Monday, February 23, 2026

Creator: A Few Details About Verdun Cook, a Graphic Designer, Lettering Artist, Photographer, Art Director, Artist and Singer


February is Black History Month.

Verdun Phillip Cook was born on March 28, 1919 in Havre De Grace, Maryland according to his Pennsylvania Veteran Compensation Application File of World War II at Ancestry.com. His middle name was on his 1946 marriage certificate. However, when Cook registered for the draft his name was recorded as Verdon Belmont Cook. (The same name was used to copyright a musical composition.) His draft card had the same birth information as the compensation application. Cook’s parents were Thomas Belmont Cook (1895–1948) and Helen Wootson (1901–1991) who married on June 27, 1918 in Brooklyn, New York. His mother was also born in Havre De Grace.

The Cooks have not been found in the 1920 United States Census. The 1930 census counted eleven-year-old Cook (line 76), his mother and sister, Henrietta, in Manhattan at 136 West 112th Street. They were lodgers in the Davis household. Cook’s mother was a finisher at a millinery.

 
The newspaper, New York Age, December 16, 1933, said
Harlem School Boys Have Prize Exhibit at the Children’s Science Fair
The Frederick Douglas[s] Junior High School, 140th street near Seventh avenue, won the first prize of $20 in cash, at the Children’s Science Fair, which, opened Saturday evening, December 2. All the junior high schools of New York City competed in the fair.

Frederick Douglass Junior High School’s exhibit consisted of the following items: Life history of spice bush swallow tail butterfly, California sea lion in natural habitat, deer in natural habitat, beavers in natural habitat and how to make a wax leaf with moulds and casts.

Five boys did the work under the leadership of Sidney Druss, teacher of biology. Verdun Cook of 9B4 and Harry Wilson of 8B2 were responsible for the art work and the woodcraft involved in the exhibit, which was done under the supervision of Edward Singer of the Woodwork shop.
New York Age, February 3, 1934, said Cook received “Mrs. Pinckney’s general art and pottery making prize”.

Where Cook attended high school is not known. At some point he moved to Philadelphia, Pennsylvania.

The 1940 census said Cook’s mother, a divorcee, and sister resided in Manhattan. On October 16, 1940, Cook signed his draft card. His Philadelphia address was 425 South Broad Street. His description was five feet ten inches, 150 pounds, with brown eyes and black hair. Cook’s employer was Al Blofson who was president of the National Penn Printing Company in Philadelphia. At the printing company, Cook experienced many aspects of printing and the graphic arts.


In Philadelphia, Cook, a commercial artist, enlisted in the Army on May 12, 1942. Basic training was at Fort Meade, Maryland. At Fort Eustis, Virginia, Cook drilled at Coast Artillery and Anti-Aircraft weapons. (While there, he copyrighted a musical composition in 1943.) Next, Cook was assigned to the 92nd Infantry Division which had moved, in 1943, from Fort McClellan, Alabama to Fort Huachuca, Arizona. Cook contributed to the 92nd’s newspaper, The Buffalo, and the fort’s Apache Sentinel (here and here). In addition to being a Buffalo staff photographer, Cook also designed many of its covers and drew a few cartoons (below).

 
 
Cook’s initialed or signed several covers.

 
Infantry Day poster (here and here)

June 17, 1944

June 24, 1944

In September 1944, the 92nd Infantry went to the Mediterranean for combat. Cook was mentioned in the Baltimore Afro-American, December 16, 1944, Pittsburgh Courier, January 6, 1945, and Baltimore Afro-American, February 27, 1945 and March 10, 1945.

Staff Sergeant Cook was discharged on December 4, 1945. The Baltimore Afro-American, December 15, 1945, mentioned Cook and his father.

In Washington, DC, Cook and Leona Anna Turner obtained a marriage license and married on November 28, 1946.

The Independent Press Service produced a Cook profile which was published by several newspapers including The Omaha Guide (Nebraska), April 19, 1947; The Plaindealer (Kansas City, Kansas), April 25, 1947; Hartford Chronicle (Connecticut), May 3, 1947; and Negro Star (Wichita, Kansas), June 27, 1947. The Afro-American, February 21, 1948, featured multi-talented Cook. 
 

The advertising trade publication, Tide, August 19, 1949, said
Verdun Cook has been appointed art director of the advertising promotion department of Parents’ Institute (New York).
According to the 1950 census, Cook (line 15), his wife and two-year-old daughter, Leona, lived in Manhattan, New York at 10 East 138th Street. Cook was a commercial artist at a magazine. The same address was on his Pennsylvania Veteran Compensation Application File which also listed his thirteen-year-old son, Kenneth Donald Cook, from a previous marriage. 


New York Age, August 22, 1953, named several cartoonists, illustrators, designers and commercial artists, including Cook.

Cook, who was on staff at McCall’s magazine, was mentioned in the trade magazine Art Direction, October 1959. In 1961, Cook was Type Director at Redbook magazine. Years later he would become Associate Art Director.

Cook’s lettering appeared in the Royal Typographers advertisement.

Art Direction, October 1961

The cover of Art Direction, March 1964, featured Cook’s lettering.


Cook was one of ten judges for “Galley 10”, the tenth annual awards exhibition of the Type Directors Club of New York. Art Direction, May 1964, published the catalog which included Cook’s stationery and two editorial pieces from Redbook magazine.


Cook’s Q, for Royal Typographers, was used on a promotional piece, art directed by Ron R. Anderson, for APA News and exhibited in Art Direction’s 4th Creativity-on-Paper Show of 1963. The piece was reproduced in Art Direction, October 1964.


Cook’s lettering for CBS Television Network was recognized by the Art Directors Club of New York and the New York Type Directors Club.

The 44th Annual of Advertising & Editorial Art & Design (1965)

Type Directors Club 11th Annual Awards catalog
of 1965 was reproduced in Typography 35 (2014)

According to Howard Anderson Jr., an optical effects specialist, Cook created the heart motif and lettering for the opening of the syndicated I Love Lucy television series which began in Fall 1967.

Art Direction
, October 1967, said
Verdun Cook is at Mogul Baker Byrne Weiss Inc. as AD, from Marsteller Inc. Previously, he was a designer at McCall’s, designer/AD at CBS and Associate AD at Redbook.

Cook was the photographer of the Artintype advertisement (below) in Art Direction, December 1967.


Cook was the art director and designer of two television commercials for the brand, Alton Ames, by Howard Clothers. The commercials, numbers 742 and 753, were selected for the 49th Annual of Advertising, Editorial and Television Art and Design (1970). Cook’s work was selected by the New York Art Directors Club and published in its 52nd and 54th annuals. Photographis ’76 (1976) included Cook’s advertisement. Samples of his work were reproduced in Typography 32 (2011) and Typography 35 (2014) here, here and here.

Cook passed away on October 6, 1975. A death notice appeared in The New York Times, October 10, 1975.
Cook—Verdun P. On October 6, 1975, survived by his mother Helen, sister Henrietta; also by his son Kenneth and daughter Leona. Services Walter B. Cooke Funeral Home, 117 W. 72 St., 1 P.M. Friday, October 10.
Cook was laid to rest at Long Island National Cemetery.

 
Further Reading and Viewing
Are.na, Kyle Richardson / Verdun Cook 
The National WWII Museum, The Buffalo: 92nd Infantry Division’s Weekly Newspaper during World War II; African American Servicemen Opaque Negatives for Weekly Newsletter on December 5, 1944 in Reggio, Italy
Buffalo Soldiers National Museum, The Complex Legacy of the 92nd Infantry Division
Discogs, Verdun P. Cook
A’Design Award & Competition, Interview with Philip-Michael Weiner

 
(Next post on Monday: Betty Bentley, a Letterer and Her Talented Family)

Monday, February 16, 2026

Lettering: Victor Moscoso in Art Direction

Art Direction, May 1974




 
 
 
 
 
 
 
 
 
 
 
 
“Now you see it. Now you don’t,” says Victor Moscoso about this 
month’s cover.

If you look carefully, you’ll see Moscoso’s spelling out of the word 
art in the negative spaces between the blue Stonehenge-like shapes.

Originally a design for a job for Field Educational Enterprises (with 
Bruce Cortebien as design director and Joe Di Chiaro as AD), the 
art was revamped for AD’s cover in Moscoso’s inimitable style, 
using pen and ink with an acetate overlay.

“I do a lot of work for Zap Comix, and some for Snatch and Jiz (a 
very underground magazine,” says Moscoso. Recently, he’s also 
done album covers for Jerry Garcia and Herbie Hancock.

Working out of San Francisco, Moscoso’s reached at (415) 456-8389.
 
 
 
 

Monday, February 9, 2026

Lettering: J. Albert Cavanagh, Lettering Artist


1939 Prattonia yearbook

John Albert Cavanagh was born on March 8, 1885 in Boston, Massachusetts according to his Massachusetts birth record (at Ancestry.com), World War I and II draft cards and Social Security application (at Ancestry.com). Many sources had the incorrect birth year 1888 which appeared on a 1946 copyright entry. Cavanagh’s parents were Sylvester G. Cavanagh, a shoemaker, and Rose G. Kelley, who married on November 25, 1880 in Needham, Massachusetts.

The Cavanagh family has not yet been found in the 1900 United States Census. A 1909 Boston directory listed Cavanagh, an artist, and his father at 1 Parkman Place. The residence column, as of May 1, 1908, said Cavanagh resided in New York, New York. Information about his art training is not available.


Cavanagh has not yet been found in the 1910 census. The 1915 New York state census counted Cavanagh (line 38), his wife, Katherine, and nine-year-old daughter, Estelle, in Manhattan at 140 West 105th Street. Cavanagh was an artist.


On September 12, 1918, Cavanagh signed his draft card. His address was 44 West 37th Street in Manhattan. The self-employed artist was described as medium height and build, with blue-gray eyes and dark brown hair.


According to the 1920 census, Cavanagh (line 30) was an artist in advertising. He and his wife resided in the Bronx at 2264 Creston Avenue.


Printers’ Ink, July 24, 1924, said
Form New Advertising Art Business
J. A. Bensinger and J. Albert Cavanagh, for the last five years members of the firm of, Cavanagh & Bensinger, Inc., advertising art, New York, have formed separate businesses at that city. Mr. Bensinger will continue under the name of Bensinger Studios. After August 1, Mr. Cavanagh will conduct a studio under his own name.
Cavanagh advertised in Printers’ Ink, September 4, 1924.


Printers’ Ink, October 23, 1924, said
G. P. Haynes with J. Albert Cavanagh
G. P. Haynes, recently with Rusling Wood, New York, has joined J. Albert Cavanagh, advertising art, New York. Mr. Haynes was at one time art director with Calkins & Holden, Inc., advertising agency, New York.
Cavanagh advertised in Advertising and Selling Fortnightly, November 5, 1924.


Printers’ Ink, February 5, 1925, printed Cavanagh’s hand-lettered advertisement.


In the 1925 New York state census, Cavanagh and his wife were Pelham, New York residents at 153 Fifth Avenue.


Cavanagh and his wife vacationed in the Bahamas
and returned home on January 19, 1926.  

Printers’ Ink, January 28, 1926, said Cavanagh and Ben Nash gave a lecture about “The Principles of Hand-Lettering” at the Art Directors Club.

Cavanagh had an office in the Graybar Building.

Cavanagh has not yet been found in the 1930 census. For recreation Cavanagh played golf.

In the mid-1930s, Cavanagh had a school. In 1939 and 1947 he joined the faculty of Pratt Institute, in Brooklyn, New York, where he taught lettering.
Cavanagh was a teacher at the Jean Morgan School of Art.

In 1939, Cavanagh published Lettering. The 1946 updated edition was published by Halcyon House. The 1955 Lettering and Alphabets was reprinted by Dover Publications.

The 1940 census said Cavanagh (line 32) and his wife lived in Mount Vernon, New York at 660 Locust Street. He was an art teacher.


The same address was on Cavanagh’s draft draft card which he signed on April 26, 1942.


Cavanagh passed away on July 20, 1947 in Boston. On July 22, 1947, the Boston Globe was first to publish an obituary.
Cavanagh—In Dorchester, July 20. John Albert, well-known artist. Residence, 232 East 40th st., New York city, New York. Beloved husband of Katherine (Wilson) Cavanagh and brother of Mrs. Eleanor Ryan of 62 Rockne av., Dorchester. Funeral from the chapel of James W. Dolan. Inc., 198 Adams st., Wednesday morning with a Requiem High Mass in St. Brendan’s Church at 10 a. m. Relatives and friends invited. Visiting hours 2 to 5 and 7 to 10. Vermont and New York papers please copy.
The Brooklyn Eagle, July 25, 1947, said
J. Albert Cavanagh, Instructor at Pratt
J. Albert Cavanagh, who for many years had been the director of the Cavanagh School of Art, 19 W. 44th St., Manhattan, and was an instructor in lettering at Pratt Institute, Brooklyn, died Sunday in Boston at the home of his sister Mrs. Eleanor G. Ryan. He had recently returned from a vacation in Maine.

Mr. Cavanagh was a member of the Art Directors Club and the Advertising Club of New York. His home was at 232 E. 40th St., Manhattan.

Surviving are his widow, Mrs. Katherine Cavanagh; a daughter, Mrs. W. H. Williams, and his sister.

The funeral was held Wednesday in Boston.
The New York Times, July 25, 1947, noted his death.
J. Albert Cavanagh of this city, advertising lettering artist who had a studio at 19 East [sic] Forty-fourth Street, died on Sunday Boston while visiting a sister. He was 61 years old.
Cavanagh’s name and signature were in the Alphabet Thesaurus Nine Thousand (1960). His typefaces appeared on pages 195, 214, 220, 263, 325, 364, 368, 509, 511, 513, 521, 555, 577, 579, 587, 598, 610, 613, 642, 653, 662, 667, 693, 694, 703, 707, 709, 715 and 719.



Further Reading
Fonts in Use, John Albert Cavanagh

 
Related Post
 
(Next post on Monday: Victor Moscoso in Art Direction)