Monday, January 21, 2013

Anatomy of a Logo: Will to Power


Will to Power was a twelve-issue limited series published by Dark Horse Comics. The editors were Jennie Bricker and Marilee Hord but I don’t recall which one called me, on February 16, 1994, about the logo. After a brief overview of the comic and the deadline, I received the fax of the logo designs produced by the in-house staff.


The next day I sketched out a few designs on scraps of craft paper.



A week earlier I had delivered the Jack of Hearts logo to Marvel, and I was working on the Great Grimmax logo for Defiant when I accepted the Dark Horse job. On February 19, I did a few thumbnail sketches.



I spent most of Monday morning, February 21, developing three designs. Two designs had some of the blockiness of faxed logos. 


The main challenge was how to integrate the fist and lightning bolt with the title. On the third design I moved the fist and lightning bolt below POWER and combined the angles of the lightning bolt with the O and E.


Next, I did the first of three stages of refining. Using a Rapidograph pen and tracing paper, I did slightly tighter versions of the sketches, then added red guidelines.


Detail of the top sketch.


Here is the second stage tracing...


…and the third tracing. The red bracket on the bottom logo meant that I should move TO slightly left to close the gap.


In the afternoon I made a photocopy and faxed it to Jennie or Marilee.


On Tuesday afternoon we discussed the designs. Number three was chosen and I was told to make the outline bolder. The next day I accepted two logos, Wraitheart and Mode Extreme, from Marvel. Starting on Thursday, I used a copier to enlarge the design then added guidelines.


The photocopy was taped to a light box and a sheet of LetraMax placed over it. The inking was done using a T-square, adjustable triangle, and a variety of ellipse templates. Corrections were made by scratching away ink. The logo measured 4.56 by 12.31 inches / 11.59 by 31.27 centimeters.


Friday afternoon I faxed the logo to Dark Horse and it was approved. The next day the finished art was sent by Federal Express.

Sometime later, I received copies of the first issue. The logo had been modified: a serif was added to the R, which, sort of, made the logo symmetrical. In the early stages of the design, I had considered adding that serif to the R, but in my mind it din’t look right, so it never made it in the sketches. In the logo, the right hand is holding the lightning bolt, but on Titan’s costume the left hand has it.


The remaining covers can be viewed at the Grand Comics Database.

(Next post on Monday: 1980s J.R.R. Tolkien Calendars)

Tuesday, January 15, 2013

Under Cover: The Legacy of Lehr


Katherine Kurtz
Illustrated by Michael William Kaluta
David Harris, Series Editor
A Byron Preiss Book
Walker and Company, 1986
The first book in the Millennium series.

Dust jacket detail

Title page

Chapter 1

Chapter 2

Chapter 4

Chapter 6

Chapter 7; art for signed and numbered print

Chapter 8

Chapter 10

Chapter 13

The custom alphabet was used first on the 1987 Exotica Calendar.



(Next post on Monday: Will to Power logo)

Monday, January 14, 2013

Anatomy of a Logo: Millennium


Millennium was a ten-book science fiction series produced by the late Byron Preiss for publisher, Walker and Company. Listed below, in order of release from 1986 to 1989, are the titles, authors and artists.

The Legacy of Lehr by Katherine Kurtz; illustrated by Michael W. Kaluta

A Dark Traveling by Roger Zelazny; illustrated by Lebbeus Woods*

Chess with a Dragon by David Gerrold; illustrated by Daniel Torres

Project Pendulum by Robert Silverberg; illustrated by Moebius

The Forever City by Richard A. Lupoff; illustrated by Bob Eggleton

The Year of the Ransom by Poul Anderson; illustrated by Paul Rivoche

Joe Gosh by Tom De Haven; illustrated by Ralph Reese

A Place of Silver Silence by Ardath Mayhar; illustrated by Pat Ortega

Hong on the Range by William F. Wu; illustrated by Phil Hale and Darrel Anderson and Richard Berry

The Homecoming by Barry B. Longyear; illustrated by Alan Clark

Byron commissioned Lebbeus Woods to design a logo for the series. He submitted his design for Byron’s approval. I was called in to finish the logo art and design the series.




My preliminary work was made on tracing paper which had been placed over Lebbeus’s sketch.


The finished artwork was inked on LetraMax 200 paper. The font, Helvetica Light, was used for Millennium.





* also by Lebbeus Woods, The Sentinel

(Next post tomorrow: The Legacy of Lehr)

Monday, January 7, 2013

Under Cover: Nick Fury’s Shadow


#90, September 1948
Street & Smith
Cover by Bob Powell


Nick Fury, Agent of S.H.I.E.L.D.
#3, August 1968
Marvel Comics
Cover by Steranko
The complete story is here.


Shadow Comics
#93, December 1948
Street & Smith
Cover by Bob Powell


Nick Fury, Agent of S.H.I.E.L.D.
#7, July 1968
Marvel Comics
Cover by Steranko


Related post: Reading Steranko

(Updated September 23, 2016; next post on Monday: Millennium Books)

Sunday, January 6, 2013

Creator: Artie Simek


ARTHUR “ART” / “ARTIE” SIMEK
January 6, 1916 – February 20, 1975


Artie Simek, a cartoonist and letterer, is best known for his lettering at Marvel Comics during the 1960s and 1970s. This chronology of his life was compiled from census records, newspaper articles, comic books and comics related material.


1920 UNITED STATES CENSUS
26 Burroughs Avenue, Queens, New York
Joseph and Theresa, parents born in Bohemia
Joseph, Francis and Arthur, sons in birth order


P.S. 12, WINFIELD
The Daily Star (Queens, New York)
Honor Roll Student
November 14, 1922

December 13, 1922

March 13, 1923

May 14, 1923

October 10, 1923

December 11, 1923

1925 NEW YORK STATE CENSUS
10 46th Avenue, Winfield, Queens, New York

March 11, 1926

October 8, 1926

April 11, 1927


1930 UNITED STATES CENSUS
74-22 46th Avenue, Queens, New York


BASEBALL, STICKBALL AND HIGH SCHOOL
The Daily Star

June 27, 1930
“P.S. 89, Elmhurst...Arthur Simek...”

July 18, 1931
The Woodside Cardinals, opening their indoor baseball season Wednesday, July 15, played four games, winning three of them. The team played was the Sparklers.

The line-ups: 
Cardinals—...Arthur Simek, left field...

August 26, 1931
The Elmhurst Junior Grays stickball team want games for the weeks beginning August 23 and 30 and September 6. They would like to hear from such teams as Corona Unknowns, Corona Havermayers, Delmars, Astoria Royals, Corona Ramblers, Unknown A.C., Darvalls, Senecas and other teams thirteen to fifteen years of age.

For games write to Arthur Simek, 74-22 Forty-sixth avenue, Elmhurst, L.I.


September 24, 1931
Grays, 22; Cardinals, 17.

The Elmhurst Junior Grays stickball team won their fifteenth game of the season when they defeated the Woodside Cardinals in a slugfest 22 to 17 in a ten-inning game.

…The line-ups: Grays…Simek, left field


April 19, 1932

The Elmhurst Junior Grays stickball team won their third straight game by easily defeating the Jackson Heights A.C., 24 to 8, at P.S. 12...

…The line-ups: Elmhurst Junior Grays…Simek, right field

May 5, 1932


June 25, 1932
Elmhurst (Coler) Cubs will organize a baseball team for this coming season. So far only five members have been chosen.

Those going to play will be: E. Paur, W. Sisson, E. Sisson, M. Bachenheimer and A. Simek.

This team will play at their new grounds, Coler Oval, between Forty-sixth and Forty-eighth avenues, near Seventy-fourth  street.

No games will be played until all the members have been chosen. Cubs will average between thirteen—fifteen years of age and will play twilight games only.


Coler Avenue, 3; 74th Street, 0.
The Coler Avenue Boys, a newly organized stickball team, opened their season by playing their second twilight game against the Seventy-fourth Streets and winning by a score of 3–0….

The Coler Avenue Boys earned their first run in the second inning…In the fifth inning two more runs scored when W. Sisson singled doubled and A. Simek hit a home run into left field.

The Coler Avenue Boys’ stickball team played a practice game against the Seventy-fourth Streets and defeated them by a of 3–1 score in an overtime game.

The Coler Avenue Boys started their line-up with W. Sisson, E. Paur, E. Sisson, B. Bruno and A. Simek. Timely hitting by W. Sisson and great fielding by A. Simek in the last inning were the features of the game….

July 11, 1932
...Arthur Simek


August 13, 1932
The Maspeth Beavers failed to open their season against the Maspeth Clovers last Sunday because of a cancelled engagement.

However, this Sunday morning at Winfield Oval, the Beavers will open their season against the Woodside Cardinals.

A. Simek will probably pitch for the Beavers.

August 26, 1932
The Elmhurst Junior Grays stickball team gained its twelfth win of the season at the expense of the Woodside Roamers, 6–3, at P.S. 12….

…The line-ups: Elmhurst Jr. Grays…Simek, first base

April 24, 1933
Pawnees, 9; Marvels, 3
...P. Dier and A. Simek, pitchers


1940 UNITED STATES CENSUS
74-22 46th Avenue, Queens, New York


BASEBALL
Star-Journal (Long Island City, New York)
March 28, 1940
The Elmhurst Islanders Baseball Club, a newly organized team managed by Artie Simek, are open for games in April and May.

Due to lack of a home field, the Islanders will be a traveling team. They are in the 18-21-year-old class and would like games with such teams as the Elmhurst Cubs, Elmhurst Elms, Astoria Bruins, etc.

For games write Artie Simek, 74-22 46th avenue, Elmhurst, or call Havenmeyer 4-5231 between 6:30 and 7 P.M. Ask for Johnny.

Star-Journal (Long Island City, New York)
June 5, 1940
“...Artie Simek has relinquished the managerial duties in favor of Wally Sisson for the Islanders and will now be take his turn on the mound.”


WORLD WAR II DRAFT CARD
Name: Arthur Milton Simek
Address: 7517 41st Avenue, Jamaica Heights, Queens, New York
Age: 24
Birth Date: January 6, 1916
Birth Place: Queens, New York
Registration Date: October 16, 1940
Registration Place: Elmhurst, Queens, New York
Employer: Self (Artist)
Weight: 155
Complexion: Ruddy
Eye Color: Gray
Hair Color: Brown
Height: 6 1
Next of Kin: Theresa Rose Simek   
 


Long Island Daily Press (Jamaica, New York)
March 3, 1941

Jackson Basketball Team Liked Simek’s Cartoon
All the boys on the Jackson squad liked Art Simek’s  cartoon (Feb. 22) very much. A number of the teachers also commented on its potent characterization.
Coach Lew Grummond, Andrew Jackson H.S.

Star-Journal (Long Island City, New York)
May 7, 1941
“...Artie Simek, Elmhurst Elms pitcher, is the same who does an occasional cartoon for the L.I. Press...”

Star-Journal (Long Island City, New York)
June 27, 1942
“St. Mary’s Cedars of Winfield, with two losses to date, take on the Brooklyn Blue Sox, who have been beaten three times. Mike Filardi will probably start Joe Marshall and Harry Rush, keeping Art Simek and Johnny Murray available for relief.”


SPORTS CARTOONIST

Sports cartoons by Jack Sords appeared in the Daily Star and Star Journal. Sords and other cartoonists inspired Simek to join their ranks.

Long Island Daily Press (Jamaica, New York)
December 22, 1943
More Holiday Mail
…Art Simek, Elmhurst cartoonist,…

Star-Journal (Long Island City, New York)
December 21, 1943
“Add Christmas greetings: From...Artie Simek, the sports cartoonist...”

Star-Journal (Long Island City, New York)
April 15, 1944: James Bradford Turner
Star-Journal (Long Island City, New York)
April 21, 1944
There’s quite a story in young Artie Simek, our cartoonist, who whipped up that amazingly accurate likeness of James (The Red) Turner, Queens Club patron, which appeared in Saturday’ issue of your favorite newspaper.

Simek, who used to be an athlete himself, lives at 74-22 46th avenue, Elmhurst, and found out that he got a greater bang out of drawing athletes than participating with them in various sports. SOOOoooooo, he gave with the India ink and the fancy lines only to meet with plenty of rebuffs when his work failed to display that professional touch.

But Artie never said quits in sports and he never said quits as a sports cartoonist. For more nights that he admits to, he passed up the movies and other entertainment to practice away hour after hour. That his labors have borne fruit is obvious after one look at his drawings today.

What is not generally known, however, is that it was Simek who drew a sports cartoon of Captain Eddie Grant, the New York Giant’s immortal, which was made into a plaque and which is now aboard the Eddie Grant Liberty ship in the captain’s quarters. Artful Arthur also did a likeness of John McGraw, which occupies a similar spot in the John McGraw Liberty Ship.

Simek has also done plenty of work for the Dodger and Giant magazines and for Mike Lee, sports editor of The Long Island Press. As a matter of fact, we recall a time when Mike was having a bad streak at the track and he called Simek into his office and said “draw me a winner”!

Star-Journal (Long Island City, New York)
May 19, 1944

“Artie Simek: Will you call this department, please?”

Star-Journal (Long Island City, New York)
July 6, 1944: Jackson Club
Star-Journal (Long Island City, New York)
July 25, 1944: John L. Flood
Long Island Daily Press (Jamaica, New York)
December 30, 1944
More Holiday Mail
…also cards from Mr. and Mrs. Art Simek of Jackson Heights…he used to be a cartoonist for the Press…


COMIC BOOK ARTIST
Star-Journal
April 9, 1946
“…Former sports cartoonist Art Simek, of Jackson Heights now making strides in the cartoon field…Draws such horror funnies for the kiddies he can’t sleep nights…”


CARTOONIST
Star-Journal
December 4, 1954
“…After all these years who should we hear from the other day but Artie Simek of Elmhurst, who used to do cartoons for the column many years ago..Artie has been working for Timely Comics and has a nice cartoon in the Jan. issue of Male Mag…Since we last heard from Artie he has acquired a wife, Dottie, and two children, Gloria Jean, six, and Glen Arthur, one...”

September 1975
“On February 20, 1975, early in the morning, the comic book industry lost one of its foremost talents. ARTIE SIMEK died. For thirty-odd years, the majority of his life, Artie produced a veritable mountain of work and gained a reputation for being a true professional. He was one of the cornerstones in building the mighty world of Marvel and his efforts cannot be ignored.

To those of us who were privileged to know Artie, he was a valued friend, a unique personality, and an irreplaceable co-worker.

He will be missed.”



Find a Grave
Name: Arthur Simek
Birth Date: 1916
Death Date: 1975
Cemetery: Flushing Cemetery
Burial or Cremation Place: Flushing, Queens County, New York

Ultimate Spider-Man
#11, September 2001

Dear Customer Support, 

My name is Arthur Simek. I work for Miramax Films. A couple of nights ago, my employer attended a party at the Fisk Towers and was very interested in the surveillance technology that they are using.

Your company came highly recommended. My employer has asked me to put together some information on what the set-up entails. I have both time and space needs.

Any information you could forward to me would be very helpful.

Story reprinted in Ultimate Spider-Man Vol. 2: Learning Curve (2004); scroll down to read the reply from Sam Rosen.


Alter Ego
#11, November 2001
A Conversation with Vince Fago
Interview Conducted and Transcribed by Jim Amash

IV. Some Faces In The Four-Color Crowd
JA: What about other production people or letterers?
Fago: Billie Landis was a musician, sculptor, freelance letterer, and a friend.

Veda Lufkin was a housewife from New Jersey, and she'd letter at home.

Alberta Tews was also a freelance letterer. One day she came in and told me she'd had her teeth knocked out playing basketball the day before. She said it was no big deal because they were false teeth, even though she was a young girl.

Mario Aquaviva lettered, too. Artie Simek worked for us; he was a tall, friendly guy that everyone liked.


Alter Ego
#52, September 2005
Joe Giella Interview
…Artie Simek was on staff at Timely. He lived in Queens, and he also used to work out of his bedroom; he had a little drawing table in there. I used to drive to his home and pick up jobs he’d lettered, then take them home and work on them…


Alter Ego
#90, December 2009
Leon Lazarus Interview
Jim Amash: Who hired you to be a letterer?

Leon: Gary Keller. He was in charge of the production department; gray haired…he was an old guy. Timely had trouble with their proofreaders, so I was made an associate editor in order to look over their shoulders and check out their work. Don Rico was working with Stan Lee and Ernie Hart. Rico had drawn features like “The Sub-Mariner.” He may have written some of it, too; I can’t be sure now. Ernie Hart had done a book on German police dogs, and could draw as well as write. He was a nice guy, very slick-looking, with a good sense of humor. He was smart.

We were on the 14th floor of the Empire State Building. The letterers were gathered in the production room, away from the artists. In that room with me were many people, most of whom I don’t remember now. Mario Aquaviva was in charge of the letterers, but Artie Simek was over him. Artie was a tall, skinny guy, very nice and quiet, with a big Adam’s apple. He never pushed anyone around. He didn’t letter stories; he did logos.



Wikipedia
Grand Comics Database: credited as Art Simek; credited as Artie Simek



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(Next post on Monday: Nick Fury’s Shadow)