Saturday, November 11, 2023

Comics: Frank Frollo, Artist and Art Director


Today is Veterans Day.

Courtesy of 63rd Infantry Division, Blood and Fire

Frank Joseph Frollo was born on February 4, 1915, in the Bronx, New York, according to his World War II draft card. 

In the 1915 New York state census, Frollo (line 37) was the only child of Rocco, an Italian immigrant, and Mary, a New Yorker. They were Bronx residents at 760 Trinity Avenue. 


On June 5, 1917, Frollo’s father signed his World War I draft card. His Bronx address was 885 Union Avenue. 

The same address was recorded in the 1920 census. Frollo is on line 47. 


Frollo’s father applied for a passport which was issued on July 20, 1922. The family intended to depart aboard the steamship Conte Rosso on August 10, 1922.



On April 1, 1923 the Frollos (lines 4 to 6) returned to New York. They departed aboard the same steamship from Naples, Italy on March 21, 1923.


According to the 1925 New York state census, the Frollos’ Bronx address was 796 East 161st Street (lines 40 to 43). Also in the household was Frollo’s uncle.


The 1930 census counted Frollo (line 12) and his parents in the Bronx at 845 East 228th Street. 


It’s not known which schools Frollo attended. Who’s Who of American Comic Books 1928–1999 said Frollo studied at the Art Students League and Famous Artists School which was founded in 1948. 

The Catalog of Copyright Entries, Part 4, Works of Art, Etc., 1935, New Series, Volume 30, Number 4, published the following entry. 
Frollo (Frank)* 8335
Adventures of newsreel cameramen. © 1 c. Nov. 8, 1935; G 21163. 
“Adventures of Newsreel Cameramen” appeared in Funny Picture Stories, #3, January 1937, and #6, April 1937. 

In The Comics Journal #261, June–July 2004, Ron Goulart asked Gill Fox about the artists in Harry “A” Chesler’s studio. 
“OK, Frank Frollo sat behind me,” he said. “In front of me was Paul Gustavson. Then there was Charlie Biro, Bob Wood ... Ken Ernst was there briefly, not too long. Running the place, about six months after I’d been there, was Jack Binder. Jack Cole was there ... the kid, Fred Schwab. Rafael Astarita. Oh, and Fred Guardineer.”
Who’s Who said Frollo was also in the studios of Eisner and Iger, Binder, Funnies Inc., and Iger. Many of Frollo’s credits are at the Grand Comics Database

The New York Times, December 9, 1939, said 
Frank Frollo, commercial artist, has joined the advertising staff of the S. & S. Corrugated Paper Machinery Company, Inc., Brooklyn, as assistant advertising manager.
The 1940 census said Frollo (line 19) lived with his parents at the same address. His occupation was artist for picture magazines. He completed four years of high school and earned $936 in 1939. 


Frollo and Emily E. Bongiorno obtained, in the Bronx, marriage license number 11819. The date of their marriage is not known.

On October 16, 1940, Frollo signed his World War II draft card. His address and employer were unchanged. Frollo was described as five feet eleven inches, with brown eyes and hair. 


Frollo created the super-heroine Blue Lady who debuted in Amazing-Man Comics #24, October 1941. 


Frollo enlisted on August 17, 1943. He served in the Army’s M Company, 255th Infantry Regiment, 63rd Infantry Division. Frollo’s son provided photographs of his father and his mural at their website here and here. Frollo was a technician fifth grade. Frollo’s veteran’s file (transcribed at Ancestry.com) said he served from September 1, 1943 to April 22, 1946.

A 1947 issue of Printers’ Ink said Frollo worked on a comic strip for Arthur Davis, head of Arthur Davis Associates. 

The 1948 New York, New York city directory listed Frollo at 41 Bennett Avenue in Manhattan. 

In 1950, Frollo, his wife and son lived in Manhattan at 701 West 189 Street, apartment 4E. He was a freelance commercial artist. The same address was in the 1960 Manhattan directory. 


At Charlton, Frollo was one of the art editors on Fantastic Science Fiction, August 1952. His art appeared in several Charlton Comics from 1952 to 1956. Below are two illustrations from True Life Secrets #11, January 1953.


... Frank Frollo, formerly Art Director of Grayson-Robinson Stores, has been named Art Director at Sales Letters Inc. ...
Who’s Who said Frollo had an advertising agency, FAA Advertising, from 1962 to 1971. Actually, his agency started earlier and operated out of his home. FAA Advertising was mentioned in Automotive News, April 26, 1954. 
Brach Mfg. Corp., 200 Central ave., Newark 4, N. J. Auto radio antennas. FM and TV antennas. Leon 8. Brach, pres.; Ira Kamen, vice-pres.; J. B. Cejka, vice-pres. and cf. engr.; A. Ashcroft, pur. agt. Det. Rep.—8S. Kehoe, 719 Fisher bldg., Detroit, Mich. Adv. Agcy.—FAA Advertising, 701 W. 189th st., New York City.
Who’s Who said Frollo was an art director at Allied Leathercraft in the 1970s. There was no such company in New York but there was an Allied Lettercraft Company that was founded in 1926 according to an advertisement in The Literary Market Place 1945. At the time the company specialized in multigraphing, mimeographing, addressing and mailing for publishers’ promotion. Similar services were offered in the 1970s. The MIMP 1980 said the company was located at 307 West 36th Street in Manhattan. 

Frollo passed away on October 12, 1981, in New York City.


Further Reading and Viewing
The Charlton Comics Reading Library, Space Adventures #9, Winter 1954 
Heritage Auctions, oil painting, original comic art here and here
Charlton Companion, Charlton Comics Forgotten Artists


(Next post on Monday: The 1930 Hi-O-Hi Yearbook)

Monday, November 6, 2023

Comics: Herb Field, Letterer, Editor and Designer


Herb Field was born Herbert Hirshfield on August 3, 1909, in Amsterdam, Holland, according to his World War II draft card. However, birth records at Wie Was Wie show his name as Herman Hirshfeld who had the same birth information. The birth register is at Gemeente Amsterdam Stadsarchief.



The family made its way to England and departed from Liverpool on May 6, 1916. The passenger list recorded the family name as Hirshfield. The family of four (lines 7 to 10) arrived in the port of New York on May 14, 1916. They were bound for Brooklyn.


On September 12, 1918, Field’s father, Bernard, signed his World War I draft card. He was a tailor who resided at 427 7th Avenue in Brooklyn. 

The same address was recorded in 1920 United States Census (see lines 87 to 90). Field’s parents were born in Russia.


The 1925 New York state census counted the family in Brooklyn at 5305 6th Avenue (lines 13 to 16). 


I believe Field attended the Alexander Hamilton High School of Commerce. A “Herman Hirshfield” was named in the school’s orchestra in the Standard Union (Brooklyn, New York), June 15, 1925. The school’s art department was described.
... Individuality in art accompanies individuality in character. The school is said to rank second to none in the commercial art department, designs made for various commercial purposes showing marked ability on the part of the students. Morris Greenberg, the teacher of free-hand drawing, succeeded in imparting artistic feeling as well as a knowledge of composition and technique to his pupils. The results are really remarkable. ...
According to the 1930 census, their Brooklyn address changed slightly to 5309 6th Avenue (lines 73 to 76). 


On April 23, 1931, Field and Beatrice Goldlust obtained, in Brooklyn, marriage license number 5949. They married on April 29, 1931.


The 1940 census recorded Field’s first name as Herbert (line 15). He, his wife and eleven-month-old daughter, Priscilla, resided in Brooklyn at 1581 East 17th Street. Field operated a cigar mail order business. His highest level of education was the fourth year of high school. Field’s house was valued at $5,250.


On October 1, 1940, Field signed his World War II draft card which recorded his name change. At some point his name and address were updated. Field’s description was five feet ten inches, 175 pounds, with brown eyes and hair. 


Information about Field’s art training has not been found.

At the Marvel Mysteries and Comics Minutiae website, Nick Caputo profiled several letterers of Charlton Press. He said Field began lettering, in 1946, at the Sangor studio, and worked for other publishers including Better Publications, Fawcett, Nesbit, Stanmor, and DC Comics. Setting the Standard: Comics by Alex Toth 1952–1954 (2011), included a few endnotes that mentioned Field. The endnote on page 414, for the story “The Crushed Gardenia” in Who Is Next? #5, January 1953 (Ned Pines), quoted Toth.
… “I’d file down a ‘Speedball B-6’ ‘flicker’ lettering pen nib, to not only letter, but ink, all of this storyset—I wanted a clean monotonous line—a dip pen nib gave it to me. It was only later, after delivery of it, that Herb Field introduced me to the newly arrived from Germany “Rapidograph’ pen series—monotonous line and all—and I, at once, adopted it—for years—in its many line widths—did some filing-down of them, too, to get a nice calligraphic line. …


New Romances #17, August 1953
Stars in My Eyes (see page 416, Setting the Standard: 
Comics by Alex Toth 1952–1954.)

In the mid-1960s Field began lettering at Charlton Comics. Many of Field’s credits are at the Grand Comics Database

Captain Atom #85, March 1967

Hercules #1, October 1967

According to the 1950 census, Field and his family (lines 28–30) resided in Croton-on-Hudson, Westchester County, New York. He was a commercial artist working in the publishing industry. 


In the late 1960s, Field gradually withdrew from comics lettering. He started an art studio to service publishers. Field made diagrams for the 1967 book, Skiing Guidebook; Basic Ski Technique for Boys and Girls which was illustrated by Bob Powell.

The Herb Field Art Studio was acknowledged by George Sullivan in his books: Baseball’s Art of Hitting (1974), Better Softball for Boys and Girls (1975), Winning Plays in Pro Football (1975), The Catcher, Baseball’s Man in Charge (1976), Fifty Dual Crostics Plus, Series Two (1976), This Is Pro Hockey (1976), This Is Pro Basketball (1977), Better Basketball for Girls (1978), Better Volleyball for Girls (1979), The Complete Beginner’s Guide to Pool and Other Billiard Games (1979), This Is Pro Soccer (1979), Better Basketball for Girls (1980), Better Football for Boys (1980), Better Roller Skating for Boys and Girls (1980), Track and Field: Secrets of the Champions (1980), Better Baseball for Boys (1981), Better Field Hockey for Girls (1981), Better Track for Girls (1981), The Gold Hunter’s Handbook (1981), Sadat: The Man Who Changed Mid-East History (1981), Better Field Events for Girls (1982), Better Cross-Country Running for Boys and Girls (1983), Return of the Battleship (1983), Strange But True Stories of World War II (1983), Better Wrestling for Boys (1986), Better Tennis for Boys and Girls (1987), and The Day Pearl Harbor Was Bombed: A Photo History of World War II (1991). 

At some point, Field moved to California where he remarried. The status of his first wife is not known. A death notice was published on January 7, 1997 in the Los Angeles Times and The New York Times for Florence Folkenflik. 
Field—Florence Folkenflik (nee Rogosin) on January 2nd, 1997 in Laguna Hills, CA, following an extended illness. Beloved wife of Herb Field and the late Bernard Folkenflik. Loving mother of Robert Folkenflik (Vivian), Bette Folkenflik Blank and Max Folkenflik (Margaret) and loving stepmother of Priscilla Field. Dear sister of H. Rogie Rogosin (Donna) and the late George Rogosin (Frances). Devoted grandmother of six grandchildren and one step-grandchild. We will all miss you. 
Field passed away on September 10, 1999, in California. The Social Security Death Index said his last residence was Laguna Hills. 


Further Reading and Viewing
Grand Comics Database, Pines titles


SIDEBAR: Herb Field’s Family

The Citizen Register, (Ossining, New York), May 21, 1957, said
Priscilla Field, daughter of Mr. and Mrs. Herbert Field of 235 Cleveland Drive, Croton, plans to enter Skidmore College following graduation next month from Croton-Harmon High School. Awarded the Junior Honor Key, she was manager of cheerleading this year, in the chorus throughout her high school career, a member of the senior play cast and active on school publications and in intramural sports.
Tiger’s Tail yearbook

The New York, New York Marriage License Index, at Ancestry.com, has a Priscilla Field and William Periard who obtained a 1960 license in Manhattan. 

Public records at Ancestry.com said she resided in California as early as 1989. She was referred to in The New York Times, April 29, 2007, which profiled her son, Justin Bua, an accomplished artist. 
... Mr. Bua said many of his characters were inspired by unlikely father figures: men he looked up to as survivors in “the harsh realities of the urban jungle.” His own father was absent, he said, and his single mother supported the family as the owner of a graphic-design business. (Her father, Herb Field, was a comics letterer who also painted and made sculptures.) ...
In an interview at Fatlace, Bua said
I have been painting and drawing since I was very young. Both my mother and my grandfather are/were artists and constantly taught me about the great artists they admired. I attended the Fiorello H. LaGuardia High School of Music and Performing Arts and went on to the Art Center College of Design in Pasadena so that I had a good foundation to begin my career in the arts.
Shoutout LA asked Bua who else deserved credit? He answered
My Mom. Along my journey she always believed, had my back and was encouraged my art. She’s a real New Yorker who tells it like it is and doesn’t sugar coat. She’s a straight G.

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(Next post on Saturday: Frank Frollo, Artist and Art Director)

Tuesday, October 31, 2023

Monday, October 30, 2023

Anatomy of a Logo: Morbius: The Living Vampire

On August 19, 1991, Bobbie Chase called about logos for Morbius, Spirits of Vengeance, Darkhold, Nightstalkers, and Rise of the Midnight Sons.

Here are the Morbius: The Living Vampire sketches I made on August 24.


Two days later I started work on the logo designs.



Vellum overlay with refined letterforms




Alternate letter R


I finished three designs and faxed them to Bobbie. 



On August 28, Bobbie’s assistant, Chris Cooper, called with feedback on the logo they chose. I noted the revisions in red ink, “Deeper shadows, slightly taller letters”. 

On September 12, I made the changes to the logo and added shadow effects.




Logo revisions were faxed September 14. 



Feedback was noted in red. Instead of adding a drop of blood to one of the fangs, I rendered the drop shadow and subtitle as dripping blood.



The shadow effect was okayed but the letterforms were to be “less jagged/more even”. The block letters were used as a guide for the dripping letters.


The revised logo was faxed on September 17 and approved. 


For the character name, Morbius, I enlarged it on a photocopy and refined the letterforms in red ink. The photocopy was placed on a lightbox then covered with a sheet of Letramax paper for inking.


The final art was delivered two days later. 


Morbius: The Living Vampire comic book was part of The Rise of the Midnight Sons series. I believe the first appearance of the logo was in Ghost Rider #25 (below). 


Morbius: The Living Vampire comic book debuted with a September 1992 cover date. The Living Vampire subtitle was not used on the first issue.  


#2, October 1992

On the fifth issue, the logo was vertically stretched. The series, with my logo, ended with issue 32. 

Morbius: The Living Vampire plastic fangs were given away at comics stores to promote the comic book. 


Five issues of Morbius Revisited were published in 1993. I don’t know who lettered Revisited.


Part of the Morbius logo appeared on the covers of Dr. Strange, Sorcerer Supreme #52, April 1993, Nightstalkers #8, June 1993 and Venom: The Enemy Within #2, March 1994.




Morbius: The Living Vampire logo appeared on the cover of Midnight Sons Unlimited #2, July 1993. 


The logo appeared on the 2007 one-shot Legion of Monsters


The Classic Marvel Figurine Collection #99, July 1, 2009, featured Morbius. 


Morbius: The Living Vampire Omnibus was published in 2019. 

The Morbius Epic Collection #1 — The Living Vampire appeared in 2020. That was followed by the Morbius Epic Collection #2 — The End of a Living Vampire in 2021. 

Morbius: Preludes and Nightmares was published in 2021. 


The cover and credits for Morbius: Bond of Blood #1, April 2021.



SIDEBAR: Film Adaptation

The Morbius film was released in the United States on April 1, 2022. The film’s promotional logo was based on the comic book, Morbius: The Living Vampire #1, March 2013. 

Columbia Pictures/Marvel Entertainment

Early September 2022 I saw the film on an airplane. Surprisingly, the open title sequence logo, by Antenna, was different. The film’s letterforms are similar to the comic book logo except the R and B.


The letter M was featured in the end title sequence.


Here is a side-by-side comparison of the original comic book art and movie Ms. On the movie version, the letter strokes are slightly thinner and the curve of the fangs starts higher and ends with a narrower point.


A rare instance of a film being mostly faithful to two different comic book logos for the same character!


(Next post tomorrow: Happy Halloween)