The Academy of Comic Book Arts
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(Next post on Monday: Trademarks, September 4, 1934)
LETTERING • LOGOS • LETTERFORMS • ALPHABETS • TYPOGRAPHY • CALLIGRAPHY • ETC
Jaffee: What about Gerda Gattel?In Alter Ego #104, August 2011, Jim Amash interviewed Al Sulman.
Jim Amash: I don’t know much about her, except she was in production, and after Timely let everyone go in 1957, she went over to DC Comics and had a long career there.
Jaffee: That’s right. I think she took over as head of the lettering department after Gary Keller left. I think she had some editorial duties, not to edit scripts, but as a traffic manager. in the 1950s, I brought in my “Patsy Walker” work to her when either Stan or his assistant Bonnie Hano wasn’t available. I think she retired as a traffic manager when she left DC.
I was very friendly with Gerda. She had survived the Holocaust. She was one of the children who was lucky enough to be accepted by Great Britain during the Kinder Transport of Jewish children over to London, right before they stopped it. She wound up in London and was a little bit older than us, so she regaled us with stories about being in London during the Blitz. Then she came over here. I don’t know of any other way to say this, but she was a hunchback, but still a very attractive woman. She was a very good letterer.
Jim Amash: There was another lady there named Gerta [sic] Gattel.Who's Who said Gerda was also a proofreader and production manager at Timely before moving to National Periodical Publications (DC Comics) in 1958. At National she was Irwin Donenfeld’s assistant from 1958 to 1968 and became production coordinator in 1968. Gerda was responsible for archiving the company’s publications.
Al Sulman: Gerta [sic] was on staff. She kept records of who was drawing what, and when it had to be finished... when it was time for publication. We knew when an issue had to be printed, and she kept track of who was drawing what, and made sure that they finished on time. She was an immigrant from Germany and spoke with a German accent. She was not a young woman, but she was a nice person.
In addition to Woodchucking, Uslan made time to become friendly with many of the DC staff. One in particular was Gerda Gattel. “She was one of the nicest ladies I’ve ever met in my life,” Uslan recalled. “I would talk to her about the old days at DC. At the time she was in charge of DC’s library. She knew how interested I was in comic book history. Most days around lunchtime Gerda would let me go into the library, and she would pull down volumes of books for me. Ultimately, over my summers with DC, I wound up reading every comic book they had ever published. I also had a chance to talk to Ira Schnapp, who had designed virtually every DC logo. He had refined Joe Shuster’s logo for ‘Superman.’ Amazing people … it was a phenomenal time to be there.”The June 1973 Academy of Comic Books Arts Newsletter published a photograph of Neal Adams and Gerda who presented the 1972 Best Letterer Award to John Costanza. Below are details of pages two, four and five.