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Five Points

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Herb Lubalin, Air Mail Stamps

Air Mail—15¢

Designer
Herb Lubalin; lettering: John Pistilli; statue drawn by Joseph Lomberdero.

Engravers
Vignette: R.M. Bower; outline frame, lettering, numeral and plane: G.L. Huber.

First Day
Nov. 20, 1959; New York, N.Y.

Air Mail—25¢

Designer
Herb Lubalin; lettering: John Pistilli; illustrations: Joseph Lomberdero.

Engravers
Portrait: M.D. Fenton; outline frame, stars, lettering, numeral and plane: H.F. Sharpless.

First Day
Apr. 22, 1960; San Francisco, Calif.

Air Mail—10¢

Designer
Herb Lubalin; lettering: John Pistilli; illustrations: Joseph Lomberdero.

Engravers
Vignette: A.W. Dintaman; outline frame, lettering and plane: G.L. Huber.

First Day
June 10, 1960; Miami, Fla.

Air Mail—15¢
(Redesigned)

Designer
Herb Lubalin; lettering: John Pistilli; statue drawn by Joseph Lomberdero (modeled by V.S. McCloskey, Jr.)

Engravers
Vignette: A.W. Dintaman; outline frame, lettering, numeral and plane: R.J. Jones.

First Day
Jan. 13, 1961; Buffalo, N.Y.

Air Mail—13¢ 

Designer
Herb Lubalin; lettering: John Pistilli; Modeled by V.S. McCloskey, Jr. and W.K. Schrage.

Engravers
Vignette: A.W. Dintaman; outline frame, lettering, numeral and plane: J.L. Huber.

First Day
June 28, 1961; New York, N.Y.

Source: Postage Stamps of the United States: July 1, 1847 to December 31, 1965 (1966)

Related Posts
Herb Lubalin, Part 1
Herb Lubalin, Part 2
Herb Lubalin, Part 3
Herb Lubalin, Part 4
Herb Lubalin, Part 5
Herb Lubalin, Part 6
Herb Lubalin, Part 7
Herb Lubalin, Part 8
Herb Lubalin, Part 9
Herb Lubalin, School Days


(Next post on Monday: Merry Christmas, Chinese Festival, Happy New Year)

Comics: Elmer “Tom” Tomasch, a Timely Artist

Elmer John “Tom” Tomasch was born on November 16, 1914, in Cleveland, Ohio, according to his Social Security application at Ancestry.com. His parents were John Tomasch and Julia Kosman, both Hungarian (1920 census) or Czechoslovakian (1930 census) emigrants.

1920 United States Federal Census
Home: 3477 West 126 Street, West Park, Cuyahoga County, Ohio
Name / Age / Occupation
John Tomasch, 36, “cooper”
Julia Tomasch, 28, none
Elmer Tomasch, 5, none
Helen Tomasch, 7, none
(spelled “Thomash” by census enumerator)

1930 United States Federal Census
Home: 3477 West 126 Street, West Park, Cuyahoga County, Ohio
Name / Age / Occupation
John Tomasch, 44, automobile blacksmith
Julia Tomasch, 38, none
Helen Tomasch, 16, none
Elmer Tomasch, 15, newsboy route
Jack Tomasch, 4, none
Olma Taub, 21, exchange operator

Biographical Dictionary of Kansas Artists (active before 1945) said Tomasch graduated from the Cleveland School of Art and Western Reserve University. He received his master’s degree from Kansas State College. Tomasch was a Cleveland public school teacher.

Cleveland Plain Dealer
(Ohio)
June 4, 1933
May Show at the Cleveland Museum of Art
Class of Illustration.
…Other strong exhibitors are Elmer Tomasch…

Cleveland Plain Dealer
June 2, 1935
May Show at the Cleveland Museum of Art
…Entrants from the teacher training classes were…Elmer J. Tomasch.

Missouri, Marriage Records
Name: Elmer J Tomasch
Spouse: Sadie M Pelkey
Marriage: November 22, 1939, Jackson, Missouri

The Lake Placid News
(New York)
December 8, 1939

Placid Figure Skater Weds Art Teacher
A shower and reception for Mr. and Mrs. Thomas [sic] Tomaseh was given recently by friends at the home of Mr. and Mrs. Nelson Pelkey upon the arrival of the bridal couple from Cleveland. The bride is the daughter of Mr. and Mrs. Pelkey and was the former Miss Sadie Pelkey.

Both bride and groom took part at the New York’s World’s Fair. They plan to spend some time here before returning to Cleveland. Mrs. Tomaseh will continue her figure skating and her husband will also take up skating and skiing during his stay here. Among those attending the shower at which the couple received many attractive and useful gifts were: Mr. and Mrs. Frank LaBare, Mr. and Mrs. Gordon Pratt, Louis Perry and Richard Charland of Standish, Miss Katharine Pelkey, sister of the bride, and Mr. and Mrs. Nelson Pelkey.

1940 United States Federal Census
Home: 4012 Franklin Boulevard, Cleveland, Ohio
Name / Age / Occupation
Elmer J Tomasch, 25, public school art teacher
Sadie M Tomasch, 20, New York World’s Fair figure skater

Soon after the census enumeration in April, Tomasch moved to Lake Placid, New York, where Tomasch’s first son, Lyndon, was born on June 10, 1940. Also born in Lake Placid was Kim on July 14, 1947. Tomasch had a third son, Bret. The Biographical Dictionary of Kansas Artists said Tomasch taught at Lake Placid.

An obituary for Sadie said:

As a young woman, Mrs. Tomasch was a professional ice skater and skated with the Ice Capades. While skating at the 1939 World’s Fair, held in New York City, she met and later married Elmer J. Tomasch, a caricature artist also working at the World’s Fair….The Tomasch’s lived in New York City for several years before moving to Manhattan [Kansas] in 1947….

The Lake Placid News
July 12, 1940

Three Lake Placid students are enrolled in the summer school at Syracuse University, Miss Stella McKeown, Charles F. Lehman, Jr., and Elmer J. Tomasch.

The Lake Placid News
August 16, 1940

Among the house guests this week at the home of Mr. and Mrs. Nelson Pelkey are: Mrs. John Tomasch and Mr. and Mrs. Frank Becker, all of Cleveland, O. They are visiting Mr. and Mrs. Elmer Tomasch who live at the Pelkey home.

The Lake Placid News
June 27, 1941

Mr. and Mrs. E.J. Tomasch left Monday for New York City where Mr. Tomasch will remain to attend summer school. Mrs. Tomasch will return later in the week.

The Lake Placid News
March 13, 1942

Junior Class Presents Play Tonight, ‘The Late Christopher’
…The set and stage background were designed by James Mulvey and the art director Elmer Tomasch….

The Lake Placid News
September 11, 1942

Miss Kate Pelkey returned Tuesday after spending a week at the home of her sister, Mrs. E.J. Tomasch in Astoria, L.I. [New York City’s Queens Borough] Returning with her was Mrs. Tomasch’s infant son, Lyndon, who will spend some time at the home of Mr. and Mrs. Nelson Pelkey.

Timely-Atlas-Comics
an excerpt from “Allen Bellman: The Interview”

Michael J. Vassallo: Who were some of your biggest artistic influences at Timely?
Allen Bellman: At Timely there was a guy named Tom Tomasch. He taught me a lot when I arrived. He was a short guy, very sophisticated and very nice. A real classy person. He even wrote a book on anatomy. [The ABC’s of Anatomy (1947)] He knew anatomy so well. He originally lived up in Lake Placid. His real name was, I think Elmer Tomasch but he was known as Tom. He would look over my work and correct me early on. Syd Shores was also a great help.

M: Was Tom Tomasch an artist or production person?
B: Tom was an artist and a darned good one at that. He knew his anatomy extremely well. He would make suggestions to me that helped me in my drawing.

The interview has Tomasch’s illustration for “Make Up Your Mind!” which was published in Miss America, Volume 1, Number 4, January 1945. Tomasch also illustrated “It’s Fun to Act” which was in the second issue of Miss America.

In Alter Ego #11, November 2001, Jim Amash interviewed Vince Fago, artist, writer and third editor-in-chief of Timely Comics. Amash asked, “Who else sticks out in your mind from Timely?” After naming several artists, Fago said, “There was a man named Thomas who did a lot of the Human Torch stories; he later became a teacher. I don’t remember anything else about him except he was German.” Fago described Tomasch whose name sounded like Thomas.

Alter Ego #33, February 2004, published “Viva Valerie! An Interview with ‘Glamorous Girl Inker’ Valerie (a.k.a.) Violet) Barclay”. The interview was conducted by Jim Amash who asked, “What do you remember about Syd Shores?” Barclay answered

“He was a very talented artist who did Captain America. He had another artist who worked with him who was a short, blond, Irish or English type of guy. I can’t think of his name now, but he used to take Syd Shores’ work and ink it. He had a tremendous knowledge of anatomy and would sharpen up muscles. Syd would pencil very roughly, and this man was a strong inker who’d tighten it all up.”
[Note: Vince Alascia isn’t the man Valerie Barclay was trying to recall. Anybody know who it might be?—Jim.]

I believe Barclay described Tomasch.

Biographical Dictionary of Kansas Artists said Tomasch joined the faculty at Kansas State University, Manhattan in 1947. Tomasch’s work was exhibited in Prairie Water Color Painters, Derby, England, 1948, and Kansas State University, 1978.

The Lake Placid News
April 30, 1948

Infant Death
Word has been received here of the death of the infant daughter of Mr. and Mrs. Elmer J. Tomasch of Manhattan, Kansas, and granddaughter of Mr. and Mrs. Nelson of Lake Placid and Mr. and Mrs. John Tomasch of Cleveland, Ohio. Also a niece of Mrs. C.J. Martin, lake Placid, and Helen Becker of Cleveland. Burial was in the Catholic cemetery in Manhattan.

The Lake Placid News
July 27, 1951

Tomasch Home Ruined in Flood
Mr. and Mrs. Nelson Pelkey gave received word by radiogram and letter from their daughter, Mrs. Elmer Tomasch, telling of her family’s safety after being caught in the flood at Manhattan, Kan. It was the first news received from the family in three weeks. The flood ruined their home where seven feet of water still remained and the family was taken for refuge to the Kansas State College where Mr. Tomasch is professor of art.

Kansas State Collegian
November 14, 1951
page 8: Kansas Magazine Features Articles, Art by K-Staters

Kansas State Collegian
November 19, 1951
page 7: Ability to Sleep on the Job Pays Off for Models in Tomasch’s Art Classes

Kansas State Collegian
December 13, 1951
page 15: Catalogs, Bulletins Win First Prizes

Kansas State Collegian
February 4, 1952
page 3: Tomasch Is Brain Behind Artistry of Publications

The Lake Placid News
August 15, 1952

Mr. and Mrs. Elmer Tomasch and children of Manhattan, Kan., are visiting Mrs. Tomasch’s parents, Mr. and Mrs. Nelson Pelkey. Mrs. Tomasch and children will remain here during the winter while Mr. Tomasch studies for a master’s degree at New York University. During the week they made a brief trip to Cleveland to visit the mother of Mr. Tomasch, accompanying Mr. and Mrs. Robert Pfieffer of Manhattan, who drove east with them last Friday.

1952 Royal Purple
Kansas State College, Manhattan, Kansas
Tomasch contributed over 20 cartoons
page 140: “E.J. Tomasch, whose sketches appear throughout the book, handled all cartoon artwork in the 1952 Royal Purple and gave invaluable assistance in working out page layouts for the book.”

1954 Royal Purple
Kansas State College, Manhattan, Kansas

1955 Royal Purple
Kansas State College, Manhattan, Kansas

Kansas State Collegian
May 9, 1957
page 1: German Arts to Highlight Weekend Festival Program

...Saturday’s schedule includes a gallery lecture at 2:30 p.m. on drawings and graphic arts being exhibited in the art lounge by E.J. Tomasch, assistant professor in the Architecture and Allied Arts department.

Kansas State Collegian
November 6, 1957
page 3: SU Displays Kansas Art

The Kansas Federation of Art is sponsoring a display of 16 paintings in the Union lounge. The paintings will remain there until November 10.

...Six of the paintings are by members of the K-State faculty.
The faculty members are Oscar V. Larmer, assistant professor of art; E.J. Tomasch, assistant professor of architecture; …

Kansas State College Bulletin
Volume 42, Number 11, 1958
Kansas Engineering Experiment Station
Bulletin 87, 1958
Creative Drawing
E. J. Tomasch

Kansas State Collegian
October 28, 1958
page 3: SU Kansas Mag Ready Soon for Stands

Kansas Magazine will soon make its yearly appearance on the newsstands. It contains 104 pages of literature and art produced mainly by Kansans and former Kansans. All of the works are appearing in ring for the first times.…Of the eight contributors of art, one is a K-State staff member—E.J. Tomasch of the Art Department.

Kansas State Collegian
November 20, 1958
page 1: SU Contemporary Italian Music Discussed by Prof Stratton

,,,E.J. Tomasch will give a demonstration of portraiture in the art lounge at 3:15 p.m….

1959 Royal Purple
Kansas State College, Manhattan, Kansas

Kansas State Collegian
February 4, 1959
page 1: Art Not Appreciated, Claims Professor

…When he came here in 1947, this was his first college position. He had previously worked in New York City for the Martin-Goodman [sic] Publications….

The Salina Journal
(Kansas)
November 19, 1965
Sandzen Gallery Plans Reception 
Lindsborg—The Sandzen Memorial gallery at Bethany college will ”…also have a new show Sunday, a one-man show by E. J. Tomasch, Kansas State university. Prof. Tomasch is recognized for his work in figures and painting….”

The Manhattan Mercury
(Kansas)
February 23, 1966

K-State Art Professor Shows Negro Paintings
Paintings of the life of Negroes is being featured in a one-man show by Elmer J. Tomasch at The Barn Gallery, 8200 Mission Road, Prairie Village, that began Sunday through March 13. Tomasch, an associate professor of art at Kansas State University, is a pioneer in the emerging period of great art of today’s America.

Explains Tomasch: “The changing status of the Negro and his role in today’s society is one of our nation’s most pressing and challenging problems. Our newspapers, radios, and television networks keep us well informed with daily reports on the latest developments in civil rights. We are permitted to see Uie Negro in his marches, as he is engaged in sit-ins, as he boycotts stores and even as he riots.

“Yet there is another side to the Negro we barely know. The side which shows him as a man devoted to his family and as one who is capable of experiencing all emotions. It is this side of the life of Negroes I depict in the series of paintings currently being displayed.”

Tomasch studied at the Cleveland School of Art. He has exhibited at the Gallery Anjoy, New York City; The Ankrum Gallery and the Paul Rival Gallery in Los Angeles; and the Cleveland Museum of Art. He has had one-man shows in Manhattan, Lindsborg and Wichita. 

The Yellow Brick Road Trip
Johnny Kaw Statute – Manhattan, KS
“In 1966, Kaw was memorialized in a 30-foot, statue that cost $7,000 to build. He was designed by Elmer Tomasch, a member of the Kansas State University’s Art Department.”

Tomasch wrote A Foundation for Expressive Drawing which was published in 1969.

The Wichita Eagle (Kansas), October 19, 1969, reported the exhibition at the Birger Sandzen Memorial Art Gallery on the campus of Bethany College at Lindsborg, Kansas. The show included a painting or paintings by Tomasch.

The Manhattan Mercury
May 21, 1974

Earns Award
Bret Tomasch, son of Mr. and Mrs. Elmer Tomasch, 809 Juniper Dr., was presented the John Philip Sousa Band award at Manhattan High School recently. A flutist, Tomasch has been selected for both the band and orchestra the past three years by the Kansas Music Education Association. He is also the holder of six gold medals in state music competition.

Tomasch passed away May 12, 1977 according to the Manhattan Mercury.

Well-known KSU artist Elmer Tomasch is dead
Popular and prolific artist Elmer Tomasch, a member of the Kansas State University faculty for 30 years, died this morning at age 62 in Memorial Hospital. Death was attributed to natural causes. Final rites for one of the most versatile K-State Art Department members where he held the rank of associate professor will be held at 10 a.m. Saturday at Seven Dolors Roman Catholic Church with Fr. Carl Kramer as celebrant. Interment will be in Sunrise Cemetery. The Rosary will be recited for Mr. Tomasch at 7.30 p.m. Friday at the Parkview Funeral Home. Friends wishing to contribute to a memorial 'and for an art scholarship in Mr. Tomasch's name may leave donations at the funeral home.

Mr. Tomasch is survived by his widow Sadie, of the home on Route 5; three sons, Kim and Bret of the home, and Lyndon of Olathe; one sister, Mrs. Helen Becker of Charlotte, N.C.; and two grandchildren.

The artist whose works besides his paintings included numerous illustrations, caricatures and designs for such things as the Johnny Kaw statue in City Park had been a KSU artist member of the K-State art faculty since 1947. He gained reputation as an artist concerned with the use of the human figure. Man, through his eyes, was both idea and form, and he put his thoughts into his teaching and into [missing text]

(Next post on Monday: Herb Lubalin, Air Mail Stamps)

Lettering: Types of Mind

Benjamin Perley Poore (1820–1887) had a collection of over 2,700 autographs, that were sold at auction in 1888. Catalogue of the Collection of Autographs Belonging to the Estate of the Late Maj. Ben. Perley Poore, of Newburyport, Mass.

Gleason’s Pictorial Drawing-room Companion, January 1, 1853

Gleason’s Pictorial Drawing-room Companion, January 8, 1853

Gleason’s Pictorial Drawing-room Companion, January 15, 1853

Gleason’s Pictorial Drawing-room Companion, January 22, 1853

Gleason’s Pictorial Drawing-room Companion, January 29, 1853

Gleason’s Pictorial Drawing-room Companion, February 5, 1853

Gleason’s Pictorial Drawing-room Companion, February 12, 1853

Gleason’s Pictorial Drawing-room Companion, February 26, 1853

Gleason’s Pictorial Drawing-room Companion, March 5, 1853

Gleason’s Pictorial Drawing-room Companion, March 19, 1853

Gleason’s Pictorial Drawing-room Companion, April 2, 1853

Gleason’s Pictorial Drawing-room Companion, April 16, 1853

(Next post on Monday: Elmer “Tom” Tomasch, a Timely Artist)

Lettering: Sam Marsh

Samuel H. “Sam” Marsh was on August 20 or 21, 1899, in Warsaw, Poland. The birth dates were recorded on several passenger lists when Marsh went overseas. Early census records said Marsh was born in Russia while later records named Poland. The New York Times, April 2, 1969, said he was born in Warsaw.

On May 5, 1906, Marsh, his mother, Helena and siblings Aron, Odessa and Benjamin, were aboard the S.S. Zeeland when it departed Antwerp, Belgium. They arrived in the port of New York City on May 15. The passenger list said they were Hebrew and were going to the home of Marsh’s father and maternal grandfather who resided at 7 Willett Street in New York City.

The 1910 U.S. Federal Census recorded Marsh, his parents and four siblings in Manhattan at 204 East 109 Street. His father had a plumbing business.

In the 1915 New York state census, the Marshes were Bronx residents at 1082 South Boulevard. 

The Stamp Specialist Orange Book (1941) said Marsh was “educated in the public and High Schools of New York.  After service in the U.S. Navy, was employed by J. & R. Lamb, ecclesiastical art workers. Received first training in lettering and designing tombstones and procession crosses!” The Times said Marsh graduated from Stuyvesant High School and was offered a scholarship to the Columbia University School of Architecture. However, Marsh had to earn a living and found a job doing decorative lettering for tombstones.

1920 census said Marsh was an artist at a studio. He lived with his parent in the Bronx at 890 Forest Avenue. According to the Times, Marsh formed a studio, S.H. Marsh Associates, which became very successful.

The Stamp Specialist Orange Book said Marsh “studied at the New York Evening School of Industrial Design and the Art Students League for five years. During that time, worked for the McFadden Publications, Robert Gare, packaging, and the Harry Marx Advertising Art Service. Became free lance in 1926…”

Mamaroneck, New York was Marsh’s home in the 1930 census. He was married to Lenore, a Brooklyn native, and had a daughter. They lived on Bleecker Street and employed a maid. Marsh was a commercial artist in the lettering trade.

Edward Rondthaler mentioned Marsh in his book, Life with Letters—As They Turned Photogenic (1981), on pages 54 and 55.

1937–40
…Mr. Kohl, who held the purse strings at J. Walter Thompson, sent word that Photo-Lettering was not to add any more hand lettered styles. Flexible type was to be our province. We could keep the styles we already had but no new ones. Evidently Sam Marsh had persuaded him that the newcomers on Forty-fifth Street were getting out of hand and should be fenced in. We had no choice but to pull back for a while and hope the storm would blow over.

Much later in life I learned that it’s almost impossible to deny an enterprise the tools that enable it to prosper. Certainly you can’t do it artificially, and that’s what Mr. Kohl was trying to do. He was probably making a gesture in behalf of his friend Sam Marsh, but it’s rare that the power of a gesture from on high can match the determination of the little fellow way down the ladder fighting for his life. We all remember the vivid example of this in the Vietnam war. Big money and big firepower with halfhearted commitment was no match for little money and little firepower with big commitment.

Railroad Gothic finally gave us our chance to break Mr. Kohl's ban. Railroad needed a lowercase, it needed certain improvements in the caps, and it needed more weights and proportions. Any change on battered old Railroad Gothic could easily be passed off as no more than flexing type. At first we called our revision “Railroad” just in case Mr. Kohl flagged us down. But when nothing happened we threw caution to the wind and boldly renamed the new gothic in honor of our favorite telephone exchange—Murray Hill.

The Daily Argus (Mount Vernon, New York), February 5, 1938, reported Marsh’s stamp design.

A small green stamp, bearing the legend “Peace is the new patriotism” was introduced into Westchester yesterday, when Mrs. Charles F. Robbins, of Llewelyn Park, West Orange, N. J., chairman of the Peace Stamp Committee of the New Jersey Council of International Relations, was a luncheon guest of Mrs. Carrie Chapman Catt, 120 Paine Avenue, New Rochelle. With Mrs. Robbins was Mrs. Frederick A. Coombs, international relations chairman of the Woman’s Club of Orange, N. J.

The stamp, designed by Sam Marsh, New York artist, represents the globe. The band encircling it with the quotation, expresses a thought voiced some 20 years ago by the late Jane Addams. Above and below is printed “Encircle the globe with thought.”

The New York Sun, March 21, 1938, said “Eastern Offices, Inc., leased space in the Graybar Building, 420 Lexington avenue to Samuel H. Marsh…”

Marsh and his wife visited Mexico. They departed abroad the S.S. Yucatan from Vera Cruz, Mexico on November 6, 1935 and arrived in New York six days later. The following year, they visited South America. On November 11, 1936, the steamship Santa Inez departed Callao, Peru and arrived in the port of New York on the 24th. The passenger list said Marsh’s address was Taylor’s Land, Mamaroneck, New York. Marsh visited the Bahamas in 1939. He returned to New York on April 7. Marsh gave his business address, 420 Lexington Avenue, New York City, on the passenger list. Marsh returned from a trip to Jamaica on April 25, 1940, about two-and-a-half weeks before the 1940 census enumeration.

Marsh, his wife and two daughters, Ellen and Audrey, made their home in Rye, New York, as recorded in the 1940 census. Marsh operated a commercial studio. 

The Stamp Specialist Orange Book published Paul F. Berdanier’s “Designs for U.S. Stamps” on how to improve the country’s postage stamp designs. Various methods of selecting designers were mentioned. Berdanier assembled twelve designers, including himself, to submit designs to the Post Office. Each designer, including Marsh, was profiled. 

Scott’s Monthly Stamp Journal, December 1942, said: 

In the July 1941, and July and August, 1942, issues of the Journal we told about the movement inaugurated by a group of liberal artists to convince official Washington that there are superb designers in the United States other than Federal employees at the Bureau of Engraving and Printing and that the appearance of Uncle Sam’s postal paper could in their opinion be immeasurably improved if Washington would adapt some of the design-ideas proffered by such artists.

Proposed designs for the “United Nations” and “Four Freedoms”stamps were prepared by Mr. Helguera and Mr. Manship and the following: Gordon Aymer, Paul F. Berdanier, Warren Chapel, Andre Durencean, Alexander Kahn, Robert Riggs, Carl Setterberg, Paul Shively, Irwin Smith, Hugo Steiner-Prag (who designed many of Hungary’s stamps before he came to the United States), John Vicery, Edwin A. Wilson. Much of the lettering was done by Sam Marsh.

“A Crusade for for Better U.S. Postage Stamps” appeared in the March 1943 issue of American Artist. Many artists submitted designs, some of which were reproduced.

Four stamps with lettering by Marsh 

The Times, May 8, 1945, said George Salter and Paul Standard assembled examples of modern lettering and calligraphy for an exhibition at the A-D Gallery in May 1945. Among the exhibitors were Arnold Bank, Warren Chappell, W.A. Dwiggins, Gustav Jensen, Marsh, William Metzig, Oscar Ogg, George Salter, Andrew Szoke and Tommy Thompson.

Marsh and daughter Audrey visited the Bahamas in 1946. Their Pan American World Airways plane landed in Miami, Florida on January 2, 1947. On the same airline, Marsh flew from San Juan, Puerto Rico to New York City on December 23, 1948.

The Times, December 24, 1949 reported Marsh’s marriage to Margot Woodle, a sculptor, on the 23rd in Irvington-on-Hudson, New York. On December 27, 1949, Marsh and Margot sailed on the S.S. Ile de France from New York City to Le Havre, France. On the same ship the couple returned to New York City on February 9, 1950. Marsh’s address was 150 East 33rd Street, New York, New York. They also visited Puerto Rico in 1951 and 1952.

Stamp Specialist Orange Book said Marsh “has…done work for all the leading advertising agencies as well as a number of industrial organizations. At present, his studio is in the Graybar Building [420 Lexington Avenue] where he works with his staff of specialists.” The 1949 Official Directory, American Illustrators and Advertising Artists had this listing: “Sam Marsh Lettering, Package Design, 420 Lexington Ave. MU 3-3135 Trade-Marks New York 17, N. Y.” 

Title page lettering by Marsh, 1942

Jacket design by Marsh, 1959

Advertising Layout and Art Direction, 1959

Marsh endorsed Letraset’s dry-transfer “instant lettering” in an advertisement in The Penrose Annual, Volume 56, 1962.

Courtesy of Rod McDonald

Postage Stamps of the United States (1966) published the names of the designers, artists and letterers. Here are Marsh’s credits.

Air Mail 7¢; Artist, William H. Buckley; lettering by Sam Marsh; First day issue July 31, 1958, Philadelphia, Pennsylvania

Overland Mail 4¢; Design by William H. Buckley; Art by C.R. Chickering; Lettering by Sam Marsh; First day issue October 10, 1958, San Francisco, California

Winston Churchill; Designer, Richard Hurd; lettering by Sam Marsh; First day issue May 13, 1965, Fulton, Missouri

Salvation Army; Designer, Sam Marsh; First day issue July 2, 1965, New York, New York

Herbert Hoover; Designer, Norman Todhunter; lettering by Sam Marsh; First day issue August 10, 1965, West Branch, Iowa

The Times said Marsh retired in 1967 and, about two years later, passed away March 31, 1969 at Mount Sinai Hospital in New York City. He lived at 70 West 10th Street and in Santa Fe, New Mexico.  

(Next post on Monday: Types of Mind)