Monday, June 8, 2015

Creator: Elaine Rawlinson


The First Woman Who Designed a United States Postage Stamp


Elaine Rawlinson was born in Manhattan, New York City, on January 26, 1911. Her birth date was found on a 1932 passenger list at Ancestry.com. Rawlinson’s parents were Thomas Rawlinson and Madeline Berls, who married on June 2, 1906 in Manhattan, according to the New York, New York, Marriage Index at Ancestry.com.

In the 1910 U.S. Federal Census, Rawlinson’s parents lived in the household of Robert Berls, Rawlinson’s maternal grandfather who owned and operated a bakery. Rawlinson’s maternal grandparents were German emigrants. They resided in Manhattan at 368 West 120 Street. Rawlinson’s father was an accountant at an electric company. When Rawlinson’s father signed his World War I draft card, on September 12, 1918, he lived with his mother at 414 St. Nicholas Avenue in Manhattan.

In the 1920 census, Rawlinson’s maternal grandmother, a widow, was the head of the household and ran the bakery. Rawlinson’s mother was the bakery cashier. They continued to live at 368 West 120 Street.

All three women were recorded in the 1930 census at 536 West 113th Street in Manhattan. All of them were unemployed.

Rawlinson and her mother were involved with a national sorority, according to the Brooklyn Daily Eagle (New York), March 6, 1932:

Greek Letter Clubs
Mrs. Robert Nelson Errington, president of Alpha Epsilon chapter of Pi Omicron National Sorority, entertained the members at tea at her home yesterday. Mrs. Errington is also recording secretary of the national chapter. Miss Francis Kingsley, vice president, and Mrs. Madeline Rawlinson, hostess of the chapter, poured tea.
Pi Omicron is a movement in adult education, now represented in 42 States, with a membership of about 40,000 women. Plans for the second national convention, to be held in Los Angeles next Summer, are now under way. Prof. Eugene Armfield, A. B., M. A.. Ph. D., is the program director of the New York City chapter.
Among those present were: Miss Margaret H. Barnes, Miss Hazel C. Bolduc, Miss Stella Brandt, Miss Mabel S. Briggs, Miss Frances K. Burr, Miss Ethel Davis, Mrs. Mary F. Clock, Miss Martha Dunn, Miss Irene V. Hickey, Miss Grace Joslin, Miss Anne Lincoln, Miss Georgette C. Louzier, Miss H. F. McDevitt, Mrs. Oiga C. Moore, Miss Anna M. McLean, Miss Carrie Otten, Mrs. Madeline Rawlinson, Miss Elaine Rawlinson, Mrs. Jane Fuller Rowe, Mrs. Carolyn F. Reid, Miss L. Blanche Schontz, Mrs. Mary M. Schontz, Miss Louise Soule. Miss Marguerite H. Shepherd and Miss Emma Witt.
Almost a month later, a related article was published in the Daily Eagle, April 3, 1932:
Greek Letter Clubs
The New York-Alpha Epsilon chapter of Pi Omicron national sorority will hold an afternoon tea and card party at the Hotel Wellington next Saturday from 3 to 5 o’clock. A small exhibition of the paintings of Miss Elaine Rawlinson will be held. The proceeds of the tea will go into the convention fund to send delegates to the national convention to be held in Los Angeles next Summer.
Mrs. Robert Nelson Errington, president; Miss Frances Kingsley Burr, vice president, and Mrs. Madeline Rawlinson, hostess of the chapter, will receive the guests.
Members of Alpha and Beta chapters in Newark, N.J.,and Gamma chapter in Elizabeth, N. J., will attend.
Rawlinson and her mother visited Germany. A passenger list, at Ancestry.com, said they sailed from Bremen, Germany on November 4, 1932. They arrived in New York City November 10. Their home address was 390 Riverside Drive, New York City.

The New York Times, January 13, 1934, said Rawlinson was the maid of honor at the wedding of Violet Jambor and George Sziklai.

The following day, Edward Alden Jewell, art critic of the Times, reviewed the annual exhibition of the National Association of Women Painters and Sculptors. He named several works and their creators, and mentioned Rawlinson. The Times, April 30, 1934, reported the annual student exhibition of Art Schools of the National Academy of Design: “Other young artists whose work shows distinct promise include…Elaine Rawlinson….”

Rawlinson was one of six students who received awards of merit at graduation of the Free Art Schools of the National Academy of Design, according the Times, May 3, 1934. Among her prizes were the $25 School Prize from the Life Schools (Painting from the Nude); $5 prize for Best Palettes and the Handling of Pigments; and $10 School Prize from the Composition Classes’ Decoration and Design category.

The Times, August 26, 1935, said Rawlinson attended the Japanese festival, Kanko Dei at the Balsams, Dixville Notch.

On April 15, 1936, Rawlinson and her mother returned from Bermuda. Their names and birth years were recorded on the passenger list; 1911 was on Rawlinson’s line.


The Allied Artists of America group show was reviewed in the Times, May 17, 1936. The reviewer said: “…it is very gratifying to find interspersed examples testifying to a spirit of more creative freshness, which reassures the eye that has become so wearied with facile cliches, with the unimaginative adherence to formula.” Among the artist and paintings named was Rawlinson’s, “Susan”.

The New York Sun, January 9, 1937, named Rawlinson as one of several New York guests registered at the Chateau Frontenac, in Quebec, for ski outings.

The Times, January 24, 1937, said Rawlinson was in a group show of portraits at the Decorators Club Gallery in the Squib Building, New York City. The March 17, 1937 Times said Rawlinson was in the twentieth exhibition at the Temporary Galleries of the Municipal Art Committee. A March 21, 1937 Times art review said there was an “academic tone” to the paintings on the fourth floor which included portraits by Rawlinson.

“Girls’s Stamp Design Wins $500 in Contest” was a headline in the Times, September 30, 1937, which said:

Miss Elaine Rawlinson, a young artist of 390 Riverside Drive, won first prize of $500 yesterday in the National Stamp Competition for a design for the one-cent stamp in the new Presidential series, it was announced by the Procurement Division of the Treasury Department in Washington, Section of Painting and Sculpture.
…The competition was for the first postage stamp of a proposed “Presidential Series.”…If completed, the series will include stamps portraying of the Presidents. The one-cent stamp is a portrait of Washington and the two-cent will portray Adams.
…Miss Rawlinson, still in her early 20s, is a former student of the National Academy of Design School and later studied mural painting at the Beaux-Arts Institute.
There were 1,122 artists competing for the three prizes offered by the United States Bureau of Engraving and Printing. A second article in the Times, October 3, 1937, said seventy-five designs were selected out the 1,122. That number was reduced to twelve then the final six. The members of the committee of award were Duncan Phillip of the Phillips Memorial Gallery, H.M. Southgate, president of the Bureau Issues Association; Mrs. Catherine L. Manning, philatelist, Smithsonian Institution; Carl Rollins, typographer, president of Yale Press, and John Taylor Arms. President Franklin D. Roosevelt, a stamp collector, chose the stamp design winner.

The Times said Rawlinson’s design “is something wholly ‘new’ in this country’s stamp history, according to government philatelists.” The specifications for the one-cent George Washington stamp required either a full-face view or profile. Rawlinson used the Houdon bust at Mount Vernon; “…but what stands out in her design, besides its simplicity, is the position of the head—at one side, leaving a comparatively large area to be filled with solid green. This green forms a good background for the block letters….” Absent were the engraving lines common in most stamps. Printing a solid background was a technical problem for the Bureau, which changed the solid background into parallel horizontal lines. Rawlinson’s Washington stamp was available April 25, 1938.





The Rhinebeck Gazette (New York), May 13, 1938, identified the people who translated Rawlinson’s design into the stamps.
…Although the design used on the half-cent, one cent and the one and one-half cent stamps is an adaptation of her work, Miss Elaine Rawlinson is given credit by the Government as the designer of the stamps. On the one cent stamp, John Eissler engraved the portrait and J. T. Vail the lettering. On the one and one-half cent stamp, L. C. Kauffman engraved the portrait of Martha Washington and Mr. Vail handled the lettering. No other announcements as to engravers on the balance of the stamps of the series has been made.
A timeline of the Presidential Series release dates is at the USPS site; scroll down to 1938.

The Sun, May 7, 1938, reported Rawlinson’s upcoming speaking engagement.

Miss Elaine Rawlinson, whose prize winning design forms the basis of the new presidential series, will be the guest speaker at the May 12 meeting of the Women’s Philatelic Society, to be held at the Hotel Commodore.
Rawlinson and her mother spent part of their summer in Westport, New York. The Sun, June 11, 1938, said:
Miss Elaine Rawlinson of Riverside Drive, New York city, whose design for the recently issued series of one-cent stamps, featuring a profile of George Washington, was accepted by the Post Office Department, was a guest with her mother, Mrs. Thomas C. Rawlinson, over the Decoration Day weekend of Mark Whitman, president of the Westport Inn and Country Club and Mrs. Whitman, at their Garden Cottage in the Westport Inn park. Mrs. Rawlinson and her daughter are among the guests of previous seasons who will return to the Inn later in the season.
The Times art critic, Edward Alden Jewell, reviewed, on October 15, 1938, the twenty-fifth annual Allied Artists of America exhibition. He wrote: “Among the more robust or technically accomplished things are...‘The Artist’ by Elaine Rawlinson….”

The December 1938 issue of Boys’ Life published the Presidential Series stamps of Zachary Taylor, Franklin Pierce and Abraham Lincoln.

The Presidential Series Manual
Albert T. Kunze
Tanki Mail Advertising Service, 1939

The Times, April 30, 1939, said Rawlinson was a member of the executive committee that was involved in the “Union Pacific” Wild West costume party at the National Arts Club. The money raised was for the scholarship fund to assist talented students in the visual and performing arts.

The following year, Rawlinson was involved in the Pan-American ball at the National Arts Club, as reported in the Sun, April 10, 1940.

Rawlinson’s design for the Philippines two-centavos stamp, featuring Jose Rizal y Mercado, was approved according to the Times, December 29, 1940. She submitted her design in the First National Stamp Design Contest conducted by the Asociacion Filatelica de Filipinas in cooperation with the islands’ postal authorities.



In the 1940 census, Rawlinson’s address was 34 Sutton Place, Manhattan, New York City. She was a freelance artist whose highest level of education was the third year of high school. Her mother, the head of the household, was an estate manager.

Rawlinson was a junior member of the National Arts Club. The Times, May 14, 1942, covered the award ceremony and said she received a $5 prize for photography.

According to the Social Security Death Index, Rawlinson, as Elaine R. Fisk, passed away October 19, 1989, and her last residence was Johnson City, Tennessee. Jim Fisk, Rawlinson’s son, wrote about her presidential stamps (here) and her struggles with arthritis (here).


Further Reading

National Postal Museum
Elaine Rawlinson article has a photograph of her

A History of America in Thirty-six Postage Stamps
Chris West
Macmillan, 2014
pages 165–166: Elaine Rawlinson


Art in Stamps

(Next post on Monday: Bock Ngar Chy Co.)

Monday, June 1, 2015

Lettering: Daniel T. Ames, Master Penman

1835, Vershire, Vermont – August 26, 1909, Mountain View, California

1860 United States Federal Census
Oswego, New York
Name / Age
Daniel T. Ames 23

1865 New York State Census
Syracuse, New York
Name / Age
Daniel Ames 29
Fanny Ames 24 (wife)
Florence Ames 2 (daughter)

Trow’s New York City Directory, 1871-’72
Ames Daniel T, college, 756 B’way, h L.I.

1880 United States Federal Census
543 Walnut Street, Elizabeth, New Jersey
Name / Age
Daniel T. Ames 44
Fannie L. Ames 39
Florence Ames 17
George Ames 13

Hill’s Album of Biography and Art, 1882


Hill’s Album of Biography and Art, 1882


Hill’s Album of Biography and Art, 1882



















































































Hill’s Album of Biography and Art, 1890

Hill’s Album of Biography and Art, 1891






















































Ames’ Alphabets: Adapted to the Use of Architects, Engineers, Artists, Sign Painters, Draughtsmen, Etc.
Daniel T. Ames
W. T. Comstock, 1884 (5th Revised Edition)

Copartnership and Corporation Directory of New York City, 1889
Ames Daniel T. & Son (Daniel T. & George J. Ames) 206 B’way 

Penman’s Art Journal
November 1897
“The Fair Will Case.”

Penman’s Art Journal
May 1898
“Lecture by D. T. Ames”

Ainslee’s Magazine
September 1899
“The Science of Handwriting”

Ames on Forgery: Its Detection and Illustration, with Numerous Causes Célèbres
Daniel T. Ames
Ames-Rollinson Company, 1900

The Salt Lake Tribune
(Utah)
August 27, 1909
“Daniel T. Ames, Noted Handwriting Expert, Dies”

The San Francisco Call
(California)
August 27, 1909
“Famous Expert in Handwriting Dies Aged 74”

The San Francisco Chronicle
(California)
August 27, 1909
“Death Claims Daniel T. Ames” 
Handwriting Expert Passes Away at Mountain View Home. 
Mountain View, August 26.—Daniel T. Ames, who had won national prominence as a handwriting expert, and who had been retained in many celebrated cases both in the east and in California, died at his home in Mountain View at 5 o’clock this morning. 
Ames was 83 years old and his death was due to a general breaking down of his vital powers. He had been in an enfeebled condition for the last three years, a part of the time being confined to his room. He had been about the house on Sunday and had retired a little earlier than usual. When his wife followed him a little later she found him in a semi-conscious condition, and, although he recognized her, he did not rally. 
Born in Vermont, Ames became a student in chirography early in life and taught a school of penmanship for some time, coming into prominence later as a witness in celebrated cases where the authenticity of handwriting was disputed. One of the principal cases with which he was connected was that of the Morley [sic] letters, which purported to give President Garfield’s opinions on the Chinese labor question. He is also understood to have been called upon to examine several of the documents in the Dreyfus case. 
He came to California first in connection with the Fair will case and was later retained in the Davis will case, although the bulk of the work in that instance was done by other experts, and in the Botkin trial. He was the author of several works, among them being “Ames on Forgery.” 
He leaves a widow, a son and daughter living in Mountain View, two sisters at Branden, Vt., and two brothers at Clinton, Wis. The funeral will be held on Saturday from the family residence. The interment will be at Alta Mesa Cemetery.

Related Posts
E.W. Bloser
Alvin R. Dunton
Platt R. Spencer
John D. Williams
William E. Dennis


(Next post on Monday: Elaine Rawlinson)

Monday, May 25, 2015

Lettering: Aldren A. Watson


Aldren A. Watson hand-lettered the first American Artist logo. He may have designed the title’s previous name, Art Instruction. It is not known if Aldren studied with a calligrapher or was self-taught. Art Instruction was created by Aldren’s father Ernest Watson and Arthur Guptill who formed the publishing company, Watson-Guptill. Aldren’s “contribution” to the Art Instruction logo was mentioned in the August 1938 issue:
“…This cartoon by Lawrence R. Lewton of Portland, Oregon, was submitted in Art Instruction’s recent Caricature and Cartoon Contest. For Mr. Lewton’s information we’ll explain where the “Beastie” came from. When Art Instruction’s cover was being designed, all seemed finally complete except that white space in the upper-right corner. Editor Watson, glancing at his son Aldren’s letterhead, espied said Beastie, attacked it with editorial scissors and slapped it on the cover design. Be thankful you’re not an editor’s son!”

The title changed with the January 1940 issue; below is the June 1940 American Artist cover featuring cartoonist Rollin Kirby.


The new cover format was introduced with the January 1944 American Artist that mentioned Aldren’s contribution on page two:
“…Although our new cover appears, at first glance, to be entirely new, one feature of the old has been retained; our name, American Artist, which was hand-lettered by Aldren A. Watson several years ago, appears in the same beautifully designed style, white on black, in the band across the top….”
Aldren’s logo was replaced around the last quarter of 1951.


Aldren Auld Watson was born in Brooklyn, New York, on May 10, 1917. The 1920 U. S. Federal Census recorded him, his parents, Ernest and Eva, and older brother, Merlin, in Brooklyn at 181 Emerson Place. At the time his father was an instructor at a private school. Their address was the same in the 1925 New York State Census and 1930 census.

Brooklyn Daily Eagle
(New York)
May 15, 1932
Miss Golding Entertains
Miss Betty Golding, of 170 Hancock St., entertained at a supper-dance last evening. 
Among those present were the Misses Pamela Peoples, Catherine Streeter, Joan Boselly, Betty Beach, Eleanor Hunt, Julia Gray, Lois Catuna, Robert Rikel, Thomas Noble, John Briggs, Aldren Watson, Donald McGratty, Kenneth Creveling, Winthrop Sterns and Harry Mitchell.
Brooklyn Daily Eagle
(New York)
April 2, 1933
Four Watsons Exhibit at the Same Art Show
Parents and Two Sons Display Their Work in Church Gallery—
Father Long Noted Here and Abroad for His Prints
Mr. and Mrs. Ernest Watson just can’t remember when their boys learned to paint.
“They may have learned perspective toddling around the studio floor,” Mrs. Watson says laughingly. 
“They learned to paint the way other children learn to speak,” Mr. Watson explains gravely. 
The studio on the third floor of the Watson home at 181 Emerson Place is always occupied by one or another member of the family, but they manage not to get into each other’s paint pots. 
Mr. Watson has exhibited his block prints and pencil illustrations in the Brooklyn Museum, the British Museum, the New York Public Library, the National Museum and in art shows throughout the country. There is never a time when some of his work is not on exhibition in some part of the country. He was head of the evening art school at Pratt for more! than 10 years. 
Mrs. Watson has been exhibiting with her husband for the last seven or eight years, but her work is in no way like his. While he is interested in forests and ships and is conservative in style, she cannot confined by inches. “I love wide sweeping murals of a decorative sort,” she says. 
Merlin at 19, is a quiet lad with brown hair, deep blue eyes and a serious manner. Weird prints of startling dramatic black and white contrasts, clay masks with fantastic faces, these are the things he loves to do. He studies at the Art Students League, has tried every medium there is, but comes back to black and white because “1 think that way.” 
Aldren at 15 has not quite decided what is his favorite medium. Now he is working on a set of marionettes.

Brooklyn Daily Eagle
(New York)
April 30, 1933
Prize Winners
Aldren Watson, a student in the tenth grade at Friends School, who won third prize in the annual group of prizes for creative work in literature and the visual arts conducted by Scholastic, high school magazine. He is the son of Mr. and Mrs. Ernest Watson of 181 Emerson Place. His father is a well known artist. The third prize is a check for $15.

Brooklyn Daily Eagle
(New York)
November 27, 1933
Honor Pupils Listed by Friends School
The honor roll of Friends School for November was announced today by Wayne L. Douglas, headmaster. It follows:
…11th Grade—High honors, Betty Beach and Aldren Watson…
Brooklyn Daily Eagle
(New York)
December 23, 1933
John Barnewall Will Be Host at Party on New Year’s Eve
John Barnewall of 570 E. 21st St., a senior at Friends School, will entertain at his home on New Year’s Eve. The guests will be the Misses Betty Beach, Betty Golding, Louise and Julia Gray, Barbara Forshew, Eleanor Hunt, Mary Parker, Barbara Stearns, Ruth Barnewall, Caroline Ebinger, Jean Scott, Joan Boselly, Katherine and Ixiis Whittier; John Briggs, Charles Speer, William Bertsche, Aldren Watson, John McCrate Jr., Winthrop Stearns, Kenneth Creveling, John Parker, Robert Rikel Nathaniel Lubet, Thomas Noble and Vincent Murphy. 
There will be an orchestra for dancing.
Brooklyn Daily Eagle
(New York)
April 4, 1934
Dual Role on Friends Nine for Mac Crate
Ace of Pitching Staff Will Also Fill the Gap at First Base
Capt. John MacCrate Jr., son of Supreme Court Justice MacCrate, will fill a dual role with the Brooklyn Friends school baseball team this season…. 
…Other prominent candidates for positions on the team comprise Kenneth Creveling, Bill Von Ax, Aldren Watson, Jeffrey Jennings, Karl Kramer and Randall Walker.
Brooklyn Daily Eagle
(New York)
April 16, 1935
8 Net Games Listed for Friends Boys
Brooklyn Friends Boy’s tennis team will participate in eight matches this season. Capt. William Bertsche, the only veteran of last year’s lettermen, will be supported by capable netmen chosen from the following: Vincent Murphy, Robert Rikel, Monroe Grossman, Aldren Watson, Brooks Parker, Arnold Nicosta, Ben Johnson, John James, Martin Johnson, Jack Marshall, Watten Anderson and William Notion.
Aldren spent some time overseas according to a passenger list at Ancestry.com. He arrived in Philadelphia, Pennsylvania on August 13, 1936 from Libson, Portugal. His Brooklyn address was on the passenger list.

The 1940 census said Aldren and his parents resided in Manhattan, New York City, at 21 East 10th Street. All of them were freelance artists. Aldren’s mother passed away in 1948 and his father in 1969.

Partial list of books by Aldren.

The Song of Songs Which is Solomon’s (1944)
Aesop’s Fables, in a New Translation for Modern Readers (1946)
Gulliver’s Travels (1947)
The Jungle Books (1948)
John Henry and His Hammer (1950)
Pecos Bill, Texas Cowpuncher (1950)
Empire of Fur: Trading in the Lake Superior Region (1953)
Toby and Doll (1955)
When Is Tomorrow? (1955)
What does A begin with? (1956)
The Fairy Tale Picture Book (1957)
John Greenleaf Whittier: Fighting Quaker (1958)
Our Christmas Story (1959)
Mike Fink: Best of the Keelboatmen (1960)
Russian Proverbs Newly Translated (1960)
My Garden Grows (1962)
Watson Drawing Book (1962; with Ernest Watson)
Willie and the Wildcat Well (1962)
American Bard: The Story of Henry Wadsworth Longfellow (1963)
Hand Bookbinding: A Manual of Instruction (1963)
The Picture Story and Biography of John Adams (1965)
The Snow Book (1965)
Very First Words for Writing and Spelling; A Picture Dictionary (1966)
Just Right (1968)
The Village Blacksmith (1968)
Carol to a Child, and a Christmas Pageant (1969)
A First Look at Psychology (1969)
Maple Tree Begins (1970)
New Under the Stars (1970)
The Hunting Peoples (1971)
Country Furniture (1974)
Uncle Wiggily’s Happy Days (1976)
Source of Everyday Things (1978)
Furniture Making Plain and Simple (1984)
Hand Tools Their Ways and Working (1986)
The Blacksmith: Ironworker and Farrier (1990)
Hand Tools (2002)
Waterfront New York: Images of the 1920s and ’30s (2014)

Aldren passed away May 5, 2013 in Etna, New Hampshire. The following paid death notice appeared May 10 in The New York Times.
Watson—Aldren Auld, book illustrator and author born in Brooklyn, 1917, to artists Eva and Ernest Watson. His final work, “Waterfront New York: Images of the 1920’s & ’30’s,” is forthcoming in July. More information at: www.AldrenWatson.com. Survived by eight children and many other relatives. He was predeceased by parents; brother Merlin Auld Watson; grandson James Watson Harrah.
Aldren’s biography is here. Additional links: Wendy Watson’s Blog, and Thomas A. D. Watson.

(Next post on Monday: Daniel T. Ames, Master Penman)

Monday, May 18, 2015

Monday, May 11, 2015

Lettering: Platt R. Spencer, Master Penman

November 7, 1800, East Fishkill, New York – May 16, 1864, Geneva, Ohio

Platt Rogers Spencer was the youngest child born to Caleb and Jerusha, and creator of the Spencerian writing system.

1830 United States Federal Census
Ashtabula, Ohio
P R Spencer

1840 United States Federal Census
Geneva, Ohio
Platt R Spencer

1850 United States Federal Census
Geneva, Ohio
Name / Age
Platt R Spencer 49
Persis Spencer 43
Robert C Spencer 20
Sarah L Spencer 17
Platt R Spencer 15
Henry C Spencer 12
Harvey A Spencer 12
Lyman P Spencer 10
Phebe J Spencer 8
Ellen R Spencer 00

1860 United States Federal Census
Oberlin, Ohio
Name / Age
Platt R Spencer 60
Persis Spencer 54
Lyman Spencer 20
Robert Spencer 31
Platt Spencer 25
Henry Spencer 22
Harvey Spencer 22
Phoebe Spencer 18
Persis Spencer 10
Emma Spencer 4

The Ohio Educational Monthly, January 1861

The Ohio Educational Monthly, January 1861

The Ohio Educational Monthly, January 1861

The Ohio Educational Monthly, January 1861

The Ohio Educational Monthly, January 1861


New York Daily Tribune

May 20, 1864
TESTIMONIAL.
At a called mooting of the TEACHERS and STUDENTS of Bryant, Stratton & Packard’s Commercial College, held at their rooms on Thursday, May 19, the following resolutions touching the death of Mr. PLATT R. SPENCER were unanimously adopted:
Whereas, We have been made acquainted with the fact of the death of our beloved friend and former instructor, Mr. Platt R. Spencer, who died at his residence in Geneva, Ohio, on Monday evening, May 16, inst.; and
 Whereas; We deem it not less a duty than a sacred privilege to memorialize this sad event by a solemn act of the Institution of which we are members, and in which he so recently officiated; therefore, be it
Resolved, That in this sad dispensation of Providence we recognize the hand of a just and wise God, and while we are called upon to mourn the loss of one who has upon us a peculiar claim for gratitude and affection, and whose departure from a field of great usefulness has filled our hearts with unalloyed sorrow and regret, we bow with submission to the will of “Him who doeth all things well.” 
Resolved, That in all our past association with our departed friend we have ever found in him the qualities of a true man; and that the retrospect of this valued acquaintanceship recalls no act or thought to mar the sacred pleasures of memory. 
Resolved, That in the death of Mr. Spencer, every true friend of education and moral advancement has occasion to mourn the domino of a brother; for in all that tended to benefit society, to advance tho cause of virtue, and to administer to a true and healthy social progress, his heart was alive and his hand free. 
Resolved, That all lovers of correct penmanship throughout the world have lost in Mr. Spencer a most devoted and faithful exemplar; and that the day is not distant when to him must be universally conceded the honor of having evolved and perfected a system of Writing which must remain the business standard for all coming time. 
Resolved, That while we sincerely deplore the sad stroke which has placed beyond our reach the living instruction of the revered author of the “Spencerian Penmanship,” we will never cease to commemorate his services by a healthful ambition to profit by the works he has left behind him 
Resolved, That we do most earnestly and sincerely sympathize with the immediate family and friends of the deceased, and extend to them our heartfelt condolence in this their hour of deepest sorrow. 
Resolved, That these proceedings be published in the city papers, and that a copy thereof be handsomely engrossed for the family of the deceased. 
W. W. Harder, Chairman.
W. Allan Miller, Secretary.
S. S. Packard, James McGivren, W. H. Palmer, J. Simpson, G. B. West, Committee.































Find a Grave

Geneva
Susan Bradburn
Arcadia Publishing, 2007
Grave site

Spencerian Key to Practical Penmanship
Ivison, Phinney, Blakeman & Co., 1866

Ashtabula Telegraph
(Ohio)
October 20, 1876
Advertisement

Hill’s Album of Biography and Art, 1882

Hill’s Album of Biography and Art, 1882

Hill’s Album of Biography and Art, 1882

































































































An Illustrated Description of Milwaukee
The Milwaukee Sentinel, March 1890
Spencer Brothers

Penman’s Art Journal
February 1898
“Father Spencer” Part 1

Penman’s Art Journal
March 1898
“Father Spencer” Part 2

Penman’s Art Journal
April 1898
“Father Spencer” Part 3

Penman’s Art Journal
May 1898
“Father Spencer” Part 4

The Kansas City Journal
(Missouri)
September 3, 1899
“Father of Penmanship.”
Plan to Erect a Memorial at Geneva, O., to Platt R. Spencer.

New York Tribune
(New York)
September 17, 1899
“The Father of Penmanship.”

The National Cyclopaedia of American Biography
Volume VIII
James Terry White
James T. White & Company, 1900
Spencer, Platt Rogers, educator and author…

Sketches of Ohio Libraries
Ohio State Library Board
1902
Platt R. Spencer Memorial Library

Herringshaw’s Encyclopedia of American Biography of the Nineteenth Century
Thomas William Herringshaw
American Publishers’ Association, 1904
Spencer, Platt Rogers, the originator of the Spencerian method of penmanship, was born Nov. 7, 1800, in East Fishkill, N.Y. He had given penmanship much attention from early youth, and was led to perfect his semi-angular system by seeing the necessity of a more rapid execution than the old round Roman method, and a more legible hand than the angular or German system. He died May 16, 1864, in Geneva, Ohio.

The Blue Book, 1907
































The San Francisco Call
(California)
May 8, 1909
“Where Spencer Taught the Art of Writing”

The Business Journal
September 1910
Platt R. Spencer pernmanship

The Ogden Standard Magazine
(Utah)
October 24, 1914
“Are the Good Penmen All Dead Ones?”

The New Standard American Business Guide: A Complete Compendium of How to Do Business by the Latest and Safest Methods
Edward Thomas Roe
G.G. Sapp, 1914
Penmanship

A History of Cleveland and Its Environs: The Heart of New Connecticut
Volume 2
Elroy McKendree Avery
Lewis Publishing Company, 1918
Henry T. Loomis, business partner

Artists in Ohio, 1787–1900: A Biographical Dictionary
Jeffrey Weidman
Kent State University Press, 2000
Profile

Luc Devroye

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Lloyd M. Kelchner
Louis Madarasz
Charles Ransom


(Next post on Monday: Spider-Man’s Gas Mask, Très Chic)