Showing posts with label DC. Show all posts
Showing posts with label DC. Show all posts

Monday, August 19, 2024

Comics: Serena Summerfield, Artist and Designer


Serena Summerfield was born on August 9, 1885, Goldsboro, North Carolina. The birth date is from the Social Security Death Index. Her birthplace is based on a notice, in the Goldsboro Messenger (North Carolina), December 30, 1886, which places her father in Goldsboro on May 5, 1885. The 1900 United States census said Summerfield (line 78) was born in August 1886 and the oldest of three siblings. Their parents were Morris, a merchant, and Annie (Davison), both German immigrants who married in Norfolk, Virginia on August 19, 1884. The family lived in Staunton, Virginia at 114 Church Street. 


Summerfield attended the Mary Baldwin Seminary in Staunton. 

The Bluestocking 1903 

Her address was 114 Church in the 1904 Staunton city directory. Shortly after the directory’s publication, she moved to New York City. 

The Cooper Union for the Advancement of Science and Art, 47th Annual Report, June 2, 1906, mentioned Summerfield twice. 
Woman’s Art School.
Decorative Design—First Year
Honorable Mention. Serena Summerfield

The Prize of $10, offered to the First and Second Year Classes in Decorative Design, was awarded to Serena Summerfield.
American Art News, June 16, 1906, mentioned Summerfield. 
The exhibition and reception of the Cooper Union Woman’s Art School was held in the evening of May 31, at which Miss Kate L. Reynolds, principal and Miss Page, librarian, received.

... Serenas Summerfield won the $10 prize which was offered to the first and second-year classes in design. ...

Bronze medals were awarded to ... Serena Summerfield ...
The Virginian-Pilot (Norfolk, Virginia), August 4, 1906, reported Summerfield’s awards. 
Premium Awards Made in Women’s Department
One of the most attractive booths at the state fair is that of the women’s department. At this booth there is everything that appeals to the taste and whims of the fair sex from a pretty picture to the finest kind of crochet work. ...

Art Department Awards
... Pen and ink drawings; first premium, Miss Serena Summerfield, Staunton, Virginia.

Wash drawing; second premium, Miss Serene Summerfield, Staunton, Virginia.

Water color (still life); first premium, Miss Serena Summerfield, Staunton, Virginia.

Designing; second premium, Miss Serena Summerfield, Staunton, Virginia.

Original drawing; first premium, Miss Serena Summerfield, Staunton, Virginia.
Summerfield was mentioned twice in the Cooper Union for the Advancement of Science and Art, 49th Annual Report, June 4, 1908. 
Woman’s Art School.
Decorative Design—Third Year
Silver Medal. Serena Summerfield

The Prizes to the Class in Decorative Design from the Robert Goodhue Prize Fund, for the best design for an inlaid table top in the style of the Renaissance in Italy, were awarded as follows:
… Second Prize, $10. Serena Summerfield.
The 1910 census counted the Summerfield family of six (lines 91 to 96) in the Bronx, New York, at 839 Kelly Street. Summerfield was a wallpaper designer. Her father was manufacturer of braids. 


At some point the Summerfield family moved to Baltimore, Maryland. The 1915 city directory listed Summerfield, an artist, at 900 Whitelock. In the 1917 directory her studio was at 602 Phoenix Building.

The Baltimore Sun, November 5, 1916, said
Dance in Witches’ Cave
Members of Social Circle Hold a Halloween Party. 
The home of Miss Jean Cooper, 2025 Eutaw Place, was turned into a veritable witches’ cave Tuesday evening, when the Social Circle entertained at a Halloween dance. A feature of the evening was a gipsy fortune teller.

Those present were Misses Priscilla Summerfield, Serena Summerfield, Florence Middlemas, Anna Singer, Nana Cone, Bessie Cone, Reba Cohen. Mary Cohen, Selma Handel, Anna Spillman, Cecilia Fineberg. Jean Cooper, Bertha Cooper, Lillian Cooper, Lonnie Cooper, Pauline Cooper, Florence Kline, Jessica Paris, Birdie Kahn. Messrs. Frank Ephraim, Rolf Sinsheimer, Henry Samberg, David S. Black, Dr. Harry Nathansen, Dr. S. G. Mendleson, S. L. Levinson, Harry Cone, Henry Cone, Irving Cooper, David Land S. Watlenstein, Ed Roenick, Stanley Handel. Dave Stemberg.
In the 1920 census, the Summerfield family (lines 38 to 42) were Baltimore residents at 3710 Park Heights Avenue. Summerfield and her brother were artists in the reproduction trade. Sometime later the family returned to New York City. 


According to the Board of Elections of the City of New York, List of Enrolled Voters, Fifth Assembly District, Borough of Brooklyn, December 31, 1923, Summerfield was a Republican who lived at 225 Decatur Street. 

Summerfield illustrated the 1924 book, Forty Years of Hardware on pages 7, 9, 11, 15, 18, 69, 82, 88, 95, 263, 335, 373, 387, and 411. 

The 1925 New York City directory said Summerfleld was an illustrator at 150 Nassau Street, room 1934.

Summerfield was listed in Advertising Arts and Crafts, Eastern Edition Volume 2, 1926. 
Summerfield, Serene, 150 Nassau, Bee 5207.
Design, Poster, Black and White Tempura.
Her listing in Advertising Arts and Crafts, Volume 1, 1928, said 
Summerfield, Serene ..... 1050 Park Place, Bklyn., New York, N. Y., Laf. 9272W
The 1930 census counted Summerfield, her parents and brother, Jerome, in Brooklyn at 1054 Park Place. She was a self-employed artist who produced posters. 


Summerfield, a Democrat, had the same address in the Board of Elections of the City of New York, List of Enrolled Voters, Eighteenth Assembly District, Borough of Brooklyn, December 31, 1931. 

During the 1930s Summerfield had work copyrighted: 
Catalog of Copyright Entries, Part 4, Works of Art, etc. 1932, New Series, Volume 27, Number 2
Summerfield (Serene)* 3071, 3072
Bristol diced mints: 
Crystal cool.—Pocket packet and swanky dice jar for home or office. © 1 c. each May 11, 1932; G 8670, 8671.

Catalog of Copyright Entries, Part 4, Works of Art, etc. 1932, New Series, Volume 27, Number 3
Summerfield (Serene)* 5372
Three-panel screen design in black, white and silver, deer or antelope silhouette. © 1 c. Aug. 4, 1932; G 9164.

Catalog of Copyright Entries, Part 4, Works of Art, etc. 1935, New Series, Volume 30, Number 4 
Summerfield (Serene)* 8842 
King Cotton. © 1 c. Dec. 21, 1935; G 21610. 
Summerfield’s entrance in the comic book industry was described in Women and the Comics 1985). 
Women artists at the Eisner-Iger and Iger-Roche shop over the years included Nina Albright, Ruth Atkinson, Ruth Harris, Ann Brewster, Lillian Chestney Zuckerberg, Frances Dietrick Hopper, Karen Karol, Jean Levander, Lilly Renee Wilhelms Peters, Marcia Snyder, Serene Summerfield and Priscilla Ward. Of these Serene Summerfield was the first, having met Jerry Iger and Will Eisner at the office of a publisher named John Henle, whose unsuccessful and short-lived Wow, What a Comic! was indirectly responsible for bringing the core members of the first Eisner-Iger shop together. Eisner remembers Summerfield as “a big statuesque woman with a pleasant face, a sharp nose and hyperthyroid eyes who wore her hair in a bun.” The only credited work she is known to have done is “Space Limited” for Henle and some filler pages for National in 1936. ...
The Grand Comics Database has Summerfield’s credits. 

Summerfield won several contests held by the New York Post: December 24, 1937, Game of Picture-Rhymes
May 19, 1938, Screen Scrambles, won $2.50; September 22, 1938, Song Titles, won $5; October 20, 1938, Song Titles, won $20 to $5.

The Houston Chronicle (Texas), April 15, 1939, included radio programs. 
Professor Quiz: Mrs. Geraldine King, driving in a trailer from Akron, Ohio, to New York, features her visit to the big city with a trip to the Professor Quiz program. She will be one of the five unrehearsed contenders on the show to be broadcast over CBS-KTRH at 7:30 p.m. Other will be W. H. Givens, Jackson, Tenn., and Miss Serene Summerfield of New York.
According to the 1940 census, Summerfield (line 22), her parents and two bothers lived in Brooklyn at 166 Brooklyn Avenue. 


The Los Angeles Examiner (California), April 19, 1941, printed Summerfield’s letter.
April 6, 1941.
Mr. William Randolph Hearst, San Simeon, Calif.
Dear Mr. Hearst:
For once I am with you 100 per cent—air conditioning has possibilities, but in its present “condition” it is anything but “conditioned.”

So until some “ingenious” inventor can discover some way of really “conditioning” air so that it will be purified and “tempered” instead of “frigid-aire” let’s hope they will “leave well enough alone.”

You see it is not only trains, but as you of course know, theatres, stores, restaurants, et al resort to this “freeze-out.”

I give these so-called “air-cooled” theatre in summer a wide berth.

Your article in “In the News” about the above was priceless. It was very, very funny—but oh, so true!

Now I know it was not just me—that others suffer from this “conditioning” as well as I. And do not get me wrong—I like lots of air—but I like it fresh, not frozen, and in its natural state.

Well thanks a lot for bringing this out in the open—air!

Sincerely yours,
Serena Summerfield, 
110 West 42nd St., Room 507,
New York City.
The New York newspaper, PM, May 31, 1948, said
Serena Summerfield reports overhearing this on the Independent, one girl to another: “This is her fourth husband. She certainly has a lot of personality.”
Unity, May 1949, published Summerfield’s “Words”. 
Words can be weapons or soothing balm; 
Words can be surcease or they can be harm; 
Words can be irksome, can vex or annoy; 
Words can be bludgeons that bruise or destroy. 
Words can be soothing or words can be savage; 
Words can be healing or utterly ravage. 
Words can raise up, or words can tear down;
Can bring forth a smile or occasion a frown.
So before you permit them to pass through the air, 
Be sure they are kindly, loving, and fair.
Summerfield  has not yet been found in the 1950 census.

Summerfield’s father passed away on July 22, 1944. He was laid to rest at Cypress Hills Cemetery. Her mother passed away on February 24, 1949. 

Summerfield passed away in July 1966 in New York. The Social Security Death Index said her last residence was Brooklyn.


Further Reading
The Comics Detective, Serene Summerfield: The First Lady of Comic Books 


Women in Comics Posts








(Next post on Monday: Vancouver Manhole Covers)

Monday, July 22, 2024

Comics: Artists Merna Gamble and John Lindermayor


Merna Evelyn Gamble was born on January 17, 1910, in Gibbon, Nebraska, according to a Nebraska birth record at Ancestry.com. Her parents were William Ebenezer Gamble and Zora May Randall who married on February 17, 1907. 

The 1910 United States census counted Gamble (line 78) and her parents in Center Township, Nebraska. Her father was a farmer growing crops. 


The 1920 census said Gamble (line 43), her parents and sister were residents of Gibbon, Nebraska on the west side. 


In 1927 Gamble graduated from Gibbon High School. 


Gamble has not yet been found in the 1930 census. Her family remained in Gibbon. 

The Gibbon Reporter, August 17, 1933, reported her exhibit. 
Display by Local Artist
In our community, there is a person, who for the past few years has been studying art in New York City and has won recognition from her work as a fine artist. 

On last Thursday, August 10, the Methodist Ladies Aid society gave the public the opportunity and privilege of seeing Miss Merna Gamble’s pictures by displaying them at a musical tea at the home of Mrs. Roy A. Davis. 

As art and music go together the Misses Dorothy Johnson, Lila Zimmerman, Lorene Wight, Thais Mickey, Lillian Davis, Dorothy Davis, Mesdames Robert Woodward, D. E. McGregor and Charles Hauke furnished their music to make a pleasing background for Miss Gamble’s exhibit. 

Miss Gamble expressed her versatility of art by having in her display a variety of different types of art, as commercial, pen and ink, pastel, water color and oil. Of special interest to the women who attended was the large oil painting which portrayed and typified a Nebraska harvest field. In the future it is very probable that people will be viewing Miss Gamble’s pictures in some famous art galleries.
Gamble contributed to the publication Art Instruction, January 1938. 

On February 15, 1940, Gamble and “John Linder Mayor” obtained a marriage license in Manhattan. They married the next day. 


On the application “Linder Mayor” was not truthful with his birth information. 

John Edward Lindermayor was born on June 11, 1915, in Brooklyn, New York, according to his World War II draft. A birth record at Ancestry.com recorded his surname as Lindermayr. The same spelling appeared on his father’s World War I and II draft cards, voter registration, 1935 patent, and death certificate. His parents were Joseph Lindermayr and Marie “Mary” Schuttler, who married on September 12, 1910 in Brooklyn. 

Lindermayor’s father signed his World War I draft card on September 12, 1918. His address was 329 Beta Place in Queens, New York.

The 1920 United States census counted Lindermayor (line 82) as the youngest of three siblings. Their parents were German immigrants. The father was an automobile mechanic. The family of five were Brooklyn residents at 120 Rockaway Avenue. 


The 1924 voter registration for Queens, New York listed Lindermayor’s parents at 323 Olmstead Place. 

The Long Island Daily Press (Jamaica, New York), April 6, 1929, published a list a new members of the Junior Press Club Honor Roll.


In the 1930 census, Lindermayor (line 21), his parents and sister lived in Queens, New York at 114-21 Jamaica Avenue.

It’s not known when and how Gamble and Lindermayor met. One possibility is the Art Students League of New York which listed “Mrs. John Lindermayor” in a 1975 catalog. 

Both of them produced art for Malcolm Wheeler-Nicholson’s New Fun comics books, beginning in the mid-1930s, here and here. 

Lindermayor copyrighted artwork in 1934, 1937, 1955, 1958, 1962, 1963 (TV show), 1964, 1965 and 1966.

On October 16, 1940, Lindermayor signed his World War II draft card. His address was 71-21 65th Street in Glendale, New York. He was described as five feet eight inches, 140 pounds, with blue eyes and red hair. Lindermayor named his wife as next of kin.


According to the 1950 census, Mayor was the surname for Gamble (line 17), her husband, a salesman, and son, Arnold, who lived in Burbank, California at 815 San Jose. She was a housewife. 


The 1954 California voter registration listed “John E Linder-Mayor” and “Mrs. Merna E Linder-Mayor” at 8631 Clearview Place, in Riverside, California. Both were Republicans.

Gamble’s father passed away on November 1, 1956 in Lawndale, California. He was laid to rest at Riverside Cemetery. The Grand Island Daily Independent (Nebraska), February 14, 1987, said Gamble’s mother passed away on February 11, 1987.

Gamble’s husband passed away on July 23, 1972, in San Diego, California. An obituary appeared in the Times-Advocate (Escondido, California), July 25, 1972. 
Vista—John E. Lindermayor, 57, of 203 W. Los Angeles Drive, Vista, died Sunday in a local hospital. 

Born June 11, 1915, in New York, he had been a commercial artist for 40 years, working for DePatti Free-Ling, Warner Brothers and Disney Studios. 

Surviving are his wife, Merna, and a son, Arnold Lindermayor, both of Vista, and two sisters.

A private service was held this morning at the Vista Chapel Mortuary. Cremation and interment will be at Eternal Hills Memorial Park.
Gamble contributed to the 1976 book, Golden Chia: Ancient Indian Energy Food. 

At some point Gamble settled in Arizona. On January 13, 2012, the city of Sedona, Arizona posted a report about its centenarian project. 
Sedona’s Historic Preservation Commission was tasked with the mission of creating projects or events to commemorate Arizona’s Centennial, the day that Arizona celebrates 100 years of statehood. 

The Commission thought it would be interesting and meaningful to find Sedona Centenarians, those individuals who, like the state, are celebrating their 100th birthdays. The Centenarians’ memories of the growth of Sedona would parallel the developing complexity of the state over the past century. There would be a need to develop a method of creative expression of a century of individual lives coming together to make a statement unique to Sedona. Because artists have been such an integral part of Sedona’s history, a work of art would be an appropriate outcome for the project. 

After months of research, newspaper notices, and phone calls, the Commission was able to identify five Centenarians who were able and willing to participate. …

… Merna Lindermayor was born on January 17, 1910, on a farm in Nebraska. She studied art in New York, became a professional artist and illustrator, and married and artist who became an animator for Disney Studios. She worked for various advertising agencies, and had her illustrations published in magazines such as Look and Life. Merna first moved to Sedona temporarily in the mid-1970’s, living in a home near Oak Creek, and then settled permanently in West Sedona in 1995. She has enjoyed her many friendships in her neighborhood. …
Gamble passed away on February 6, 2013, in Sedona. A brief obituary was posted at Journal AZ on March 1, 2013. 
Merna E. Lindermayor
Jan. 17, 1910 – Feb. 6, 2013
Merna [Gamble] Lindermayor, 103, of Sedona and Cottonwood, died Feb. 6.

Born on a farm in Gibbon, Neb., she went to New York to study art and began a lifelong career as an artist.

She was preceded in death by her husband, John, her son, Arnold, and sister Reva Headley, of Shelton, Neb.

She is survived by her sister Violet [Miller] Webb of Rosamond, Calif.

Per her wishes, no services are planned.

Further Reading
A Century of Women Cartoonists (1993) here and here
The Secret Origin of DC Comics, here and here
Grand Comics Database, Gamble, Lindermayer
Who’s Who of American Comic Books 1928–1999, Gamble, Lindermayer


Women in Comics Posts








(Next post on Monday: The Printing Art, 1917)


Monday, August 14, 2023

Anatomy of a Logo: The Masterworks Series of Great Comic Book Artists

The project was for Phil Seuling of Sea Gate, Inc. He had an arrangement with Paul Levitz to produce a comic book series, named by Seuling, The Masterworks Series of Great Comic Book Artists. Seuling also wanted a Sea Gate emblem opposite the DC bullet. 

The Photo-Lettering font, Longacre Round Open Condensed N, second from the top, was used for the series title. 

Photo-Lettering’s One Line Manual of Styles (1971)


A dummy cover featuring Neal Adams’ Deadman. The character could not be used in the series. 


The artists’ names were lettered by Todd Klein. Advertisements appeared in many publications including The Comics Journal. 

The Comics Journal #79, December 1982



The Comics Journal #82, July 1983


Photostat of unpublished cover


The series ended after three issues. 


(Next post on Monday: On This Day Phil Seuling Passed Away)


Monday, August 15, 2022

Creator: Alex Jay’s Comic Book and Comics-Related Logos, Lettering and Graphic Designs


Published works are presented in more or less alphabetical order. In
most cases, the first appearance of the works are shown. Following 
the titles are the people who commissioned the work, the publisher 
or client, and the year of publication.


THE ADVENTURES OF SUPERMAN
Richard Bruning, Design Director, DC Comics, 1987 

































AGENTS OF LAW
Marilee Hord, Editor, Dark Horse Comics, 1995

































AIRTIGHT GARAGE
Marie Javins, Editor, Epic Comics, 1993
The making of the logo is here and here. 

































ALPHA CENTURION
Georg Brewer, Design Director, DC Comics, 1996

































AMERICAN FLAGG!
Howard Chaykin, Creator, First Comics, 1983
 
































ARMAGEDDON: 2001
Curtis King, Art Director, DC Comics, 1991

































ARMAGEDDON: THE ALIEN AGENDA
Curtis King, Art Director, DC Comics, 1991

































ARMAGEDDON: INFERNO
Curtis King, Art Director, DC Comics, 1992

































ARSENAL
Georg Brewer, Design Director, DC Comics, 1998

































THE ART OF MOEBIUS
Byron Preiss, Editor, Berkley Books, 1989
Alex Jay used the typeface ITC Eras for the book; book designed by Robbin 
Brosterman.

































AVATAR
Curtis King, Art Director, DC Comics, 1991



































THE BANK STREET BOOK OF CREEPY TALES
Byron Preiss, Editor
Pocket Books, 1989
There was no budget for hand-lettered logos so the titles were typeset. 
The four books of comics are approximately digest-size.

































THE BANK STREET BOOK OF FANTASY

































THE BANK STREET BOOK OF MYSTERY

































THE BANK STREET BOOK OF SCIENCE FICTION

































BATMAN
Curtis King, Art Director, DC Comics, 1993
Two different covers for issue #500































































BATMAN & DRACULA
Robbin Brosterman, Art Director, DC Comics, 1992



































BATMAN: CASTLE OF THE BAT
Robbin Brosterman, Art Director, DC Comics, 1994



































BATMAN: DEMON
Robbin Brosterman, Art Director, DC Comics, 1996



































BATMAN: GORDON‘S LAW
Curtis King, Art Director, DC Comics, 1996



































BATMAN: HOLY TERROR
Robbin Brosterman, Art Director, DC Comics, 1991



































BATMAN PHANTOM STRANGER
Robbin Brosterman, Art Director, DC Comics, 1997



































BATMAN: PREY
Robbin Brosterman, Art Director, DC Comics, 1990



































BATMAN: SHAMAN
Robbin Brosterman, Art Director, DC Comics, 1993



































BATMAN: STRANGE APPARITIONS
Robbin Brosterman, Art Director, DC Comics, 1999



































BLACKMASK
Robbin Brosterman, Art Director, DC Comics, 1993



































BLOODY MARY
Georg Brewer, Design Director, DC Comics/Helix, 1996



































BUCKY O'HARE
Larry Hama, Creator, Continuity Comics, 1986

































BUCKY O’HARE
Larry Hama, Creator; Neal Adams, Publisher, Continuity Comics, 1991
Main character originally named Buck Bunny. 

































CAGE
Marc McLaurin, Editor, Marvel Comics, 1992

































CALEB HAMMER
Jim Salicrup, Editor, Marvel Comics, 1980
Referral from Tom Orzechowski; “The Coming of” added by 
another letterer

































CAP’N QUCIK & A FOOZLE
Marshall Rogers, Creator, Eclipse Comics, 1984
Marshall Rogers furnished his logo sketch 

































CATWOMAN: HER SISTER’S KEEPER
Robbin Brosterman, Art Director, DC Comics, 1991
“Her Sister’s Keeper” was typeset.

































CATWOMAN DEFIANT
Robbin Brosterman, Art Director, DC Comics, 1992
“Defiant” was typeset.

































CATWOMAN
The 1992 title lettering was used for the 1993 series logo. 

































CINDER AND ASHE
Richard Bruning, Design Director, DC Comics, 1988

































CLASH!
Robbin Brosterman, Art Director, DC Comics, 1991
































 
Back cover detail: originally the viper heads art was part of the logo. 

































CLIVE BARKER'S THE HARROWERS
Marc McLaurin, Editor, Marvel Comics, 1993
“Raiders of the Abyss” was added by another letterer.

































CLIVE BARKER’S HELLRAISER
Dan Chichester, Editor, Epic Comics, 1989

































CODENAME: SPITFIRE
Bob Harras, Editor, Marvel Comics, 1987

































CODY STARBUCK
Designed by Neal Adams; finished by Alex Jay
Howard Chaykin’s new Cody Starbuck story was picked up by Neal Adams’ 
Continuity Comics. Beginning in 1981 the story was serialized in Heavy 
Metal, numbers 50 through 54.

































THE COMPLETE JACK KIRBY
Greg Theakston, Publisher, Pure Imagination, 1997
The making of the logo is here.

































CONAN SAGA
Larry Hama, Editor, Marvel Comics, 1988

































CONTINUITY COMICS
Neal Adams, Art Director, 1982
Originally the flat edges of the uppercase C were perpendicular to 
the baseline. In 1991, someone changed the angles of the edges. 

































COSMIC ODYSSEY
Richard Bruning, Art Director, DC Comics, 1988

































COSMIC POWERS
Craig Anderson, Editor, Marvel Comics, 1994
“Thanos” created by another letterer

































COSMIC POWERS UNLIMITED ... STARRING
Mark Gruenwald, Editor, Marvel Comics, 1995
“The Silver Surfer” created by another letterer.

































COUNT DRACULA
Neal Adams, Publisher, Continuity Comics, 1981
Logo based on the typeface Hoffman; debuted in Echo of Futurepast 
#5, April 1985; reprinted in Neal Adams Monsters, Vanguard 
Productions, 2003



























CROSSOVER CLASSICS: THE MARVEL/DC COLLECTION
Robbin Brosterman, Art Director, Marvel Comics, 1991

































THE CRUSADERS
Michael Golden, Artist, DC Comics, 1992

































CBS SATURDAY
Neal Adams, Art Director; TV Guide, September 1978
Alex Jay did production work (making tint overlays) on these advertisements.



































DARKHOLD: PAGES FROM THE BOOK OF SINS
Bobbie Chase, Editor, Marvel Comics, 1992
First issue did not use the subtitle; logo previewed in Ghost Rider #25

































DC ARCHIVE EDITIONS: SUPERMAN ARCHIVES VOLUME 1
Richard Bruning, Design Director, DC Comics, 1989
Series design by Alex Jay; Kabello Extra Bold and Metro are the
principal typefaces.

































DC ARCHIVE EDITIONS: BATMAN ARCHIVES VOLUME 1
Richard Bruning, Design Director, DC Comics, 1990
Series design by Alex Jay; Kabello Extra Bold and Metro are the
principal typefaces.

































DCU HEROES SECRET FILES & ORIGINS
Georg Brewer, Design Director, DC Comics, 1999
“DCU Heroes” by Alex Jay

































DCU VILLAINS SECRET FILES & ORIGINS
Georg Brewer, Design Director, DC Comics, 1999
“DCU Villains” by Alex Jay

































DOCTOR ZERO: THE SHADOW LINE SAGA
Archie Goodwin, Editor, Dan Chichester, Writer, Epic Comics, 1988

































ECHO OF FUTUREPAST
Neal Adams, Publisher, Continuity Comics, 1984
Designed by Neal Adams; finished art by Alex Jay

































ECTOKID
Marc McLaurin, Editor, Marvel Comics, 1993
Sketch furnished to Alex Jay to finish. 

































ECTOKID UNLEASHED
Marc McLaurin, Editor, Marvel Comics, 1994
“Unleashed” added by another letterer.

































ELRIC
Walt Simonson, Artist, DC Comics, 1988
“Michael Moorcock’s” and “The Making of a Sorcerer” were set in a 
typeface designed by Alex Jay. 

































ELSEWORLD’S FINEST
Robbin Brosterman, Art Director, DC Comics, 1997

































EMPIRE
Byron Preiss, Editor, Berkley, 1978

































ERADICATOR
Georg Brewer, Design Director, DC Comics, 1996

































EXCALIBUR
Terry Kavanaugh, Editor, Marvel Comics, 1992

































THE FALL OF THE MUTANTS
Ann Nocenti, Editor, Marvel Comics, 1988
Crossover logo for The New Mutants #59-61; The Uncanny X-Men 
#225-227; and X-Factor #24-26

































FANTASY ILLUSTRATED
Richard Howell, Editor, New Media Publishing, 1982
referral from Tom Orzechowski

































THE FINAL NIGHT
Georg Brewer, Design Director, DC Comics, 1996

































FIRESTAR
Ann Nocenti, Editor, Marvel Comics, 1986

































FORBIDDEN PLANET
Michael Luckman, Proprietor, New York City, 1982
Letterhead

































FORBIDDEN PLANET
Michael Luckman, Proprietor, New York City, 1984
Letterhead and shopping bag with art by Brian Bolland. The making of the 
logo is here and here.


































FRANKENSTEIN
Neal Adams, Publisher, Continuity Comics, 1981
Logo based on a typeface; debuted in Echo of Futurepast #1, May 1984; 
reprinted in Neal Adams Monsters, Vanguard Productions, 2003


























FROM AARGH! TO ZAP! Harvey Kurtzman’s Visual History of the Comics
Harvey Kurtzman and Byron Preiss, Editors, Prentice Hall Press, 1991
“From Aargh! to Zap!” by Alex Jay

































THE FURIES
Byron Preiss, Editor
The Illustrated Roger Zelazny, Baronet Publishing, 1978

































GEN 13 INTERACTIVE
Mike Heisler, Editor, Image/Wildstorm Comics, 1997
“Interactive” added by another letterer

































GOBOTRON GREETINGS
Greg Leeds, Design Director, Gobots Magazine, 1986
Lettering and design by Alex Jay; robot art by Ralph Reese

































GODOT ACTION COMICS
David Vogler, Art Director
The Book of Sequels, Random House, 1990

































THE GREAT GRIMMAX
Jim Shooter, Editor, Defiant Comics, 1994

































THE GREEN LANTERN CORPS
Richard Bruning, Design Director, DC Comics, 1986
The making of the logo is here.

































GRIFFIN
Robbin Brosterman, Art Director, DC Comics, 1991

































HAMMER OF GOD: PENTATHLON
Anina Bennett, Editor, Dark Horse Comics, 1994
“Pentathlon” added by another letterer; logo also used on Hammer 
of God: Butch, 1994. The making of the logo is here. 

































HARVEY KURTZMAN’S STRANGE ADVENTURES
Harvey Kurtzman and Byron Preiss, Editors, Epic, 1990

































HAVOK & WOLVERINE: MELTDOWN
Robbin Brosterman, Art Director, Marvel Comics, 1988

































HAYWIRE
Andy Helfer, Editor, DC Comics, 1988

































HEARTBREAKERS
Anina Bennett, Editor, Dark Horse Comics, 1996

































HEAVY HITTERS
Marie Javins, Editor, Epic Comics, 1993
Brand logo debuted May 1993 and appeared on several titles.

































HELLRAISER NIGHTBREED JIHAD
Robbin Brosterman, Art Director, Epic Comics, 1991

































THE HUNTRESS
Andy Helfer, Editor, DC Comics, 1989

































HYPERKIND UNLEASHED
Marc McLaurin, Editor, Marvel Comics, 1994
Original title was Hyperkind the New Heroes; logo digitally stretched; 
“Unleashed” added by another letterer.

































THE ILLUSTRATED HARLAN ELLISON
Byron Preiss, Editor, Baronet Publishing, 1978

































I’M LOOKING FOR KADAK
The Illustrated Harlan Ellison, Baronet Publishing, 1978



































INCREDIBLE HULK-HERCULES UNLEASHED
Mark Gruenwald, Editor, Marvel Comics, 1996

































INVASION! THE ALLIEN ALLIANCE
Andy Helfer, Editor, DC Comics, 1988

































INVASION! BATTLEGROUND EARTH
Andy Helfer, Editor, DC Comics, 1988

































INVASION! WORLD WITHOUT HEROES
Andy Helfer, Editor, DC Comics, 1988

































INVASION FIRST STRIKE! EXTRA!
Andy Helfer, Editor, DC Comics, 1988
Appeared on Holiday 1988 issues

































INVASION AFTERMATH EXTRA!
Andy Helfer, Editor, DC Comics, 1989
Appeared on January 1988 issues

































IRONWOLF: FIRES OF THE REVOLUTION
Robbin Brosterman, Art Director, DC Comics, 1992
The making of the logo is here.



































JACK KIRBY’S HEROES AND VILLAINS
Greg Theakston, Publisher; Pure Imagination, 1987


































JHEREG: THE GRAPHIC NOVEL
Byron Preiss, Editor, Epic, 1990
“Jhereg” was set in a typeface designed by Alex Jay. 


































JLA
Georg Brewer, Design Director, DC Comics, 1997


































JLA: A LEAGUE OF ONE
Amie Brockway, Art Director, DC Comics, 2000


































JUSTICE LEAGUE AMERICA
Andy Helfer, Editor, DC Comics, 1989


































JUSTICE LEAGUE OF AMERICA: THE NAIL
Georg Brewer, Design Director, DC Comics, 1998
Title and Justice League of America seal by Alex Jay


































JUSTICE LEAGUE EUROPE
Curtis King, Art Director, DC Comics, 1989


































JUSTICE LEAGUE INTERNATIONAL
Andy Helfer, Editor, DC Comics, 1987


































JUSTICE LEAGUE QUARTERLY
Andy Helfer, Editor, DC Comics, 1990


































JUSTICE LEAGUE TASK FORCE
Curtis King, Art Director, DC Comics, 1993



































A KNIGHT IN BLUDHAVEN
Robbin Brosterman, Art Director, DC Comics, 1998
“Nightwing” created by another letterer.


































LAST OF THE DRAGONS
Carl Potts, Creator
Logo created for Neal Adams. In 1982 the logo appeared in Epic Illustrated, 
numbers 15 to 20. In 1988 Epic Comics published the graphic novel with a 
cover logo by Jim Novak. 


































LEGENDS: THE COLLECTION
Robbin Brosterman, Art Director, DC Comics, 1993


































LORDS OF THE ULTRA-REALM
Richard Bruning, Design Director, DC Comics, 1986


































LUCIFER
Amie Brockway, Art Director, Vertigo/DC Comics, 1999


































MACHINE MAN
Larry Hama, Editor, Marvel Comics, 1984


































MAGIK
Louise Simonson, Editor, Marvel Comics, 1983
The making of the logo is here.


































THE MAN OF STEEL
Richard Bruning, Design Director, DC Comics, 1986


































THE MAN OF STEEL
Richard Bruning, Design Director, DC Comics, 1986
Newsstand version


































MARTIAN MANHUNTER
Andy Helfer, Editor, DC Comics, 1988


































MARVEL: FIVE FABULOUS DECADES OF THE WORLD'S GREATEST COMICS
David Vogler, Art Director, Abrams, 1991
The making of the logo is here, here, here and here.


































MARVEL MAGAZINE GROUP
In 1980 Jim Shooter hired Neal Adams to create cover brand designs for 
Marvel’s magazines. Neal asked Alex Jay to work on the project. Alex’s 
design with the hand-lettered branding (black-and-white). Marvel’s typeset 
branding appeared beginning with Bizarre Adventures #25, March 1981; The 
Savage Sword of Conan #63, April 1981; and The Hulk! #27, June 1981.



































MARVEL SUPER HEROES COLORFORMS PLAY SET
Neal Adams, Art Director, 1983
“Colorforms Play Set” was typeset and overlaid the perspective
lines. The making of the logo is here. 


































MARVEL SUPER HEROES ADVENTURE SET
Neal Adams, Art Director, 1979




THE MASTERWORKS SERIES OF GREAT COMIC BOOK 
ARTISTS
Phil Seuling, Creator, DC Comics and Sea Gate, 1983
Series logo was typeset; artist’s name produced by a DC staff letterer


































MEZZ GALACTIC TOUR 2493
Anina Bennett, Editor, Dark Horse Comics, 1994
The making of the logo is here.


































THE MIGHTY THOR
Walt Simonson, Artist, Marvel Comics, 1983
The making of the logo is here, here, here, here, here, here, here, 
and here. 


































THE MIGHTY THOR: I, WHOM THE GODS WOULD DESTROY
Jo Duffy, Editor, Marvel, 1987
First appearance of the modified "T" in Thor.


































MISTER MIRACLE
Curtis King, Art Director, DC Comics, 1996


































MORBIUS: THE LIVING VAMPIRE
Bobbie Chase, Editor, Marvel Comics, 1992
First issue did not use the subtitle; logo previewed in Ghost Rider #25

































MORE THAN HUMAN
Byron Preiss, Editor, Heavy Metal, 1978

































MY LIFE AS A CARTOONIST
Harvey Kurtzman, Pocket Books, 1988
Series design by Alex Jay

































THE NAZZ
Karen Berger, Editor, Vertigo Comics, 1990

































NEAL ADAMS MONSTERS
Vanguard Productions, 2003
Trade paperback edition with Frankenstein, Count Dracula and Werewolf logos 
by Alex Jay; the hardcover edition had a cover design without the the logos.
The making of the logos is here.

































NEUROMANCER: THE GRAPHIC NOVEL
Byron Preiss, Editor, Epic, 1989

































NEW GODS
Curtis King, Art Director, DC Comics, 1995
The making of the logo is here.

































THE NEW GUARDIANS
Andy Helfer, Editor, DC Comics, 1988

































THE NEW MUTANTS
Ann Nocenti, Editor, Marvel Comics, 1985

































NIGHT FORCE
Georg Brewer, Design Director, DC Comics, 1996

































NIGHTSTALKERS
Bobbie Chase, Editor, Marvel Comics, 1992
Logo was digitally stretched; logo previewed in Ghost Rider #25

































NTH MAN THE ULTIMATE NINJA
Larry Hama, Editor, Marvel Comics, 1989

































NUTS!
Harvey Kurtzman and Byron Preiss, Editors, Bantam, 1985
Mass market paperback

































OMAC
Robbin Brosterman, Art Director, DC Comics, 1991

































ON SALE HERE
Janice Walker, Special Projects, DC Comics, 1989

































OPEN SPACE
Carol Kalish, Editor, Marvel Comics, 1989
Original title was Ad Astra.

































ORION
Walt Simonson, Artist, DC Comics, 2000

































PARALLAX EMERALD NIGHT
Curtis King, Art Director, DC Comics, 1996

































PENGUIN TRIUMPHANT
Robbin Brosterman, Art Director, DC Comics, 1992
“Triumphant” was typeset.

































THE POWER OF SHAZAM!
Robbin Brosterman, Art Director, DC Comics, 1994

































POWERLINE: A SHADOWLINE SAGA
Archie Goodwin, Editor; Dan Chichester, Writer, Epic Comics, 1988

































QUICKSILVER
Mark Gruenwald, Editor, Marvel Comics, 1996
Scan of original art produced a defective Q. The making of the logo 
is here.

































THE RING OF THE NIBELUNG
Andy Helfer, Editor; Curtis King, Art Director, DC Comics, 1989
The making of the logo is here and here.

































RISE OF THE MIDNIGHT SONS
Bobbie Chase, Editor, Marvel Comics, 1992
Crossover logo used on Ghost Rider #28, Part 1; Spirits of Vengeance: 
Ghost Rider & Blaze #1, Part 2; Morbius the Living Vampire #1, 
Part 3; Darkhold: Pages from the Book of Sins #1, Part 4; 
Nightstalkers #1, Part 5; and Ghost Rider #31, Part 6

































SACHS & VIOLENS
Marie Javins, Editor, Epic Comics, 1993

































ST. GEORGE: A SHADOWLINE SAGA
Archie Goodwin, Editor; Dan Chichester, Writer, Epic Comics, 1988

































SAINT SINNER
Marc McLaurin, Editor, Marvel Comics, 1993

































SAVAGE TALES
Larry Hama, Editor, Marvel Comics, 1985
Logo’s metallic surface airbrushed by Gary Hallgren.

































SECRET ORIGINS
Richard Bruning, Design Director, DC Comics, 1986

































SECRET ORIGINS
Richard Bruning, Design Director, DC Comics, 1986

































SHADOW DRAGON
Georg Brewer, Design Director, DC Comics, 1995

































SHATTER
Fred Dodnick, Production Manager; Fawcett Columbine, 1988
Book design by Alex Jay included a divider, repeated in different 
colors, for the eleven “down loads” of the graphic novel. Logo by
Michael Saenz.

































SHEVA’S WAR
Amie Brockway, Art Director, DC Comics/Helix, 1998

































SILVER SABLE & THE WILD PACK
Craig Anderson, Editor, Marvel Comics, 1992

































SILVER SURFER
Marshall Rogers, Artist, Marvel Comics, 1987

































SKULL & BONES
Jim Chadwick, Art Director, DC Comics, 1992

































THE SPECTRE
Dan Thorsland, Editor, DC Comics, 1992

































SPELLBOUND
Bobbie Chase, Editor, Marvel Comics, 1988

































SPIRITS OF VENGEANCE
Bobbie Chase, Editor, Marvel Comics, 1992
Logo previewed in Ghost Rider #25; appeared on Spirits of Vengeance 
Keepsake Collection envelope and T-shirts. 
































 
Logo was modified and redrawn by another letterer.

































SPYKE
Marie Javins, Editor, Marvel Comics, 1993
The making of the logo is here.

































STARMAN
Curtis King, Art Director, DC Comics, 1994

































ALFRED BESTER’S THE STARS MY DESTINATION VOLUME 1
Byron Preiss, Editor, Baronet Publishing
1978 advertisement with an early version of the logo. 

































ALFRED BESTER’S THE STARS MY DESTINATION VOLUME 1
Byron Preiss, Editor, Baronet Publishing, 1979

































THE COMPLETE ALFRED BESTER’S THE STARS MY DESTINATION
Byron Preiss, Editor, Epic, 1992

































STEELTOWN ROCKERS
Larry Hama, Editor, Marvel Comics, 1990

































STRANGE TALES
Carl Potts, Editor, Marvel Comics, 1987
Character logos by other letterers

































STREETWISE
John Morrow, Publisher; Jon B. Cooke, Editor, TwoMorrows, 2000

































STRIKEFORCE: MORITURI
Carl Potts, Editor, Marvel Comics, 1986

































SUPERMAN: END OF THE CENTURY
Georg Brewer, Design Director, DC Comics, 2003
All hand-lettered except writer and artist credits which were typeset. 

































SUPERMAN FOR ALL SEASONS
Robbin Brosterman, Art Director, DC Comics, 1999
"For All Seasons" was typeset. 

































SUPERMAN: WHATEVER HAPPENED TO THE MAN OF 
TOMORROW?
Robbin Brosterman, Art Director, DC Comics, 1997
Title except question mark hand-lettered by Alex Jay.

































SUPERMAN'S METROPOLIS
Robbin Brosterman, Art Director, DC Comics, 1996
“Metropolis” was based on the 1927 film poster lettering.

































TAKION
Georg Brewer, Design Director, DC Comics, 1996

































TALES OF THE DARK KNIGHT
Rita Kesler, Ballantine Books Editor; Joe Orlando, DC Special Projects 
Editor, Ballantine Books, 1989
Color cover concept sketch by Alex Jay. Joe Orlando changed the 
position of Batman’s body and sent his tight pencil drawing to illustrator 
Sigmund Pifko.


































TIMBER WOLF
Curtis King, Art Director, DC Comics, 1992
Curtis King furnished his design for Alex Jay to finish. 

































TIME MACHINE
Byron Preiss, Editor, Bantam Books, 1984
The figure entering the time portal was inspired by Steve Ditko’s 
Doctor Strange entering an interdimensional portal. Cover 
painting by Jim Steranko. The making of the logo is here.



























TOYBOY
Neal Adams, Art Director, Continuity Comics, 1986
Designed by Neal Adams; finished art by Alex Jay. The making of 
the logo is here

































TWILIGHT
Andy Helfer, Editor, DC Comics, 1990

































UNAMERICAN GLADIATORS
Curtis King, Art Director, DC Comics, 1993
“Lobo” logo created by another letterer.

































UNCANNY ORIGINS
Mark Gruenwald, Editor, Marvel Comics, 1996
“Cyclops” logo created by another letterer. The making of the logo 
is here. 

































VENGEANCE
Chris Cooper, Editor, Marvel Comics, 1994
Logo debuted in Midnights Sons, Marvel Comics Presents #147, 
February 1994

































WAR DANCER
Alan Weiss, Creator, Defiant Comics, 1994
Original line art was used as a guide for the airbrush art.

































WARLOCK AND THE INFINITY WATCH
Craig Anderson, Editor, Marvel Comics, 1993

































THE WARLOCK CHRONICLES
Craig Anderson, Editor, Marvel Comics, 1993

































WEREWOLF
Neal Adams, Art Director, Continuity Comics, 1981
Logo debuted in Echo of Futurepast #3, November 1984; 
reprinted in Neal Adams Monsters, Vanguard Productions, 2003



























WILL TO POWER
Marilee Hord, Editor, Dark Horse Comics, 1994

































WOLFPACK
Ann Nocenti, Editor, Marvel, 1988
Logo debuted on the graphic novel. The making of the logo is here. 


































WONDER WOMAN
Curtis King, Art Director, DC Comics, 1992

































WONDERAMA
Greg Theakston, Publisher, Pure Imagination, 1993

































X-FACTOR
Walt Simonson, Artist, Marvel Comics, 1986
The making of the logo is here.

































X-FORCE
Bob Harras, Editor, Marvel Comics, 1991
The making of the logo is here. 
































 
Logo with bold outline

































X-TERMINATORS
Bob Harras, Editor, Marvel Comics, 1988

































ZATANNA
Curtis King, Art Director, DC Comics, 1993

































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