Showing posts with label New York City. Show all posts
Showing posts with label New York City. Show all posts

Monday, October 12, 2026

Comics: Howard Rogofsky, Comic Book Dealer


Howard Rogofsky was born on October 10, 1946 in the Bronx, New York according to the New York, New York Birth Index at Ancestry.com. His father was Nathaniel Rogofsky who was born in Manhattan on April 18, 1921. He married Mildred Weinberg in the Bronx on August 2, 1942. Rogofsky’s paternal grandparents were immigrants. The 1950 United States Census said Harry Rogofsky was born in Poland. According to the 1920 census he immigrated in 1913. Harry married Lillie Alpert in Manhattan on September 30, 1917. She was born in Lithuania, according to her World War II Alien Registration, and immigrated in 1911.

The 1925 New York state census said Rogofsky’s father, Nathaniel (also Nathan and Nat) had an older brother, Philip. They lived with their parents in the Bronx at 850 East 175th Street. Rogofsky’s grandfather did painting.

The 1930 census recorded the family of six in the Bronx at 2143 Clinton Avenue. Nathaniel was the second of four brothers. The next two were Sidney and Murray.

The Rogofskys have not yet been found in the 1940 census.

Rogofsky’s father signed his World War II draft card on February 16, 1942. His address was 1344 Wilkins Avenue in the Bronx. He was employed by New York City Transit in Brooklyn. His description was five feet eleven inches, 200 pounds, with brown eyes and black hair.

Three months after his marriage, Rogofsky’s father enlisted on November 16, 1942. His hospital file, at Ancestry.com, said he served in a support unit of the Air Force. In March 1945, he was hospitalized at Scott Field, Illinois for an infection, nasopharyngitis, acute.

The 1950 census counted three-year-old Rogofsky (line 3), his parents, newborn sister, Leslie (born in Brooklyn), and maternal grandmother, Pauline Weinberg, in the Bronx at 1680 Vyse Avenue. Rogofsky’s father worked in the powerhouse of the New York City transit system.

 
In Comic Book Marketplace #18, October 1992, Rogofsky was interviewed and said his family moved to Queens, in 1955, where he graduated high school in 1965. However, the Andrew Jackson High School, in Cambria Heights, said Rogofsky was in the Class of 1964. He did not appear in the 1964 or 1965 Pioneer yearbooks viewed at Classmates.com. (In 1967 Rogofsky’s sister, Leslie, graduated from Andrew Jackson High School.)

The New York, New York Marriage License Index, at Ancestry.com, said Rogofsky and Gail Roth obtained a Queens marriage license, number 3401, in 1965. In 1964, Gail graduated William Howard Taft High School in the Bronx. The yearbook said she planned to be a dental hygienist.

Rogofsky was a teenager when his comic book mail-order business began. In the interview he said
... in 1960, I got two fanzines, which have long [been] out of business, that listed several people selling comic books. I wrote to them and the rest is history I guess you could say.
Comic book dealer Robert Bell, who was interviewed in Comic Book Marketplace #36, June 1996, said
... Howard Rogofsky used to come into my shop all the time and he would have a want list with the amounts people would be willing to pay for certain issues. I would have a whole wall full of books, many on his list. He would just come in and say “I’ll take that, and that and that, and that.” If my price was $3 to $5, Howard would double his money when he sold them. I would discount some depending on how much money Howard spent. ...
Rogofsky advertised in numerous publications including the Overstreet Comic Price Guide, TV Guide, Marvel and DC Comics, newspapers, magazines, convention programs, and fanzines such as Rocket’s Blast Comicollector. He also published catalogs.

DC Comics, September 1986, lower left corner
 
On February 25, 1966, Rogofsky appeared on the Joe Franklin television show. The Associated Press reported Phil Seuling’s 1968 International Convention of Comic Art and noted, “Howard Rogofsky, 21, said he sold a 1939 first edition Marvel Mystery for $330.”

Rogofsky witnessed a murder and testified in court. The Jersey Journal (Jersey City, New Jersey), September 14, 1985, said
… Howard Rogofsky of Queens testified earlier in the day he had seen Cardinale push Miss Cheung onto the tracks.

“He gave her a shove with two hands,” Rogofsky said. “She went flying onto the tracks and the train hit her.”

The witness said he heard Cardinale say afterward, “I’m glad I did it.”
Newsday, December 18, 1989, profiled Rogofsky here and here.

Public records, at Ancestry.com, said Rogofsky had addresses in Rosedale, Bayside, Glen Oaks and Jamaica, New York.

Rogofsky’s mother died on September 1, 2002 and father on March 22, 2004. Rogofsky’s wife, Gail, died on October 5, 2016. Rogofsky passed away on April 22, 2024. All were laid to rest at Wellwood Cemetery.

 
Further Reading
CGC, Howard Rogofsky
CBCS, H. Rogofsky/Carbonaro Buy/Sell Event-Action 1
Walter Day, 82—Howard Rogofsky
Kenneth Spencer Research Library Archival Collections, Dealer Catalogs


Related Post
 
 
(Next post on Monday: The Typosium, Los Angeles, 1925)


Monday, October 5, 2026

Lettering: Tommy Thompson, Lettering Artist


The Inland Printer, January 1953

Samuel Winfield “Tommy” Thompson was born on February 23, 1905 in Blue Point, New York according to the New York State Birth Index (at Ancestry.com) and his World War II draft card. His parents were Benjamin David Thompson (1875–1941) and Anna Maria Hudson (1869–1917). (Who Knows—and What, Among Authorities, Experts, and the Specially Informed and American Metal Typefaces of the Twentieth Century had the correct birth year 1905. Most sources said he was born in 1906, a year associated with a copyright entry.)

The 1910 United States Census counted Thompson (line 97), his parents and older brother, Stanley, in Brookhaven, New York on Madison Avenue. His father was an engineer.


In the 1915 New York state census, the family of four (lines 15 to 18) were Brookhaven residents on Park Street.


According to the 1920 census, fourteen-year-old Thompson (line 65) was an “engraver helper” in the printing trade. He lived with his father and step-mother in Brooklyn at 120 Himrod Street.


A profile in The Inland Printer, January 1953, said
... his father apprenticed him to a former Bureau of Engraving and Printing craftsman running a Brooklyn plate-lettering and die-engraving plant.
In Manhattan, Thompson married Josephine F. Harm on July 17, 1928. He was a commercial artist residing at 138 West 58th Street.

The 1930 census said Thompson, his wife and son, Peter (1930–2005), lived in Mamaroneck, New York at 25 Livingston Avenue. Thompson was an advertising artist (line 78).


Thompson’s instruction book, The Script Letter, was published in 1939. A 1939 or 1940 issue of Art and Industry said
Tommy Thompson (Samuel Winfield Thompson, if we were to be formal) is a master of a delicate and difficult art—lettering to wit. In this and in layout (the two things are closely related) he has achieved results that not only do their job but have a rare beauty of their own. What is more, he knows all about the subject right the way back to the middle ages and beyond. This is what Gordon Aymar says about him and his new book: “Just to prove that scholarship is not dead and that craftsmanship is still alive in a world devoted to the machine, Tommy Thompson has produced a book on script which will be a ‘must’ for every letterer and art director.”
Thompson moved at least two times. In 1935, the Thompson family was in Ardmore, Pennsylvania. The 1940 census said he, his wife and three children were San Francisco, California residents at 1968 20th Avenue. He was a self-employed artist (line 9).


The same address was on Thompson’s draft card which was signed on October 6, 1940. He was employed by Marc Messinger. Thompson was described as five feet five inches, 125 pounds, with blue eyes and blonde hair.


In 1942, Thompson’s second book, The ABC of Our Alphabet, was published.

Thompson’s second marriage was to Hazel P. Bronson on August 1, 1943 in Richmond, Virginia (certificate at Ancestry.com).

In Life with Letters as They Turned Photogenic (1981), Edward Rondthaler recounted how Thompson became the first lettering artist (starting in 1944) to earn royalties for his typeface designs.

Thompson had a full-page in the article, “Lettering & Calligraphy in Current Advertising and Publishing”, in Print, Fall 1945.

Thompson’s next book, How to Render Roman Letter Forms, was published 1946.

The Inland Pinter, June 1948, said
Tommy Thompson is probably better known for his prolific lettering efforts than for his type designs. The three type styles shown above are two titling letters for Collier’s magazine (caps only) and a titling letter for The Saturday Evening Post (which alphabet includes lower case). The influence of poster lettering (of which Mr. Thompson is a master) is plainly evident in these type designs.
The 1948 issue of Print (volume 4, number 4) featured “American Type Designers and Their Work”. Thompson was on page 18.

Thompson, his wife and son, Scott (1947–2008), were residents in Norwalk, Connecticut on Strawberry Hill Avenue. The 1950 census said Thompson was a printing type designer (line 12). A second son, Stanley, (1950–2022) was born after the census enumeration. Thompson’s book, Basic Layout Design, was published that year.


Thompson’s profile in The Inland Printer, January 1953, featured his typeface, Quillscript, for American Type Founders. Other typefaces were mentioned.
Over the past three decades Tommy’s understanding of the relationship of style to legibility has brought him commissions involving readability problems ranging in size from two points to five feet. He feels that acceptance of his pen-flavored scripts by ad agency and magazine art directors has speeded the trend away from the heavy, old-style body types that weighted down advertising thirty years ago. His facility in lettering lighter script forms is indicated by the popular use of his nearly 100 photo-lettering fonts. Many were designed for exclusive use by such national magazines as Collier’s, Saturday Evening Post, Holiday and Mademoiselle. He designed for Life a complete graded family of heading and byline script forms which are produced by Photo-Lettering, Inc.
Art Director & Studio News, May 1953, announced the availability of Quillscript.

Four months later, Thompson’s Mademoiselle Type was shown in Art Director & Studio News.


In 1954, Photo-Lettering Inc. exhibited Thompson’s lettering and promoted his typefaces, Photo-Trend and Federal.


A revised edition of The Script Letter was published in 1955.


Thompson’s name and signature (below) were in Photo-Lettering Inc’s Alphabet Thesaurus Nine Thousand (1960). 

 
Alphabet Thesaurus Volume 2, Photo-Lettering Inc., 1970


Alphabet Thesaurus Volume 3, Photo-Lettering Inc., 1971
 
 
In 1965, Script Lettering for Artists was Dover Publications’ reprint of The Script Letter.

Thompson passed away in 1967 in New York City. An obituary has not been found. The family tree at Ancestry.com said he, as Thomas Thompson, was laid to rest in Potter’s Field at an unnamed city and state. His wife, Hazel, died July 21, 1983.

 
(Next post on Monday: Howard Rogofsky, Comic Book Dealer)

Monday, September 21, 2026

Under Cover: Art Direction 1964

 
January: Ken Saco and Victor Obsatz

 
 
February: Henry Wolf

 

 
March: Verdun Cook
 

 
April: Harry Jacobs


 
May: Peter Adler

 
 
June: Norman Tanen



July: Henry Gregg



August: Bernie Zlotnick



September: Al Gescheidt



October: R.O. Blechman


 
November



December: Bob Cox


Related Posts
Art Direction 1963

 

Monday, August 24, 2026

Lettering: Andy Warhol, Commercial Artist

 
Art Direction, April 1961
Fritzie Miller Associates advertisement lettered by Andy Warhol
 
 

Art Direction, April 1962
Champion Papers advertisement
Andy Warhol photographed by Art Kane

Art Kane illustrated by Andy Warhol

 
 Art Direction, June 1964
 
 
(Next post on Monday: Art Direction 1963)

Monday, June 29, 2026

Creator: A Few Details About John Alcorn, Illustrator and Designer

John Earle Alcorn was born on February 10, 1935 in Corona, New York. His parents were Herbert Melville Alcorn (1908–1992) and Mabel A. Comotto (1912–1996), who married on April 14, 1934 in Corona. Alcorn’s middle name was the first name of his paternal grandfather.

The 1940 United States Census counted Alcorn, his parents and maternal grandmother, Mary Comotto, in Corona at 35-14 98th Street. Alcorn’s father was a statistician with an insurance company. Alcorn’s father signed his World War II draft draft on October 16, 1940. His Corona address was the same. He was employed by the New York Life Insurance Company. Two years later, he enlisted in the National Guard on October 13, 1942. His address was 84 Lakeville Road in Great Neck, New York.
 
In the 1950 census, fifteen-year-old Alcorn, his parents, two brothers, Richard and Robert, and grandmother resided in North Hempstead, New York at 84 Bates Road. Alcorn was a student at Great Neck North High School where he was on the soccer team.

Alcorn in front row, second from left; 1951 Arista yearbook

Alcorn continued his education at Cooper Union. Illustrators of Children’s Books, 1957–1966 said his instructors included Philip Grushkin, George Salter and Jerome Kuhl. Alcorn was on the art staff of the 1954–1955 Cable yearbook which said
Beneath John’s quiet and clean cut exterior breathes a creative spirit. He is lasting proof that a lad with a Coca-Cola facade can be more than a stereotyped artist. His designs as well as his personality contain a freshness and exuberance that have won him Phyllis as well as a good future.

Alcorn graduated in 1955. According to the Daily Times (Mamaroneck, New York), January 30, 1992, Alcorn married Phyllis Crescenzi on June 25, 1955 in New York City where three sons, Thomas, John and Stephen, were born; the fourth, Kenneth, in New York state. The newspaper said
... Mr. Alcorn was a member of the Push Pin Studio in Manhattan from 1955 to 1956. From 1957 to 1962, he was art director with CBS radio and television. ...

... He lived in New York City from 1955 to 1958, in Dobbs Ferry from 1958 to 1961, in Ossining from 1961 to 1971, in Florence, Italy, from 1971 to 1977 and in Cold Spring from 1977 to 1983, when he moved to Lyme, Conn[ecticut].
American Artist, September 1958, “The Push Pin Studios”
 
Books! (1962)

Wood (circa 1964)
 
Writing! (1964)

The 44th Annual of Advertising & Editorial Art & Design (1965)

A Letter to Anywhere (1965)
 
 
Citizen Register (Ossining, New York), April 15, 1967
 
Art Direction, October 1967

The Citizen Register, February 10, 1970, reported Alcorn’s medal from the Cooper Union Alumni Association.


Jerome Snyder profiled Alcorn for the graphic design publication, Graphis, number 153, 1971.

 
Wood 2 (circa 1970)

It’s Hard to Be Hip Over Thirty and
Other Tragedies of Married Life (1970)

People & Other Aggravations (1971
 
People & Other Aggravations (1972)
 
How Did I Get to Be 40 & Other Atrocities (1976)
 
Love & Guilt & The Meaning of Life, Etc. (1979)
 
Alcorn’s love stamp was reported in The Day (New London, Connecticut), January 15, 1987.


Alcorn passed away on January 27, 1992. An obituary appeared in The Day, January 29.
John Alcorn
Lyme—John Earle Alcorn, 56, of 243 Hamburg Cove, died Monday at Lawrence & Memorial Hospital in New London.

He was born Feb. 10, 1935, in New York City, the son of Herbert and Mabel Comotto Alcorn of Essex.

Mr. Alcorn was a self-employed graphic artist.

He married the former Phyllis Crescenzi in 1955 in New York.

Besides his parents and his wife, he is survived by three sons, John H. Alcorn of Palermo, Italy, Stephen J. Alcorn of Cambridge, N.Y., and Kenneth E. Alcorn of Greenwich; two brothers, Richard Alcorn of New York City and Robert Alcorn of Wading River, Long Island, N.Y.; and four grandchildren.

He was predeceased by one son, Thomas J. Alcorn.

The funeral service and burial will be private. There are no calling hours.

Byles Memorial Home, 99 Huntington St., New London, is in charge of arrangements.

Donations in his memory may be directed to a charity of the donor’s choice.
Reports of his passing appeared in The New York Times, February 2, 1992 and The Hartford Courant, February 3, 1992.


 
 
Further Reading and Viewing
The Alcorn Studio & Gallery
John Alcorn: Evolution by Design, website and book
The Cooper Union Alumni Association
The Cooper Union, Coopermade: Fellini Film Titles