shown at the 1926 Annual Combined Exhibition of the New York Water Color Club and American Water Color Society.

The Yonkers Statesman, June 7, 1927, said
Mr. Machtey is completing a three year commercial art course. He has been specializing in portraits and illustration. Some of his work has been on exhibition at Pratt during this past week. Mr. Machte[y] received the basis for his art training while at the Yonkers High School, from which he graduated in 1924. There he was Art Editor of the Blackboard and the Aegis. His home is 74 Hawthorne Avenue.

Prattonia yearbook

The graduation was covered in the Brooklyn Daily Eagle, June 23, 1927.

In the 1930 census, Machtey (line 54) lived with his parents in Yonkers. He was an artist at “U. Litho”.


On February 19, 1931, Machtey and Ethel Axel obtained marriage license number 1393 in the Bronx. They married two days later.


The early the 1930s were a productive time for Machtey who had publisher, Grosset & Dunlap, as one of his clients. Here are some of Machtey’s covers.

1930
The Bat/The Bat Whispers; Ex-Mistress; Journey’s End; The Office Wife; Put on the Spot

 
1931
$20 a Week; The Big House; The Black Camel (signed with year 30); Charlie Chan Carries On; Cosair; Dolores Divine Guilty or Innocent; Frankenstein; Goal to Go!; Heaven on Earth; Lost Ecstasy; The Man Who Came Back; The Men in Her Life; Penrod and Sam; Personal Maid; Trader Horn; The Trial of Vivienne Ware; Westy Martin in the Sierras; Young Eagle of the Trail


1932
At the Sign of the Queen Pedauque; The Beast of the City; The Heritage of the Desert; The Murders in the Rue Morgue and Other Tales of Horror; Rebecca of Sunnybrook Farm; The Rich Are Always with Us; Tess of the Storm Country; Second Choice; Loot

 
1933
Bulldog Drummond Strikes Back; The Invisible Man; Peg O’ My Heart


1934
Miss Barrett’s Elopement
 

Yesterday’s Gallery & Babylon Revisited has a large selection of Machtey’s jackets.

Machtey’s illustrations appeared in the following magazines and newspaper supplements:

Liberty
July 8, 1933; August 5, 1933; February 12, 1944; March 24, 1945; November 17, 1945

 
This Week
March 15, 1936; February 14, 1937; July 11, 1937; November 7, 1937; November 14, 1943; March 12, 1944; June 11, 1944

The Saturday Evening Post
February 20, 1937

Good Housekeeping
December 1937

Collier’s
December 18, 1943; July 15, 1944; January 13, 1945; April 8, 1945; April 28, 1945; February 9, 1946; May 18, 1946; August 31, 1946;

Farm Journal and Farmer’s Wife
February 1943; June 1943; August 1944; February 1945; and May 1945

The Progressive Farmer
November 1947

 
Woman’s Day
March 1949

According to the 1940 census (enumerated April 5), Machtey (line 27) and Ethel were Manhattan residents at 40 Monroe Street. He was a commercial artist.


The couple registered as Democrats on October 14, 1940. The voter register said their address was 760 Riverside Drive in Manhattan. The same address appeared on Machtey’s draft card which he signed two days later. He was employed at the Board of Education. His description was five feet seven-and-a-half inches, 165 pounds, with gray eyes and blonde hair.


The New York Sun, July 15, 1943, listed the new teachers including Machtey who taught commercial art at Bronx Vocational High for Boys.

In 1948 Machtey moved his family to Miami, Florida. The 1950 census (lines 14 to 17) said his address was 6236 SW 10th Street in West Miami. He was an advertising commercial artist.


At some point Machtey became art director at the Charles Anthony Gross advertising agency. He was listed in the 1956 and 1958 Television Age Yearbook, and the 1962 Radio Annual and Television Year Book.

Machtey’s mother passed away on December 24, 1949, and his father on March 25, 1960.

Machtey passed away on May 20, 1986. His obituary appeared in the Miami Herald, May 23, 1986.
Nathan Machtey, book illustrator
Services were held Thursday for Nathan Machtey, an illustrator of short stories and book covers. Mr. Machtey died Tuesday of a heart attack. He was 79.

Though much of Mr. Machtey’s work was done as a freelance illustrator of action and drama to accompany stories and novels, and later, as a commercial art director, “his most satisfying work was done after he retired and painted full time,” said Ethel, his wife of 55 years.

His heart attack was very sudden, and Mr. Machtey died “with a lot of work he still wanted to do,” she said.

In retirement, Mr. Machtey worked with oils creating landscapes and portraits. He never worked toward a public exhibition, but did sell some of his art to collectors. “Our home is his gallery,” his wife said.

Born in Yonkers, N.Y., most of Mr. Machtey’s work as a freelance illustrator was done while he lived in Manhattan. Through an agent, he would get commissions to illustrate stories for magazines such as Redbook. He would read the stories and decide which episode would be most appropriate for illustration.

“It was fun,” his wife said. “It was interesting and he liked that very much.”

During the 1930s and 1940s, magazines frequently used drawings rather than photographs to illustrate articles, and it was then that Mr. Machtey did most of his freelance work. In addition to illustrating magazines, he also drew book jacket covers for hardcover reprints of movie tales for publisher Grosset and Dunlap Inc. For those, he was required to portray likenesses of the stars, whose “faces were larger than life,” Ethel Machtey said.

With the decline of magazine illustration work after World War II, Mr. Machtey moved to Miami in 1948, getting a job as the art director for a local commercial firm. “It was the first time he ever got a regular job,” his wife said.

Twelve years ago, he retired to salve his own creativity in oil. “They are beautiful pictures,” said his wife.

In addition to his wife, survivors include one daughter, Benita; one brother, Israel; one sister, Bea; and three grandchildren.

The Riverside Hollywood Chapel was in charge of arrangements.

Related Posts
The Gene Thurston Mystery
Bill English
Theodore Nadejen

 
(Next post on Monday: Matthew Tweedy, Letterer)